{"id":872,"date":"2019-10-04T15:35:29","date_gmt":"2019-10-04T13:35:29","guid":{"rendered":"http:\/\/wp.unil.ch\/narratologie\/?p=872"},"modified":"2019-10-04T15:35:29","modified_gmt":"2019-10-04T13:35:29","slug":"seminaire-du-cral-cnrs-ehess-recherches-contemporaines-en-narratologie-annonce-de-conference","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/narratologie\/2019\/10\/seminaire-du-cral-cnrs-ehess-recherches-contemporaines-en-narratologie-annonce-de-conference\/","title":{"rendered":"S\u00e9minaire du CRAL (CNRS\/EHESS) \u00ab Recherches contemporaines en narratologie \u00bb (annonce de conf\u00e9rence)"},"content":{"rendered":"

Centre de recherches sur les arts et le langage (CNRS\/EHESS) :\u00a0<\/strong>S\u00e9minaire \u00ab Recherches contemporaines en narratologie \u00bb\u00a0<\/strong>2019-2020<\/strong><\/p>\n

\u00a0<\/strong>Le s\u00e9minaire se r\u00e9unit tous les quinze jours, les 1er<\/sup>, 3e<\/sup>et 5e<\/sup>mardi du mois, de 15h \u00e0 17h<\/p>\n

96, boulevard Raspail \u2013 75006 Paris \/ Salle\u00a0Lombard<\/p>\n

https:\/\/narratologie.ehess.fr<\/a><\/p>\n

Philippe Roussin (CNRS, CRAL), organisateur, avec la collaboration de\u00a0:\u00a0Olivier Ca\u00efra (IUT Evry et EHESS), Anne Duprat (Universit\u00e9 d\u2019Amiens et IUF), Annick Louis (Universit\u00e9 de Reims et CRAL), John Pier (Universit\u00e9 de Tours et CRAL)<\/p>\n

R\u00e9cits \u00e0 l\u2019\u00e9preuve du hasard\u00a0 <\/strong><\/p>\n

Initialement fond\u00e9e sur des mod\u00e8les d\u00e9terministes et clos, la narratologie s\u2019int\u00e9resse depuis plusieurs ann\u00e9es \u00e0 des pratiques et \u00e0 des \u0153uvres plus ouvertes aux notions d\u2019incertitude, d\u2019incompl\u00e9tude et d\u2019inach\u00e8vement. Le hasard peut intervenir de deux mani\u00e8res\u00a0: d\u2019une part comme l\u2019insertion d\u00e9lib\u00e9r\u00e9e d\u2019un dispositif al\u00e9atoire dans le processus cr\u00e9atif (jets de d\u00e9s, tirages de cartes\u2026), d\u2019autre part comme une source de \u00ab\u00a0bruit\u00a0\u00bb externe au travail narratif (sant\u00e9 de l\u2019auteur, incidents \u00e9ditoriaux\u2026).<\/p>\n

Un premier cycle de s\u00e9ances sera consacr\u00e9 aux articulations \u2013 souvent probl\u00e9matiques \u2013 entre les structures fondamentales du r\u00e9cit et la g\u00e9n\u00e9ration al\u00e9atoire de contenus narratifs (fragments textuels, personnages dot\u00e9s de traits variables, effets engendr\u00e9s par un jeu de simulation\u2026). On \u00e9tudiera diff\u00e9rentes traditions qui ont fait du hasard une m\u00e9thode d\u2019enrichissement des \u0153uvres et exp\u00e9riences de fiction.<\/p>\n

La deuxi\u00e8me partie du s\u00e9minaire portera sur le traitement narratif des \u00e9v\u00e9nements impr\u00e9vus, particuli\u00e8rement rep\u00e9rable dans la production s\u00e9rielle\u00a0: roman-feuilleton, bande dessin\u00e9e \u00e0 suivre, fiction t\u00e9l\u00e9vis\u00e9e. Qu\u2019il s\u2019agisse d\u2019un d\u00e9part de com\u00e9dien, d\u2019un nouvel arbitrage budg\u00e9taire ou d\u2019un changement de format \u00e9ditorial, le mat\u00e9riau narratif absorbe et refl\u00e8te les al\u00e9as de sa production. Ce traitement, qui peut relever d\u2019une sc\u00e9narisation adaptative ou de la pure improvisation, suppose une mise \u00e0 l\u2019\u00e9preuve constante des composantes du r\u00e9cit que la narratologie classique tenait pour stables\u00a0: genres fictionnels, personnages, intrigues, p\u00e9rip\u00e9ties, etc.<\/p>\n

Narratives Put to the Test of Chance<\/strong><\/p>\n

Initially based on closed determinist models, narratology has more recently taken an interest in practices and works that are open to uncertainty, incompleteness and the failure to complete. There are two ways that chance can intervene: as the deliberate insertion of a random-generating device into the process of creation (throwing dice, drawing cards, etc.) or as a source of \u201cnoise\u201d external to the narrative work (health of the author, editorial incidents, etc.).<\/p>\n

