{"id":1851,"date":"2018-12-07T09:38:50","date_gmt":"2018-12-07T08:38:50","guid":{"rendered":"http:\/\/wp.unil.ch\/metis\/?p=1851"},"modified":"2019-01-04T11:27:38","modified_gmt":"2019-01-04T10:27:38","slug":"colloque-fidelio","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/metis\/2018\/12\/colloque-fidelio\/","title":{"rendered":"Colloque | Fidelio"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Du 13 au 15 d\u00e9cembre 2018 au Th\u00e9\u00e2tre national de l’Op\u00e9ra-Comique (Paris)<\/strong><\/em><\/p>\n

Colloque final du projet de recherche \u00ab Le Fidelio de Beethoven. Transferts, circulations, appropriations, 1798-XXIe si\u00e8cle \u00bb<\/p>\n

Abschlusstagung des Forschungsprojektes \u00ab Fidelio von Beethoven. Kulturtransfer, Zirkulation, Aneignungen von 1798 bis ins 21. Jahrhundert \u00bb<\/p>\n

Comit\u00e9 scientifique\/ Wissenschaftlicher Beirat<\/strong>\u00a0:<\/p>\n

-Philippe Gumplowicz (Uni. Evry-Val d\u2019Essonne),
\n-Hans-Joachim Hinrichsen (Uni. Z\u00fcrich),
\n-Beate Angelika Kraus (Beethoven-Haus Bonn)
\n-Isabelle Moindrot (Uni. Paris 8),
\n-Caroline Moine (Uni. Versailles Saint-Quentin-en-Yvelines),
\n-Christine Siegert (Beethoven-Haus Bonn),
\n-Patrice Veit (CNRS\/EHESS, Paris),
\n-Jean-Claude Yon (Uni. Versailles Saint-Quentin-en- Yvelines\/EPHE).<\/p>\n

Programme du jeudi 13 d\u00e9cembre<\/strong><\/p>\n

\"\"14h00-18h00<\/strong>
\nAccueil et introduction \/ Begr\u00fc\u00dfung und Einleitung
\nRetour aux sources \u2013 Contextes culturels et musicaux \/ Die \u00ab Ur-Leonore \u00bb \u2013 Kulturelle und musikalische Kontexte von Fidelio
\nPr\u00e9sidence \/ Leitung :\u00a0Christine Siegert<\/strong>\u00a0(Beethoven-Haus Bonn)<\/p>\n

Jean-Claude YON<\/strong><\/a>\u00a0(Universit\u00e9 de Versailles-Saint-Quentin-en-Yvelines\/EPHE)
\nAux origines de Fidelio et de l\u2019Op\u00e9ra-Comique : la L\u00e9onore (1798) de Bouilly et Gaveaux au Th\u00e9\u00e2tre Feydeau<\/p>\n

Hans-Joachim HINRICHSEN<\/strong>\u00a0(Universit\u00e4t Zurich)
\nDas geistige und kulturelle Umfeld in Beethovens Wien um 1800<\/p>\n

Klaus PIETSCHMANN<\/strong>\u00a0(Universit\u00e4t Mainz)
\n\u00ab Una stravaganza e confusione dei generi \u00bb \u2013 Die Wiener Opernlandschaft um 1800<\/p>\n

\"\"19h00 :<\/strong>
\nConservatoire national sup\u00e9rieur de musique et de danse de Paris (209, avenue Jean Jaur\u00e8s, 75019 Paris), Salle d\u2019orgue : audition concertante de L\u00e9onore ou l\u2019Amour conjugal, fait historique, en deux actes et prose m\u00eal\u00e9e de chants, paroles de Jean-Nicolas Bouilly et musique de Pierre Gaveaux ; avec les \u00e9l\u00e8ves des classes de chant et de direction de chant du d\u00e9partement des disciplines vocales du Conservatoire de Paris. Direction artistique : Erika GUIOMAR, professeure de la classe de direction de chant \/\u00a0 Konzertante Auff\u00fchrung von Leonore ou l\u2019Amour conjugal von Jean-Nicolas Bouilly und Pierre Gaveaux. Durchf\u00fchrung : StudentInnen der Gesangklassen des CNSMDP. K\u00fcnstlerische Leitung: Erika GUIOMAR.
\nEntr\u00e9e libre sans r\u00e9servation \/ Eintritt frei<\/p>\n

Programme du vendredi 14 d\u00e9cembre<\/strong><\/p>\n

\"\"9h30-12h30<\/strong>
\nFidelio en son si\u00e8cle \/ Fidelio in seiner Zeit
\nPr\u00e9sidence \/ Leitung :\u00a0Michael WERNER<\/strong>\u00a0(EHESS, Paris)
\n
\nMartin KALTENECKER\u00a0<\/strong>(Universit\u00e9 Paris Diderot)
\nL\u2019\u00e9criture m\u00e9lodique dans Fidelio<\/p>\n

