{"id":998,"date":"2020-01-06T13:58:55","date_gmt":"2020-01-06T12:58:55","guid":{"rendered":"http:\/\/wp.unil.ch\/narratologie\/?p=998"},"modified":"2020-01-06T14:09:07","modified_gmt":"2020-01-06T13:09:07","slug":"rhetorique-et-representations-de-la-culture-mafieuse-images-rituels-mythes-et-symboles-annonce-de-parution","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/narratologie\/2020\/01\/rhetorique-et-representations-de-la-culture-mafieuse-images-rituels-mythes-et-symboles-annonce-de-parution\/","title":{"rendered":"Rh\u00e9torique et repr\u00e9sentations de la culture mafieuse. Images, rituels, mythes et symboles (annonce de parution)"},"content":{"rendered":"<p>Nous avons le plaisir de vous annoncer la parution n\u00b036 des <em>Cahiers de Narratologie, <\/em>dirig\u00e9 par\u00a0Manuela Bertone, Antonio Nicaso et Donato Santeramo (d\u00e9cembre 2019) : \u00ab\u00a0Rh\u00e9torique et repr\u00e9sentations de la culture mafieuse. Images, rituels, mythes et symboles\u00a0\u00bb.<\/p>\n<p>Le num\u00e9ro est accessible en ligne : <a href=\"https:\/\/journals.openedition.org\/narratologie\/9582\">https:\/\/journals.openedition.org\/narratologie\/9582<\/a><!--more--><\/p>\n<p>SOMMAIRE :<\/p>\n<ul class=\"summary\">\n<li class=\"textes even\">\n<div class=\"author\">Manuela <span class=\"familyName\">Bertone<\/span>, Antonio <span class=\"familyName\">Nicaso<\/span> et Donato <span class=\"familyName\">Santeramo<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/9588\">Discours mafieux, culture mafieuse<\/a> <span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\">Laurent <span class=\"familyName\">Lombard<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/9611\">Au long de l\u2019histoire du myst\u00e8re\u00a0: la mafia s\u2019\u00e9panchant en mythe<\/a> <span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\">Francesco\u00a0Valerio <span class=\"familyName\">Tumbarello<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/9641\">Les Beati Paoli\u00a0: gen\u00e8se d&rsquo;un mythe<\/a> <span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\">Rosario\u00a0Giovanni <span class=\"familyName\">Scalia<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/9734\">Mafieux ou h\u00e9ros\u00a0? Mythes et motifs tragiques dans <em>Le Parrain<\/em> et <em>Le Parrain II <\/em>de Francis Ford Coppola<\/a> <span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\">Andrea <span class=\"familyName\">Meccia<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/9776\">R\u00e9-visions de la trilogie du <em>Parrain<\/em>\u00a0: anatomie d&rsquo;un mythe \u00e0 l&rsquo;\u00e9poque des s\u00e9ries t\u00e9l\u00e9vis\u00e9es<\/a><span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\">Walter <span class=\"familyName\">Zidari\u010d<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/9788\"><em>Don Raffa\u00e8<\/em> de De Andr\u00e9\/Bubola\/Pagani\u00a0: repr\u00e9sentation exemplaire du mafieux g\u00e9n\u00e9reux aim\u00e9 par le petit peuple<\/a> <span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\">Charlotte <span class=\"familyName\">Moge<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/9834\"><em>Il capo dei capi\u00a0:<\/em> une r\u00e9pr\u00e9sentation pol\u00e9mique de Tot\u00f2 Riina<\/a> <span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\">C\u00e9line <span class=\"familyName\">Masoni<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/9872\">Proc\u00e8s fictionnels et imaginaires p\u00e9riph\u00e9riques\u00a0: la s\u00e9rie <em>Gomorra<\/em> dans la r\u00e9ception active des rappeurs fran\u00e7ais<\/a> <span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\">Marcello <span class=\"familyName\">Ravveduto<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/9942\">L\u2019imaginaire de la <em>Google generation<\/em> criminelle\u00a0: les profils Facebook des jeunes de la Camorra <\/a><span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\">Marco <span class=\"familyName\">Soddu<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/10022\">Ritualisme, religion, codes symboliques des associations criminelles en milieu p\u00e9nitentiaire<\/a><span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\">Marcel <span class=\"familyName\">Danesi<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/10080\">S\u00e9miotique judiciaire\u00a0: crime et signe<\/a> <span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<\/li>\n<\/ul>\n<p class=\"section\"><strong><span class=\"text\">Varias<\/span><\/strong><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul class=\"summary\">\n<li class=\"textes even\">\n<div class=\"author\">Ilias <span class=\"familyName\">Yocaris<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/10158\">Pour une po\u00e9tique de la mise en intrigue<\/a> <span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<div class=\"subtitle\">Une lecture de l&rsquo;ouvrage de Rapha\u00ebl Baroni, <em>Les Rouages de l\u2019intrigue. Les outils de la narratologie postclassique pour l\u2019analyse des textes litt\u00e9raires<\/em>, Gen\u00e8ve, Slatkine, coll.\u00a0\u00ab\u00a0\u00c9rudition\u00a0\u00bb, 2017.<\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\">Rapha\u00ebl <span class=\"familyName\">Baroni<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/10134\">Les rouages d\u2019un d\u00e9bat. R\u00e9ponse \u00e0 Ilias Yocaris<\/a> <span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\">Frank <span class=\"familyName\">Wagner<\/span><\/div>\n<div class=\"title\"><a href=\"https:\/\/journals.openedition.org\/narratologie\/10136\">\u00ab\u00a0De la force d\u2019attraction des r\u00e9cits de fiction\u00a0\u00bb. Entretien avec Vincent Jouve<\/a> <span class=\"fullText\">[Texte int\u00e9gral]<\/span><\/div>\n<div class=\"subtitle\">\u00c0 propos de <em>Pouvoirs de la fiction. Pourquoi aime-t-on les histoires\u00a0?<\/em>, Paris, Armand Colin, 2019, \u00ab\u00a0La Lettre et l\u2019Id\u00e9e\u00a0\u00bb<br \/>\nPropos recueillis par Frank Wagner<\/div>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Nous avons le plaisir de vous annoncer la parution n\u00b036 des Cahiers de Narratologie, dirig\u00e9 par\u00a0Manuela Bertone, Antonio Nicaso et Donato Santeramo (d\u00e9cembre 2019) : \u00ab\u00a0Rh\u00e9torique et repr\u00e9sentations de la culture mafieuse. Images, rituels, mythes et symboles\u00a0\u00bb. Le num\u00e9ro est<\/p>\n","protected":false},"author":1001953,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-998","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts\/998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/users\/1001953"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/comments?post=998"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts\/998\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/media?parent=998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/categories?post=998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/tags?post=998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}