{"id":833,"date":"2019-10-04T10:58:45","date_gmt":"2019-10-04T08:58:45","guid":{"rendered":"http:\/\/wp.unil.ch\/narratologie\/?page_id=833"},"modified":"2023-07-25T10:13:29","modified_gmt":"2023-07-25T08:13:29","slug":"publication-du-natrans","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/narratologie\/publication-du-natrans\/","title":{"rendered":"Publications"},"content":{"rendered":"

Vous trouverez sur cette page une s\u00e9lection de publications r\u00e9centes des membres du NaTrans, qui t\u00e9moignent de la vitalit\u00e9 de la recherche dans le domaine de la narratologie transm\u00e9diale, transculturelle et transhistorique.<\/p>\n

2023<\/strong><\/p>\n

Baroni, R. (2023) \u00ab\u00a0Une perspective transm\u00e9diale sur la focalisation\u00a0\u00bb, Recherches. Revue de didactique et de p\u00e9dagogie du fran\u00e7ais<\/em>, n\u00b0 78, p. 9-44.<\/p>\n

2022<\/strong><\/p>\n

Baroni, R., S. Estier & G. Turin (2022), Lire Houellebecq. Essais de critique polyphonique<\/em>, Gen\u00e8ve, Slatkin.<\/p>\n

Baroni, R., A. Boillat, D. Chaperon, A. Corbellari & P. Kaenel (dir.) (2022), \u00ab\u00a0Le Long Voyage de L\u00e9na<\/em>\u00a0\u00a0: regards crois\u00e9s sur une bande dessin\u00e9e\u00a0\u00bb, Transpositio<\/em>, n\u00b0 5. URL\u00a0: https:\/\/www.transpositio.org\/categories\/view\/n-5-le-long-voyage-de-lena-regards-croises-sur-une-bande-dessinee<\/a><\/p>\n

2021<\/strong><\/p>\n

Baroni, R. & G. Turin (dir.) (2021), \u00ab\u00a0Enseigner la bande dessin\u00e9e comme (de la) litt\u00e9rature\u00a0\u00bb, Transpositio<\/em>, n\u00b0 4. URL\u00a0: https:\/\/www.transpositio.org\/categories\/view\/n-4-enseigner-la-bande-dessinee-comme-de-la-litterature<\/a><\/p>\n

Baroni, R. (2021) \u00ab\u00a0Of Mice as Men: A Transmedial Perspective on Fictionality\u00a0\u00bb, Narrative<\/em>, n\u00b0 29 (1), p. 91-113. DOI\u00a0: https:\/\/doi.org\/10.1353\/nar.2021.0004<\/a><\/p>\n

Baroni, R., G. Kovaliv & O. Stucky (2021) \u00ab\u00a0La transition num\u00e9rique de la bande dessin\u00e9e. Une mutation impossible\u00a0?\u00a0\u00bb, Belph\u00e9gor<\/em>, n\u00b0 19 (2). DOI\u00a0: https:\/\/doi.org\/10.4000\/belphegor.3948<\/a><\/p>\n

Baroni, R. (2021) \u00ab\u00a0Apprendre la dimension scripturale de la lecture avec la bande dessin\u00e9e\u00a0\u00bb, Lettre de l\u2019AIRDF<\/em>, n\u00b0 68, p. 49-54. URL\u00a0: https:\/\/www.persee.fr\/collection\/airdf<\/a><\/p>\n

Baroni R. ([2013] 2021) \u00ab\u00a0Le r\u00e9cit dans l\u2019image\u00a0: s\u00e9quence, intrigue et configuration\u00a0\u00bb, Revista Estado da Arte, n\u00b0 2 (1), p. 187-203. Reprise. DOI\u00a0: https:\/\/doi.org\/10.14393\/EdA-v2-n1-2021-62069<\/a><\/p>\n

2020<\/strong><\/p>\n

Baroni, R. (2020) I Meccanismi dell\u2019intreccio. Introduzione alla narratologia funzionale<\/em><\/a>, A. Amoroso & A. Leiduan (trad.), Roma, Effigi, coll. \u00ab\u00a0Semeia\u00a0\u00bb.<\/p>\n

Baroni, R. & C. Gunti (dir.) (2020) Introduction \u00e0 l\u2019\u00e9tude des cultures num\u00e9riques. La transition num\u00e9rique des m\u00e9dias<\/em><\/a>, Malakoff, Armand Colin.<\/p>\n