Jean-Fran\u00e7ois CANDONI<\/strong>\u00a0(Universit\u00e9 Rennes 2)
\nFidelio selon Richard Wagner : un op\u00e9ra \u00ab indigne du compositeur des symphonies \u00bb ?<\/p>\n

Louis BILODEAU\u00a0<\/strong>(Coll\u00e8ge Ahuntsic Montr\u00e9al)
\nFidelio : les m\u00e9tamorphoses d’un Singspiel mal-aim\u00e9<\/p>\n

\"\"14h30-18h30<\/strong>
\nFidelio : une arme politique ? \/ Fidelio: eine politische Waffe ?
\nPr\u00e9sidence \/ Leitung :Caroline MOINE<\/strong>\u00a0<\/a>(Universit\u00e9 de Versailles Saint-Quentin-en- Yvelines)<\/p>\n

Tobias REICHARD\u00a0<\/strong>(Universit\u00e4t Bayreuth)
\nDie Theatralit\u00e4t des Kerkers. Fidelio im Nationalsozialismus<\/p>\n

Moray MCGOWAN<\/strong>\u00a0(Trinity College Dublin\/Berlin)
\nFidelio = Revolution = Fidelio? Die Dresdner Inszenierung von Oktober 1989 und ihr drei\u00dfigj\u00e4hriges Fortleben
\n
\nBernhard LENORT<\/strong>\u00a0(Staatstheater Cottbus)
\nFidelio im ehemaligen Zuchthaus Cottbus, einer St\u00e4tte politischer Inhaftierungen
\n
\nLena VAN DER HOVEN<\/strong>\u00a0(Universit\u00e4t Bayreuth)
\nStaging Fidelio in the New South African Democracy: Of Transformation and Continuity<\/p>\n

Programme du samedi 15 d\u00e9cembre<\/strong><\/p>\n

\"\"9h30-12h30<\/strong>
\nS\u2019approprier Fidelio \/ sich Fidelio aneignen
\nPr\u00e9sidence :\u00a0Agn\u00e8s Terrier\u00a0<\/strong>(Op\u00e9ra Comique)
\n
\nEmmanuel REIBEL<\/strong>\u00a0(Universit\u00e9 Lumi\u00e8re Lyon 2\/IUF)
\nHector Berlioz face \u00e0 Fidelio
\n
\nStephan M\u00d6SCH<\/strong>\u00a0(Musikhochschule Karlsruhe)
\nFidelio et le courant \u00ab post-dramatique \u00bb (intervention en allemand)<\/p>\n

Ethan HEARD \/ Daniel SCHLOSBERG\u00a0<\/strong>(Heartbeat Opera, New York)
\nHeartbeat Opera’s Fidelio for a Contemporary America: Freeing the Voices of Incarcerated Singers in the Era of Black Lives Matter
\n
\n<\/strong>\"\"14h30-16h30<\/strong>
\nTable ronde\/ Podiumsdiskussion : Fidelio dans les maisons d\u2019op\u00e9ra. Difficult\u00e9s et enjeux \/ Fidelio in Opernh\u00e4usern : Probleme und Herausforderungen<\/p>\n

Inscription pour assister au colloque :\u00a0billetterie@opera-comique.com\u00a0<\/a>\u00a0ou : 01 70 23 01 31<\/p>\n

>\u00a0En savoir plus\u00a0<\/a>
\n> T\u00e9l\u00e9charger l’affiche compl\u00e8te\u00a0[<\/span>JPG – 305\u00a0Ko<\/abbr>]<\/span><\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Du 13 au 15 d\u00e9cembre 2018 au Th\u00e9\u00e2tre national de l’Op\u00e9ra-Comique (Paris) Colloque final du projet de recherche \u00ab Le Fidelio de Beethoven. Transferts, circulations, appropriations, 1798-XXIe si\u00e8cle \u00bb Abschlusstagung … <\/p>\n","protected":false},"author":1001537,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[9,10],"tags":[],"class_list":["post-1851","post","type-post","status-publish","format-standard","category-evenements","category-evenements-passes"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/metis\/wp-json\/wp\/v2\/posts\/1851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/metis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/metis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/metis\/wp-json\/wp\/v2\/users\/1001537"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/metis\/wp-json\/wp\/v2\/comments?post=1851"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/metis\/wp-json\/wp\/v2\/posts\/1851\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/metis\/wp-json\/wp\/v2\/media?parent=1851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/metis\/wp-json\/wp\/v2\/categories?post=1851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/metis\/wp-json\/wp\/v2\/tags?post=1851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}