{"id":175,"date":"2021-09-10T22:19:54","date_gmt":"2021-09-10T20:19:54","guid":{"rendered":"https:\/\/wp.unil.ch\/theaterandjudgment\/?page_id=175"},"modified":"2022-11-11T10:46:27","modified_gmt":"2022-11-11T09:46:27","slug":"team","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/theaterandjudgment\/team\/","title":{"rendered":"Team"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/11\/Curran-B_W-1-300x300.jpg\" alt=\"\" class=\"wp-image-270\" srcset=\"https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/11\/Curran-B_W-1-300x300.jpg 300w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/11\/Curran-B_W-1-1024x1024.jpg 1024w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/11\/Curran-B_W-1-150x150.jpg 150w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/11\/Curran-B_W-1-768x768.jpg 768w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/11\/Curran-B_W-1.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-left has-normal-font-size\"><strong>Kevin Curran<\/strong> is Professor of Early Modern Literature at the University of Lausanne, General Editor of the book series \u201cEdinburgh Critical Studies in Shakespeare and Philosophy,\u201d and President of the Lausanne Shakespeare Festival. He is the author of&nbsp;<em>Shakespeare\u2019s Legal Ecologies&nbsp;<\/em>(Northwestern, 2017) and&nbsp;<em>Marriage, Performance, and Politics at the Jacobean Court&nbsp;<\/em>(Ashgate, 2009) and editor of&nbsp;<em>Renaissance Personhood&nbsp;<\/em>(Edinburgh, 2020),&nbsp;<em>Shakespeare and Judgment&nbsp;<\/em>(Edinburgh, 2016), and (with James Kearney) a special issue of&nbsp;<em>Criticism&nbsp;<\/em>on \u201cShakespeare and Phenomenology\u201d (2012).&nbsp;In 2017, Curran was named Distinguished International Visiting Fellow at the Center for the History of Emotions in Australia. As the Director of the SNFS project \u201cTheater and Judgment in Early Modern England,\u201d he is completing a book entitled&nbsp;<em>Shakespeare\u2019s Theater of Judgment: Seven Keywords.&nbsp;<\/em> <\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Durdel-sq-300x300.jpg\" alt=\"\" class=\"wp-image-199\" srcset=\"https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Durdel-sq-300x300.jpg 300w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Durdel-sq-1024x1024.jpg 1024w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Durdel-sq-150x150.jpg 150w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Durdel-sq-768x768.jpg 768w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Durdel-sq-540x540.jpg 540w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Durdel-sq-1080x1080.jpg 1080w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Durdel-sq.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-normal-font-size\"><strong>Patrick Durdel<\/strong> is a PhD student in the SNSF project \u201cTheater and Judgment in Early Modern England\u201d at the University of Lausanne. He received his BA (2015) and MA (2018) from the Free University Berlin and was a DAAD-funded visiting student at Harvard University in the academic year 2016-17. He co-edited the volume <em><span class=\"has-inline-color has-primary-color\">Literary Theory after 2001<\/span><\/em> (Matthes &amp; Seitz Berlin, 2020), for which he also co-authored the introduction and articles on \u201cForm\u201d, \u201cEnvironment\u201d, and \u201cBorders\u201d. As an assistant lecturer at Free University Berlin (2020-21), he taught courses on \u201cDramatic Form(s)\u201d and \u201cRomeo &amp; Juliet from Luigi Da Porto to Baz Luhrman\u201d. At the University of Lausanne, Patrick Durdel is working on a PhD project on <span class=\"has-inline-color has-primary-color\">\u201cTheories and Practices of Judgment in Tudor Drama\u201d.<\/span><\/p>\n<\/div><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Celine-Magada_BW_Square-300x300.jpeg\" alt=\"\" class=\"wp-image-201\" srcset=\"https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Celine-Magada_BW_Square-300x300.jpeg 300w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Celine-Magada_BW_Square-150x150.jpeg 150w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Celine-Magada_BW_Square-768x767.jpeg 768w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Celine-Magada_BW_Square-540x539.jpeg 540w, https:\/\/wp.unil.ch\/theaterandjudgment\/files\/2021\/09\/Celine-Magada_BW_Square.jpeg 993w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-normal-font-size\"><strong>C\u00e9line Magada<\/strong> is a PhD student in Early Modern English at the University of Lausanne. There, she first completed her BA in English and Italian (2018) and then her MA in English, Italian and with a specialisation in \u201cHistory of the book and critical editing of texts\u201d (2021). In 2019, she went to study for a semester at Trinity College Dublin where she worked with early printed books from the Pollard Collection of Children&rsquo;s Books. She actively participates in the organisation of the Lausanne Shakespeare Festival as production assistant, artist hospitality, ticket office and communication and press manager. In the SNFS project \u201cTheater and Judgment in Early Modern England\u201d, C\u00e9line focuses on printed drama and the culture of judgement in Early Modern England.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kevin Curran is Professor of Early Modern Literature at the University of Lausanne, General Editor of the book series \u201cEdinburgh Critical Studies in Shakespeare and Philosophy,\u201d and President of the Lausanne Shakespeare Festival. He is the author of&nbsp;Shakespeare\u2019s Legal Ecologies&nbsp;(Northwestern, 2017) and&nbsp;Marriage, Performance, and Politics at the Jacobean Court&nbsp;(Ashgate, 2009) and editor of&nbsp;Renaissance Personhood&nbsp;(Edinburgh, 2020),&nbsp;Shakespeare [&hellip;]<\/p>\n","protected":false},"author":1002286,"featured_media":230,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-cover.php","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-175","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/theaterandjudgment\/wp-json\/wp\/v2\/pages\/175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/theaterandjudgment\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/theaterandjudgment\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/theaterandjudgment\/wp-json\/wp\/v2\/users\/1002286"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/theaterandjudgment\/wp-json\/wp\/v2\/comments?post=175"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/theaterandjudgment\/wp-json\/wp\/v2\/pages\/175\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/theaterandjudgment\/wp-json\/wp\/v2\/media\/230"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/theaterandjudgment\/wp-json\/wp\/v2\/media?parent=175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}