2019<\/strong><\/p>\n

Baroni, R. (2019) \u00ab\u00a0La dimension paratextuelle et l\u2019intrigue des r\u00e9cits transm\u00e9diatiques\u00a0\u00bb, Interf\u00e9rences litt\u00e9raires \/ Literaire interferenties<\/em>, n\u00b0 23, p. 194-208. URL: https:\/\/www.interferenceslitteraires.be\/index.php\/illi\/article\/view\/1042<\/a><\/p>\n

Berton M. & M.<\/span> Boni (2019) \u00ab\u00a0<\/span>Comment \u00e9tudier la complexit\u00e9 des s\u00e9ries t\u00e9l\u00e9vis\u00e9es? vers une approche spatiale\u00a0\u00bb, <\/span>TV\/Series, n\u00b0<\/span> 15. URL: https:\/\/journals.openedition.org\/tvseries\/3691<\/a><\/span><\/p>\n

Bionda, R. (2019) \u00ab\u00a0L’he\u0301sitation du spectateur. Le the\u0301a\u0302tre fan<\/a>tastique mode d’emploi (Hamlet)\u00a0\u00bb<\/a>, in Faire \u0153uvre d’une re\u0301ception. Portraits de spectateurs de the\u0301a\u0302tre (spectacles, textes, films, images), XVIe-XXIe sie\u0300cles<\/em>, D. Abrecht, L. Michel & C. Piot (dir.), Montpellier, Entretemps et Max Milo, coll. \u00ab\u00a0Champ the\u0301a\u0302tral\u00a0\u00bb, p. 131-144.<\/p>\n

Boillat, A. & L. Guido (dir.) (2019) Loin des yeux… le cin\u00e9ma. De la t\u00e9l\u00e9phonie \u00e0 Internet: imaginaires m\u00e9diatiques des t\u00e9l\u00e9communications et de la surveillance<\/em>, Lausanne, L’\u00c2ge d’Homme. URL: https:\/\/www.lagedhomme.com\/ouvrages\/laurent+guido\/loin+des+yeux\u2026+le+cinema\/4466<\/a><\/p>\n

Escola, M. (2019) \u00ab\u00a0Chaque \u00e2ge a ses plaisirs. Les aventures de la paralipse\u00a0\u00bb, Po\u00e9tique<\/em>, n\u00b0 185, p. 73-98. URL: https:\/\/www.cairn.info\/revue-poetique-2019-1-page-73.htm<\/a><\/p>\n

Fran\u00e7ois, C. & M. Hennard Dutheil de la Roch\u00e8re (dir.) (2019) \u00ab\u00a0La nouvelle jeunesse des contes. Transcr\u00e9ations des recueils de Perrault et Grimm\u00a0\u00bb, Etudes de Lettres<\/em>, n\u00b0 310. URL: https:\/\/journals.openedition.org\/edl\/1509<\/a><\/p>\n

2018<\/strong><\/p>\n

Baroni, R. (2018) \u00ab\u00a0Face \u00e0 l\u2019horreur du Bataclan : r\u00e9cit informatif, r\u00e9cit immersif et r\u00e9cit immerg\u00e9\u00a0\u00bb, Questions de communication<\/em>, n\u00b0 34, p. 107-132. URL: https:\/\/www.cairn.info\/revue-questions-de-communication-2018-2-page-107.htm<\/a><\/p>\n

Baroni R. & A. Goudmand (dir.) (2018) \u00ab\u00a0Les avatars du chapitre en bande dessin\u00e9e\u00a0\u00bb, Cahiers de narratologie<\/em>, n\u00b0 34. URL: https:\/\/journals.openedition.org\/narratologie\/8554<\/a><\/p>\n

\n

Boillat, A. (2018) \u00ab\u00a0Les codes du western \u00e0 l\u2019\u00e8re du codage informatique: le jeu vid\u00e9o sur la piste du cin\u00e9ma (Red Dead Redemption)\u00a0\u00bb, <\/span>D\u00e9cadrages<\/em>, n\u00b0<\/span> 39, <\/span>p. 62-92<\/span>. URL: https:\/\/www.decadrages.ch\/<\/a><\/p>\n

Boillat A. & G. Philippe<\/span> (dir.) (2018) L\u2019Adaptation: des livres aux sc\u00e9narios. Approche interdisciplinaire des archives du cin\u00e9ma fran\u00e7ais (1930-1960)<\/em>, Bruxelles, <\/span>Les Impressions nouvelles.
\n<\/span><\/p>\n<\/div>\n

