{"id":4822,"date":"2019-11-19T15:51:11","date_gmt":"2019-11-19T14:51:11","guid":{"rendered":"http:\/\/wp.unil.ch\/rarissima\/?p=4822"},"modified":"2019-11-19T16:08:08","modified_gmt":"2019-11-19T15:08:08","slug":"anne-marie-poncet","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/rarissima\/anne-marie-poncet\/","title":{"rendered":"Les taches rouges et noires d&rsquo;Hesselbarth"},"content":{"rendered":"<div class=\"su-row\"><div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<strong>Anne-Marie Poncet, <em>Clavier noir et blanc<\/em><br \/>\nGouaches d&rsquo;Hesselbarth<br \/>\nMoutier : Ed. de la Pr\u00e9v\u00f4t\u00e9, 1957<br \/>\n<\/strong>NEDB 5710<\/p>\n<p>\u00ab\u00a0Quelques lecteurs se demanderont sans doute quoi riment les taches rouges et noires dont Hesselbarth accompagn\u00e9 ces po\u00e8mes. Pour ma part, je les aime beaucoup. Elles ne repr\u00e9sentent rien, elles expriment, elles manifestent violence et tourment par l&rsquo;intensit\u00e9 des contrastes color\u00e9s et la vie flamboyante de leurs formes. Mais, dans un tel art, il semble que le peintre doive veiller ne laisser passer aucune forme qui \u00e9voque de trop pr\u00e8s une forme naturelle d\u00e8s qu&rsquo;un trait, comme c&rsquo;est le cas ici une seule fois, ressemble trop quelque chose (goutte d&rsquo;eau ou ludion), l&rsquo;image perd de son pouvoir en perdant son unit\u00e9 de ton.\u00a0\u00bb<br \/>\n(Philippe Jaccottet, <em>Nouvelle revue de Lausanne<\/em>, 10 f\u00e9vrier 1958)<\/p>\n<p>Les 5 gouaches originales de Jean-Claude Hesselbarth ont \u00e9t\u00e9 reproduites en s\u00e9rigraphie par Arthur Jobin, \u00e0 Lausanne.<br \/>\n1 des 45 exemplaires de t\u00eate sur papier \u00e0 la cuve Realgrande Miliani Fabriano au format 24 x 31cm (n\u00b0 XI).<br \/>\n<\/span><\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><a href=\"https:\/\/wp.unil.ch\/rarissima\/files\/2019\/11\/NEDB_5710.jpg\"><img alt=\"\" decoding=\"async\" class=\"alignnone size-full wp-image-161\" src=\"https:\/\/wp.unil.ch\/rarissima\/files\/2019\/11\/NEDB_5710.jpg\" alt=\"\" width=\"100%\" \/><\/a><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":568,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[37268,37272,37260,37273,37261],"tags":[],"class_list":{"0":"post-4822","1":"post","2":"type-post","3":"status-publish","4":"format-gallery","6":"category-2015-2018","7":"category-livres-dartiste-2018","8":"category-livres-dartistes","9":"category-livres-dartiste-romands-2018","10":"category-livres-dartistes-romands","11":"post_format-post-format-gallery"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/posts\/4822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/users\/568"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/comments?post=4822"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/posts\/4822\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/media?parent=4822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/categories?post=4822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/tags?post=4822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}