{"id":2556,"date":"2025-09-24T10:45:32","date_gmt":"2025-09-24T08:45:32","guid":{"rendered":"https:\/\/wp.unil.ch\/narratologie\/?p=2556"},"modified":"2025-09-24T10:45:34","modified_gmt":"2025-09-24T08:45:34","slug":"eclatements-et-recompositions-du-recit-dans-la-culture-hyperpop-appel-a-contribution","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/narratologie\/2025\/09\/eclatements-et-recompositions-du-recit-dans-la-culture-hyperpop-appel-a-contribution\/","title":{"rendered":"\u00c9clatements et recompositions du r\u00e9cit dans la culture hyperpop (appel \u00e0 contribution)"},"content":{"rendered":"\n<p><strong>\u00c9clatements et recompositions du r\u00e9cit dans la culture hyperpop : narrations fragment\u00e9es, identit\u00e9s liquides et r\u00e9inventions critiques du mythe dans le n\u00e9o-p\u00e9plum contemporain<\/strong><br><\/p>\n\n\n\n<p>Le num\u00e9ro 50 des&nbsp;<em>Cahiers de Narratologie<\/em>&nbsp;(d\u00e9cembre 2026) sera consacr\u00e9 aux formes de&nbsp;fragmentation et de prolif\u00e9ration narrative&nbsp;dans la culture hyperpop, envisag\u00e9e comme intensification de la pop culture et rejeton du postmodernisme. Une attention particuli\u00e8re sera port\u00e9e au&nbsp;n\u00e9o-p\u00e9plum num\u00e9rique, genre qui multiplie les hybridations audiovisuelles, les circulations transm\u00e9diales (cin\u00e9ma, s\u00e9ries, jeux vid\u00e9o, comics, musique, mus\u00e9es), et reconfigure l\u2019Antiquit\u00e9 comme d\u00e9cor virtuel et surface critique des obsessions contemporaines (imp\u00e9rialisme, diversit\u00e9, f\u00e9minisme, peurs collectives).<\/p>\n\n\n\n<p>Le dossier s\u2019articulera autour de quatre axes :<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Mythe et narrations fragment\u00e9es (d\u00e9construction et remix des motifs antiques).<\/li>\n\n\n\n<li>Fragmentation esth\u00e9tique et sensorielle (montage, saturation visuelle et sonore).<\/li>\n\n\n\n<li>Dynamiques transm\u00e9diales et interm\u00e9diales (comics, cin\u00e9ma, jeux vid\u00e9o, arts visuels).<\/li>\n\n\n\n<li>Spectacularisation, simulacres et politique (exc\u00e8s, hyperr\u00e9alit\u00e9, r\u00e9ception critique).<\/li>\n<\/ol>\n\n\n\n<p>Les propositions (titre, r\u00e9sum\u00e9 d\u2019env. 300 mots, notice bio-bibliographique) sont \u00e0 envoyer avant le&nbsp;<strong>1er janvier 2026<\/strong>&nbsp;\u00e0 :<br>\ud83d\udce9 Fr\u00e9d\u00e9rique Lambert \u2013&nbsp;<a href=\"mailto:frederiquelambert@yahoo.fr\" rel=\"noreferrer noopener\" target=\"_blank\">frederiquelambert@yahoo.fr<\/a><br>\ud83d\udce9 Marc Marti (directeur des&nbsp;<em>Cahiers de Narratologie<\/em>) \u2013&nbsp;<a href=\"mailto:marc.marti@univ-cotedazur.fr\" rel=\"noreferrer noopener\" target=\"_blank\">marc.marti@univ-cotedazur.fr<\/a><\/p>\n\n\n\n<p>Les articles retenus (\u224840 000 signes) devront \u00eatre remis pour le&nbsp;<strong>30 juin 2026<\/strong>.<br>Parution pr\u00e9vue en d\u00e9cembre 2026.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c9clatements et recompositions du r\u00e9cit dans la culture hyperpop : narrations fragment\u00e9es, identit\u00e9s liquides et r\u00e9inventions critiques du mythe dans le n\u00e9o-p\u00e9plum contemporain Le num\u00e9ro 50 des&nbsp;Cahiers de Narratologie&nbsp;(d\u00e9cembre 2026) sera consacr\u00e9 aux formes de&nbsp;fragmentation et de prolif\u00e9ration narrative&nbsp;dans la<\/p>\n","protected":false},"author":1001512,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[1],"tags":[95,96,93,97,99,94,98],"class_list":{"0":"post-2556","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"tag-appel-a-contribution","8":"tag-cahiers-de-narratologie","9":"tag-cultures-populaires","10":"tag-eclatement","11":"tag-hyperpop","12":"tag-recit","13":"tag-recomposition"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts\/2556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/users\/1001512"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/comments?post=2556"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts\/2556\/revisions"}],"predecessor-version":[{"id":2557,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts\/2556\/revisions\/2557"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/media?parent=2556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/categories?post=2556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/tags?post=2556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}