Bionda, R. (2018) \u00ab\u00a0Qu\u2019est-ce qu\u2019un ‘effet de sc\u00e8ne’? \u00c9l\u00e9ments de th\u00e9orie th\u00e9\u00e2trale et litt\u00e9raire pour l\u2019analyse des textes\u00a0\u00bb, Op. Cit. Revue des litt\u00e9ratures et des arts<\/em>, n\u00b019. URL: https:\/\/revues.univ-pau.fr\/opcit\/466<\/a><\/p>\n

Bionda, R. (2018) \u00ab\u00a0Le r\u00f4le de la ‘valeur op\u00e9rale’ dans l\u2019appr\u00e9hension des r\u00e9cits au th\u00e9\u00e2tre, entre sc\u00e8ne et texte. \u00c0 propos des spectateurs?lecteurs et des lecteurs?spectateurs\u00a0\u00bb, Cahiers de narratologie<\/em>, n\u00b0 34. URL: https:\/\/journals.openedition.org\/narratologie\/9122<\/a><\/p>\n

Bionda, R. (2018) \u00ab\u00a0Qu\u2019est-ce qu\u2019un texte dramatique ?\u00a0\u00bb, Atelier Fabula.<\/em> URL: https:\/\/www.fabula.org\/atelier.php?Texte_dramatique<\/a><\/p>\n

Chaperon D. (2018) \u00ab\u00a0Litt\u00e9rature et \u00e9tudes th\u00e9\u00e2trales: ombres au tableau et perspectives\u00a0\u00bb, Swiss Academies Communications, n\u00b0 13 (3), SAGW. DOI: https:\/\/doi.org\/10.5281\/zenodo.1189542<\/a><\/p>\n

Chaperon D. (2018) \u00ab\u00a0Penser l\u2019espace dramatique (tout contre G\u00e9rard Genette)\u00a0\u00bb, \u00c9tudes de lettres<\/em>, n\u00b0 306, p. 47?62. URL: https:\/\/journals.openedition.org\/edl\/1082<\/a><\/p>\n

Chaperon, D. (2018) \u00ab\u00a0Mat\u00e9riau-pathos. Fragilit\u00e9 et solidit\u00e9 des \u0153uvres th\u00e9\u00e2trales\u00bb, in Les Nouveau Mat\u00e9riaux du th\u00e9\u00e2tre<\/em>, J. Danan & C. Naugrette (dir.), Paris, Presses Sorbonne Nouvelle, p. 43-52. Repris dans l\u2019Atelier Fabula<\/em>, URL: https:\/\/www.fabula.org\/atelier.php?Materiau_pathos<\/a><\/p>\n

Escola, M. (2019) \u00ab\u00a0Le silence de Des Grieux\u00a0\u00bb, Po\u00e9tique<\/em>, n\u00b0 184, p. 167-180. URL: https:\/\/www.cairn.info\/revue-poetique-2018-2-page-167.htm<\/a><\/p>\n

Goudmand, A. (2018) \u00ab\u00a0Analyse d’un cliffhanger dans Sherlock\u00a0\u00bb, Forumlecture suisse. La litt\u00e9ratie dans la recherche et la pratique, n\u00b0 1<\/em> URL: https:\/\/www.forumlecture.ch\/sysModules\/obxLeseforum\/Artikel\/620\/2018-1-goudmand.pdf<\/a><\/p>\n

Maignant, A. (2018) \u00ab\u00a0Juger de la fiction. \u00c0 partir d’une nouvelle de Sade\u00a0\u00bb, Po\u00e9tique<\/em>, n\u00b0 184, p. 181-194. URL: https:\/\/www.cairn.info\/revue-poetique-2018-2-page-181.htm<\/a><\/p>\n

Merminod, G. (<\/span>2018) \u00ab\u00a0<\/span>Telling Stories from the Newsroom: A Linguistic Ethnographic Account of Dramatization in Broadcast News\u00a0\u00bb,<\/span> Cahiers de l’ILSL<\/span><\/em>, n\u00b0 54,<\/span> p. 25-54<\/span>.<\/p>\n