A first cycle of sessions will be devoted to the articulation \u2013 often problematic \u2013 between the fundamental structures of narrative and the random generation of narrative contents (textual fragments, characters endowed with variable traits, effects brought about by a simulation game, etc.). Various traditions will be studied that have made of chance a method for enriching works and experiences of fiction.<\/p>\n

The second part of the seminar will look into the narrative treatment of unforeseen events, found particularly in serial productions such as serial novels, serial comic strips, TV fictions. Whether this involves the departure of an actor, a new budget arbitration or a change in editorial format, the narrative material absorbs and reflects the hazards of production. Such developments, which can result from adapting the script or from pure improvisation, trigger a constant testing of the components of narrative that classical narratology took to be stable: fictional genres, characters, plots, peripeties, etc.<\/p>\n

Mardi 5 novembre :\u00a0<\/strong>Anne Duprat\u00a0(Universit\u00e9 de Picardie Jules Verne et Institut Universitaire de France) :\u00a0\u00ab In\/out<\/em>\u00a0: le r\u00e9cit et l\u2019al\u00e9a\u00a0\u00bb<\/p>\n

Mardi 19 novembre :\u00a0<\/strong>S\u00e9bastien Wit\u00a0(Universit\u00e9 de Picardie Jules Verne) :\u00a0\u00ab\u00a0Hasard superstitieux et po\u00e9tique du r\u00e9cit\u00a0\u00bb<\/p>\n

Mardi 3 d\u00e9cembre :\u00a0<\/strong>Olivier Ca\u00efra\u00a0(IUT Evry et EHESS),\u00a0\u00ab\u00a0Hasard et interactivit\u00e9 dans les storygames\u00a0\u00bb<\/p>\n

Mardi 17 d\u00e9cembre :\u00a0<\/strong>John Pier\u00a0(Universit\u00e9 de Tours et CRAL),\u00a0\u00ab\u00a0S\u00e9ries d\u2019un autre genre\u00a0: texte ferm\u00e9, syst\u00e8me ouvert\u00a0\u00bb<\/p>\n

Mardi 21 janvier :\u00a0<\/strong>Sarah Troche\u00a0(Universit\u00e9 de Lille),\u00a0\u00ab\u00a0Mettre en r\u00e9cit le hasard : de l\u2019accident \u00e0 la m\u00e9thode\u00a0\u00bb<\/p>\n

Mardi 4 f\u00e9vrier :\u00a0<\/strong>Demian Battaglia\u00a0(CNRS et Institut de Neurosciences des Syst\u00e8mes, Aix-Marseille Universit\u00e9),\u00a0\u00ab\u00a0Raisonnements scientifiques \u00e0 l\u2019\u00e9preuve du hasard\u00a0\u00bb<\/p>\n

Mardi 3 mars :\u00a0<\/strong>Collectif Bruit et S\u00e9rialit\u00e9<\/p>\n

Mardi 17 mars :\u00a0<\/strong>Daniel Ferrer (ITEM- ENS\/CNRS),\u00a0\u00ab\u00a0Accident et (r\u00e9cit de) gen\u00e8se\u00a0\u00bb<\/p>\n

Mardi 31 mars : <\/strong>Jan Baetens\u00a0(Universit\u00e9 de Leuven),\u00a0\u00ab\u00a0S\u00e9quence narrative versus stase visuelle\u00a0: le cas du cin\u00e9-roman-photo\u00a0\u00bb<\/p>\n

Mardi 21 avril :\u00a0<\/strong>Ana\u00efs Goudmand\u00a0(Universit\u00e9 de Lausanne),\u00a0\u00ab\u00a0Hasards de production et effets m\u00e9taleptiques dans les s\u00e9ries t\u00e9l\u00e9vis\u00e9es\u00a0\u00bb<\/p>\n

Mardi 5 mai :\u00a0<\/strong>R\u00e9jane Hamus-Vall\u00e9e\u00a0(Universit\u00e9 d\u2019Evry \/ Centre Pierre Naville),\u00a0\u00ab\u00a0Le hasard gagne toujours. La chasse aux goofs au cin\u00e9ma\u00a0\u00bb<\/p>\n

Mardi 19 mai :\u00a0<\/strong>Annick Louis\u00a0(Universit\u00e9 de Reims et CRAL),\u00a0\u00ab\u00a0Hasard, bruit et mat\u00e9rialit\u00e9 dans Buffy the Vampire Slayer\u00a0\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"

Centre de recherches sur les arts et le langage (CNRS\/EHESS) :\u00a0S\u00e9minaire \u00ab Recherches contemporaines en narratologie \u00bb\u00a02019-2020 \u00a0Le s\u00e9minaire se r\u00e9unit tous les quinze jours, les 1er, 3eet 5emardi du mois, de 15h \u00e0 17h 96, boulevard Raspail \u2013 75006<\/p>\n","protected":false},"author":1001953,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-872","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts\/872","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/users\/1001953"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/comments?post=872"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts\/872\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/media?parent=872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/categories?post=872"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/tags?post=872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}