Cultural Flagships: Pathways, Practices and Politics of a Global Urban Type
October 2020 – September 2024
Researchers: Martin Müller (PI), David Gogishvili and Laura Neville (postdoctoral researchers), Clotilde Trivin (doctoral student)
Funding: Swiss National Science Foundation
This project seeks to achieve two goals: first, to think and characterise cultural flagships as a global urban type and, second, to trace the individual articulations of four cultural flagship exemplars as what it calls global buildings. A database of cultural flagships worldwide will allow drawing more general conclusions on the prevalence, genealogy, context, rationales and outcomes of cultural flagships and tracing the pathways, practices and politics of the cultural flagship as a global urban type. The four case studies are all drawn from cities outside the West, which represent the global frontier of the cultural flagship as an urban type: the Louvre in Abu Dhabi, the M+ Museum in Hongkong, the Museum of Tomorrow in Rio de Janeiro, the Second World War Museum and the European Solidarity Center in Gdańsk. This choice allows not just examining their (potentially different) positioning vis-à-vis the particular urban type that is the cultural flagship, but also vis-à-vis the global cultural hegemony of the West
Culture for the Planet: Turning cultural institutions into leaders of the sustainability transition
Researchers: Martin Müller (PI) and Julie Grieshaber (Junior researcher). Funding: Swiss National Science Foundation
This transformational research project aims to develop frameworks and tools to accompany the cultural sector towards more ambitious and more systematic actions for sustainability. Museums, theatres, opera houses and other cultural institutions enjoy high levels of trust and public visibility, attracting millions of visitors across the globe each day. As such, they are predestined to shape the sustainability transition and become thought leaders and role models to inspire action for sustainability beyond their sector. The cultural sector, however, is lacking a framework and indicators for understanding and managing sustainability, as well as a benchmark to calibrate and structure ongoing sustainability efforts.
Thinking with the Global Easts
August 2016 – ongoing
Researchers: Martin Müller
Carving up the world into Global North and Global South has become an established way of thinking about global difference. This binary, however, erases what this project calls the Global East – those countries and regions that are often labelled post-socialist and are neither clearly North nor South. This project seeks to think the Global East as that unbounded region which is suspended between globalising processes and the legacies of multiple transformations from imperialism to communism to neoliberalism and neopatrimonialism. It works through cases ranging from IKEA to Sci-Hub to recover the Global East for scholarship and probes the distinctiveness of its contribution for a global theorising of state, cities and society.