Merminod, G. (<\/span>2018) \u00ab\u00a0<\/span><\/span>Saying \u2018Story\u2019 in the Newsroom. Towards a Linguistic Ethnography of Narrative Lexicon in Broadcast News\u00a0\u00bb, Studies in Communication Sciences<\/em>, n\u00b0 18 (1), p. 135-150.<\/p>\n

2017<\/strong><\/p>\n

Atallah M.<\/span>, A. Boillat Alain<\/span> & Jaccaud Fr\u00e9d\u00e9ric (2017)<\/span> Je suis ton p\u00e8re: origines et h\u00e9ritages d’une saga intergalactique<\/em>, Paris, Dargaud \/ Fantask. URL: https:\/\/wp.unil.ch\/labelettres\/je-suis-ton-pere-origines-et-heritages-dune-saga-intergalactique\/<\/a>
\n<\/span><\/p>\n

Baroni, R. (2017) \u00ab\u00a0Pour une narratologie transm\u00e9diale\u00a0\u00bb, Po\u00e9tique<\/em>, n\u00b0 182, p. 155-175. URL: https:\/\/www.cairn.info\/revue-poetique-2017-2-p-155.htm<\/a><\/p>\n

Bionda, R. (2017) \u00ab\u00a0La v\u00e9rit\u00e9 du drame. Lire le texte dramatique (Dom Juan)\u00a0\u00bb, Po\u00e9tique<\/em>, n\u00b0 181, p. 67-82. URL: https:\/\/www.cairn.info\/revue-poetique-2017-1-page-67.htm<\/a><\/p>\n

Chaperon, D. (2017) \u00ab\u00a0Le travail de la narration dramatique\u00a0\u00bb, Atelier Fabula.<\/em> URL: https:\/\/www.fabula.org\/atelier.php?Narration_dramatique<\/a><\/p>\n

Chaperon, D. (2017) \u00ab\u00a0Dramaturgie du pathos (contribution \u00e0 une analyse des \u00e9motions au th\u00e9\u00e2tre)\u00a0\u00bb, Atelier Fabula.<\/em> URL: https:\/\/www.fabula.org\/atelier.php?Dramaturgie_du_pathos<\/a><\/p>\n

Chaperon, D. (2017) \u00ab\u00a0Le mensonge sur sc\u00e8ne. La performance infinie\u00a0\u00bb, Atelier Fabula.<\/em> URL: https:\/\/www.fabula.org\/atelier.php?Mensonge_dramatique<\/a><\/p>\n

Chaperon, D. (2017) \u00ab\u00a0Le travail de la lecture dans la mise en sc\u00e8ne contemporaine\u00a0\u00bb, Atelier Fabula<\/em>. URL: https:\/\/www.fabula.org\/atelier.php?Le_travail_de_la_lecture<\/a><\/p>\n

2016<\/strong><\/p>\n

Baroni, R. (2016) \u00ab\u00a0Dramatized Analepsis and Fadings in Verbal Narratives\u00a0\u00bb, Narrative<\/em>, n\u00b0 24 (3), p. 311-329. URL: https:\/\/muse.jhu.edu\/article\/631388<\/a><\/p>\n

Baroni, R. (2016) \u00ab\u00a0L\u2019empire de la narratologie contemporaine, ses d\u00e9fis et ses faiblesses\u00a0\u00bb, Questions de communication<\/em>, n\u00b0 30, p. 219-239. URL\u00a0: https:\/\/questionsdecommunication.revues.org\/10766<\/a><\/p>\n

Baroni, R. & F. Jost (dir.) (2016) \u00ab\u00a0Repenser le r\u00e9cit avec les s\u00e9ries t\u00e9l\u00e9vis\u00e9es\u00a0\u00bb, T\u00e9l\u00e9vision<\/em>, n\u00b0 7. URL: https:\/\/www.cairn.info\/revue-television-2016-1.htm<\/a><\/p>\n

Baroni, R. & F. Revaz (dir.) (2016) Narrative Sequence in Contemporary Narratology<\/em>, Columbus, Ohio State University Press. URL: https:\/\/ohiostatepress.org\/books\/Book%20Pages\/baroni_revaz_narrative.html<\/a><\/p>\n

Berton, M. (2016) \u00ab\u00a0Flashback, trauma et r\u00e9p\u00e9tition narrative dans les s\u00e9ries am\u00e9ricaines contemporaines\u00a0\u00bb, T\u00e9l\u00e9vision<\/em>, n\u00b07, p. 173-189. URL\u00a0: https:\/\/www.cairn.info\/resume.php?ID_ARTICLE=TELEV_007_0173<\/a>
\n<\/span><\/span><\/p>\n

