{"id":1881,"date":"2022-02-04T10:10:56","date_gmt":"2022-02-04T09:10:56","guid":{"rendered":"https:\/\/wp.unil.ch\/narratologie\/?p=1881"},"modified":"2022-02-04T10:10:58","modified_gmt":"2022-02-04T09:10:58","slug":"cinema-as-a-worldbuilding-machine-in-the-digital-era-annonce-de-parution","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/narratologie\/2022\/02\/cinema-as-a-worldbuilding-machine-in-the-digital-era-annonce-de-parution\/","title":{"rendered":"Cinema as a Worldbuilding Machine in the Digital Era (annonce de parution)"},"content":{"rendered":"\n

Cet essai, traduction revue et augment\u00e9e de l’ouvrage d’Alain Boillat intitul\u00e9 Cin\u00e9ma, machine \u00e0 monde<\/a><\/em>, examine la primaut\u00e9 de la construction du monde \u00e0 l’\u00e8re de l’image de synth\u00e8se, des pratiques transm\u00e9dia et de la fiction \u00ab\u00a0high concept\u00a0\u00bb en \u00e9tudiant les principes qui r\u00e9gissent la cr\u00e9ation d’un multivers dans un large \u00e9ventail de productions cin\u00e9matographiques et t\u00e9l\u00e9visuelles. L’accent est mis sur les films de science-fiction hollywoodiens et leur repr\u00e9sentation \u00e0 l’\u00e9cran de machines imaginaires qui refl\u00e8tent le m\u00e9dium cin\u00e9matographique, dans la tradition des \u00e9crits de Philip K. Dick et de la culture cyberpunk. Une typologie des mondes est \u00e9tablie, ainsi qu’un certain nombre d’outils analytiques permettant d’\u00e9valuer l’impact de la coexistence de deux ou plusieurs mondes sur la structure narrative, le style (utilisation de la couleur, pratiques de montage), l’affiliation g\u00e9n\u00e9rique (ou l’hybridit\u00e9), la s\u00e9rialit\u00e9 et le discours produit par un film donn\u00e9 (en particulier dans les fictions li\u00e9es aux fantasmes de l’apr\u00e8s-11 septembre). Parmi les diff\u00e9rents titres examin\u00e9s, le lecteur se voit proposer une analyse d\u00e9taill\u00e9e de la s\u00e9rie de films Resident Evil,<\/em> de Total Recall <\/em>et son remake, de Dark City,<\/em> de la trilogie Matrix<\/em>, d’Avatar<\/em>, de Source Code<\/em> et autres films \u00e0 boucle temporelle, de TRON<\/em> et sa suite, de Tenet<\/em> de Christopher Nolan, et de plusieurs s\u00e9ries t\u00e9l\u00e9vis\u00e9es – notamment Westworld<\/em> de HBO, mais aussi Sliders<\/em>, Lost<\/em>, Fringe<\/em> et Counterpart<\/em>.<\/p>\n\n\n\n

R\u00e9f\u00e9rence<\/strong><\/p>\n\n\n\n

Alain Boillat, Cinema as a Worldbuilding Machine at the Digital Era. Essay on Multiverse Films and TV Series<\/a><\/em>, Barnet, John Libbey Publishing, 2022.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Table des mati\u00e8res<\/strong><\/p>\n\n\n\n\n\n\n\n

Chapter 1 Worldbuilding in the Age of Digital (Trans)Media Entering the \u00ab\u00a0Virtual\u00a0\u00bb Era: Alice in the Land of New Technologies; Post-9\/11 Alternate Realities; Effects of (Pseudo-)Complex Storytelling on Worldbuilding<\/p>\n\n\n\n

Chapter 2 Immersive Sci-fi Machines: Worlds, Genres and SerialityScience Fiction: A Typical World-Centered Genre; Total Recall, Total Immersion; Androids of the Far West: Film Genre as World; Lost in Fringe Worlds: Multiverse and Seriality<\/p>\n\n\n\n

Chapter 3 Film Diegesis and Multiverse Principles of Filmology as a Theoretical Framework for a World-Centered Conception of Movies; Departures Between Worlds; Types of Other Worlds; Distant Worlds; Artificial Worlds; Supernatural Worlds; Mental Worlds; Alternate (Story)Worlds; Parallel Worlds; Virtual Worlds; The Westworld Series: An Emblematic Case of Permeability Between Different Types of Worlds<\/p>\n\n\n\n

Chapter 4 Worldbuilding And Film Style On the Materiality of Images: Live-Action and Animation (The Congress); Are Colors Diegetic?; Philip K. Dick’s World-Editing Process; A Derailed Montage: Alain Resnais’ Time\/World-Machine; Principles of Assembly: Multiverse, Editing, and Alternation<\/p>\n\n\n\n

Chapter 5. Cyberspace: The Simulated World of the \u00ab\u00a0matrix\u00a0\u00bbJohn and Neo: Signs of the Times; The Urban Simulacrum of Postmodern Cinema: Dark City; Simulacron-3: Cyberculture Worlds; The Computer System Experienced From the Inside: TRON and its \u00ab\u00a0Legacy\u00a0\u00bb
<\/p>\n","protected":false},"excerpt":{"rendered":"

Cet essai, traduction revue et augment\u00e9e de l’ouvrage d’Alain Boillat intitul\u00e9 Cin\u00e9ma, machine \u00e0 monde, examine la primaut\u00e9 de la construction du monde \u00e0 l’\u00e8re de l’image de synth\u00e8se, des pratiques transm\u00e9dia et de la fiction \u00ab\u00a0high concept\u00a0\u00bb en \u00e9tudiant<\/p>\n","protected":false},"author":1001512,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[1,4],"tags":[],"class_list":{"0":"post-1881","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"category-actualites-du-natrans"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts\/1881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/users\/1001512"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/comments?post=1881"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/posts\/1881\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/media?parent=1881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/categories?post=1881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/tags?post=1881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}