{"id":2209,"date":"2023-08-09T09:50:43","date_gmt":"2023-08-09T07:50:43","guid":{"rendered":"https:\/\/wp.unil.ch\/narratologie\/?p=2209"},"modified":"2023-08-09T09:50:44","modified_gmt":"2023-08-09T07:50:44","slug":"impact-de-la-serialite-sur-le-recit-audiovisuel-annonce-de-parution","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/narratologie\/2023\/08\/impact-de-la-serialite-sur-le-recit-audiovisuel-annonce-de-parution\/","title":{"rendered":"Impact de la s\u00e9rialit\u00e9 sur le r\u00e9cit audiovisuel (annonce de parution)"},"content":{"rendered":"\n<p>Nous avons le plaisir de vous annoncer la parution en ligne d\u2019un num\u00e9ro des\u00a0<em>Cahiers de narratologie<\/em>\u00a0dont le dossier, intitul\u00e9 \u00ab\u00a0Impact de la s\u00e9rialit\u00e9 sur le r\u00e9cit audiovisuel\u00a0\u00bb, est issu d\u2019un colloque organis\u00e9 \u00e0 la Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma de l\u2019Universit\u00e9 de Lausanne en octobre 2021.<\/p>\n\n\n\n<p>Vous trouverez l\u2019int\u00e9gralit\u00e9 du num\u00e9ro sur OpenEdition:\u00a0<a class=\"\" href=\"https:\/\/journals.openedition.org\/narratologie\/14220\">https:\/\/journals.openedition.org\/narratologie\/14220<\/a><\/p>\n\n\n\n<!--more-->\n\n\n\n<p>Le sommaire en est le suivant:<\/p>\n\n\n\n<p>Alain&nbsp;Boillat: Avant-propos \u2013 Le s\u00e9riel \u00e0 l\u2019\u00e9cran : diversit\u00e9 des pratiques, des formes et des supports&nbsp;<\/p>\n\n\n\n<p>S\u00e9bastien&nbsp;Fevry&nbsp;et Adeline&nbsp;Werry:&nbsp;Entre collection et s\u00e9rie narrative : l\u2019ambigu\u00eft\u00e9 s\u00e9rielle des plaques de la lanterne magique.&nbsp;<\/p>\n\n\n\n<p>Achilleas&nbsp;Papakonstantis:&nbsp;The Cisco Kid&nbsp;au pays du capitalisme m\u00e9diatique. La s\u00e9rialit\u00e9 et sa fonction id\u00e9ologique dans l\u2019\u00e9conomie politique hollywoodienne<\/p>\n\n\n\n<p>Valentine&nbsp;Robert:&nbsp;La d\u00e9multiplication des points de vue ou le r\u00e9cit audiovisuel diffract\u00e9. Pour une th\u00e9orie de la r\u00e9p\u00e9tition narrative, entre&nbsp;POV-Sequel&nbsp;et effet Rashomon&nbsp;<\/p>\n\n\n\n<p>Alain&nbsp;Boillat:&nbsp;Le \u00ab clone \u00bb comme figure m\u00e9ta-s\u00e9rielle dans le cin\u00e9ma de science-fiction \u00e0 l\u2019\u00e8re des images de synth\u00e8se&nbsp;<\/p>\n\n\n\n<p>Ana\u00efs&nbsp;Goudmand:&nbsp;Cons\u00e9quences narratives de la plateformisation des franchises cin\u00e9matographiques : le cas de Disney+&nbsp;<\/p>\n\n\n\n<p>Florent&nbsp;Favard:&nbsp;N\u00e9cromancie m\u00e9tatextuelle et limbes contrefactuelles : dynamiques du&nbsp;Marvel Cinematic Universe&nbsp;<\/p>\n\n\n\n<p>Mireille&nbsp;Berton:&nbsp;L\u2019impact du&nbsp;streaming&nbsp;sur l\u2019\u00e9criture s\u00e9rielle :&nbsp;Dark&nbsp;(2017-2020) et les s\u00e9ries \u00e0 \u00e9nigme&nbsp;<\/p>\n\n\n\n<p>Anne&nbsp;Besson:&nbsp;\u00ab Into the Spider-Verse \u00bb : la m\u00e9ta-s\u00e9rialit\u00e9 comme moteur narratif&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nous avons le plaisir de vous annoncer la parution en ligne d\u2019un num\u00e9ro des\u00a0Cahiers de narratologie\u00a0dont le dossier, intitul\u00e9 \u00ab\u00a0Impact de la s\u00e9rialit\u00e9 sur le r\u00e9cit audiovisuel\u00a0\u00bb, est issu d\u2019un colloque organis\u00e9 \u00e0 la Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma<\/p>\n","protected":false},"author":1001512,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[1,4],"tags":[38,37,39,36],"class_list":{"0":"post-2209","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"category-actualites-du-natrans","8":"tag-cinema","9":"tag-feuilleton","10":"tag-recit-audiovisuel","11":"tag-serialite"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts\/2209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/users\/1001512"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/comments?post=2209"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts\/2209\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/media?parent=2209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/categories?post=2209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/tags?post=2209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}