Berton, M. <\/span><\/span>& S. Portmann (dir.) (2016), \u201cS\u00e9ries t\u00e9l\u00e9vis\u00e9es contemporaines\u201d, D\u00e9cadrages<\/em>, n\u00b032-33.<\/p>\n

Boillat A.<\/span>, M. Borel, R. <\/span>Oesterl\u00e9 & F.<\/span> Revaz (2016) <\/span>Case, strip, action! Les feuilletons en bandes dessin\u00e9es dans les magasines pour la jeunesse (1946-1959)<\/em>, Gollion, <\/span>Infolio<\/span>.<\/div>\n

Boillat, A. & M. Atallah, M. (dir.) (2016) BD-US. Les comics vus par l\u2019Europe<\/em>, Gollion, Infolio. URL: https:\/\/www.infolio.ch\/livre\/bd-us-les-comics-vus-par-l-Europe.htm<\/a><\/p>\n

Chaperon, D. (2016) \u00ab\u00a0<\/span>Au royaume des sourds<\/span>\u2026<\/span> esquisse d<\/span>\u2019<\/span>une histoire des points d<\/span>\u2019\u00e9<\/span>coute au th<\/span>\u00e9\u00e2<\/span>tre\u00a0\u00bb<\/span>, <\/span>Etudes de Lettres, <\/span><\/i>n\u00b0 3, p.109-127. URL: <\/span>https:\/\/journals.openedition.org\/edl\/1242<\/a><\/span><\/p>\n

Goudmand, A. (2016) \u00ab\u00a0Le roman-feuilleton ou l\u2019\u00e9criture mercenaire : l\u2019exemple des Myst\u00e8res de Paris\u00a0\u00bb,<\/span> Cahiers de narratologie<\/em>, n\u00b0 <\/span> 31<\/span>. URL: https:\/\/journals.openedition.org\/narratologie\/7589<\/a><\/p>\n

Goudmand, A. (2016) \u00ab\u00a0‘Oh my God! They\u2019ve killed\u2026 !’ Le r\u00e9cit s\u00e9riel entre autonomie et h\u00e9t\u00e9ronomie: cons\u00e9quences du d\u00e9part non planifi\u00e9 des acteurs sur la production et la r\u00e9ception des s\u00e9ries t\u00e9l\u00e9vis\u00e9es\u00a0\u00bb<\/span>, <\/span>T\u00e9l\u00e9vision,<\/span> n\u00b0 7. URL: https:\/\/www.cairn.info\/revue-television-2016-1-page-65.htm<\/a><\/span><\/p>\n

Goudmand, A. (2016) \u00ab\u00a0Les s\u00e9ries transm\u00e9diatiques. Des univers sans fins?\u00a0\u00bb, Revue Proteus<\/em>, n\u00b0 9. URL: https:\/\/www.revue-proteus.com\/articles\/Proteus09-1.pdf<\/a><\/div>\n

Loesch, J. (2016) \u00ab\u00a0Translation and Transcreation of Salom\u00e9. Oscar Wilde\u2019s Strategies of (Self)Estrangement in French\u00a0\u00bb, Parall\u00e8les<\/em>, n\u00b028(2), p. 35-47. URL: https:\/\/www.paralleles.unige.ch\/en\/tous-les-numeros\/num-28-2\/loesch\/<\/a><\/p>\n

Stucky, O. (2016) \u00ab\u00a0La voix de Proust. Des influences de \u00c0 la recherche du temps perdu<\/em> sur la construction des notions de narration et de voix narrative chez G\u00e9rard Genette\u00a0\u00bb, Cahiers de narratologie<\/em>, n\u00b0 31, URL: https:\/\/journals.openedition.org\/narratologie\/7613<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Vous trouverez sur cette page une s\u00e9lection de publications r\u00e9centes des membres du NaTrans, qui t\u00e9moignent de la vitalit\u00e9 de la recherche dans le domaine de la narratologie transm\u00e9diale, transculturelle et transhistorique. 2023 Baroni, R. (2023) \u00ab\u00a0Une perspective transm\u00e9diale sur<\/p>\n","protected":false},"author":1001512,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-833","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/pages\/833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/users\/1001512"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/comments?post=833"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/pages\/833\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/narratologie\/wp-json\/wp\/v2\/media?parent=833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}