{"id":418,"date":"2011-10-13T14:16:15","date_gmt":"2011-10-13T12:16:15","guid":{"rendered":"http:\/\/wp.unil.ch\/rarissima\/?page_id=418"},"modified":"2019-07-18T11:54:26","modified_gmt":"2019-07-18T09:54:26","slug":"aux-sources-du-pittoresque","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/rarissima\/aux-sources-du-pittoresque\/","title":{"rendered":"Aux sources du \u00ab\u00a0pittoresque\u00a0\u00bb"},"content":{"rendered":"<div class=\"su-row\"><div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><strong>William Gilpin, <em>Three essays : on picturesque beauty, on picturesque travel, and on sketching landscape<\/em> (London: printed for R. Blamire 1792)<\/strong><\/p>\n<p><em>\u00abThe art of sketching is to the picturesque traveler what the art of writing is to the scholar. Each is equally necessary to fix and communicate its respective ideas.\u00bb<\/em><\/p>\n<p>Formul\u00e9e d\u00e8s 1768 dans son <em>Essay on Prints<\/em>, la d\u00e9finition du pittoresque en peinture de William Gilpin (1724-1804) a marqu\u00e9 le go\u00fbt anglais en mati\u00e8re picturale pendant pr\u00e8s de cinquante ans. Figure incontournable de l\u2019esth\u00e9tique pr\u00e9-romantique, Gilpin est, avec Jean-Baptiste Le Prince ou plus tard Goya, un des principaux promoteurs de l\u2019aquatinte, ou gravure en mani\u00e8re de lavis, appel\u00e9e \u00e0 dominer la sc\u00e8ne artistique \u00e0 la fin du 18e et au d\u00e9but du 19e si\u00e8cle.<\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"> <a href=\"https:\/\/wp.unil.ch\/rarissima\/files\/2011\/10\/gilpin.jpg\"><img alt=\"\" decoding=\"async\" class=\"size-full wp-image-124 alignright\" src=\"https:\/\/wp.unil.ch\/rarissima\/files\/2011\/10\/gilpin.jpg\" alt=\"\" width=\"100%\" height=\"auto\" \/><\/a><\/div><\/div><\/div>\n<p>https:\/\/issuu.com\/bcu-expos\/docs\/gilpin?e=2862260\/11165045<\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/issuu.com\/bcu-expos\/docs\/gilpin?e=2862260\/11165045<\/p>\n","protected":false},"author":568,"featured_media":420,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[37257,28752,37232,37254,28746,37258,28760],"tags":[],"class_list":{"0":"post-418","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-19e-siecle","8":"category-19e-siecle-2010","9":"category-2009-2010","10":"category-livres-anciens","11":"category-livres-anciens-2010","12":"category-livres-illustres","13":"category-livres-illustres-2010"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/posts\/418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/users\/568"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/comments?post=418"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/posts\/418\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/media\/420"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/media?parent=418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/categories?post=418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/rarissima\/wp-json\/wp\/v2\/tags?post=418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}