{"id":786,"date":"2021-11-30T09:37:17","date_gmt":"2021-11-30T08:37:17","guid":{"rendered":"https:\/\/wp.unil.ch\/llist\/?post_type=tribe_events&p=786"},"modified":"2024-01-02T15:03:17","modified_gmt":"2024-01-02T14:03:17","slug":"comhum2022","status":"publish","type":"tribe_events","link":"https:\/\/wp.unil.ch\/llist\/en\/event\/comhum2022\/","title":{"rendered":"Workshop on Computational Methods in the Humanities 2022 (COMHUM 2022)"},"content":{"rendered":"
\n

\"\"<\/p>\n

9-10 June 2022<\/h5>\n

How to come to the conference.<\/strong> The workshop will take place in room\u00a0 275 of the Internef building<\/a><\/span>. Please take the metro M1 and leave at station UNIL-CHAMBERONNE<\/a><\/span>. Then it will be a 3 minutes walk. Usually, you get a public transport pass<\/a><\/span> at your hotel reception. If not, you can buy tickets at the metro station or at cff.ch<\/span><\/a> (there is a very useful app too<\/a><\/span>).<\/p>\n

Program<\/h5>\n

Program (version 1 June 2022)<\/a>. The title of paper called “Analyzing Character Networks in Fan Fictions of Archive of Our Own” is now “Analyzing Character Networks in Crossover Fan Fictions of Archive of Our Own”. The program will be updated soon.<\/p>\n

In the following list, click on a title to get access to the corresponding abstract (PDF)<\/strong>.<\/p>\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
<\/td><\/td>Invited keynote<\/th><\/td>\n<\/tr>\n<\/thead>\n
9 juin<\/td>11h<\/td>Vincent Labatut<\/td>Extraction and Analysis of Fictional Character Networks<\/a> [SLIDES (PDF)]<\/a><\/td>\n<\/tr>\n
<\/td><\/td>Character Networks \u2013 Session 1<\/td><\/td>\n<\/tr>\n
9 juin<\/td>13h30<\/td>Fran\u00e7ois Bavaud and Coline M\u00e9trailler<\/td>A (dis)similarity index for comparing two character networks<\/a><\/td>\n<\/tr>\n
9 juin<\/td>14h<\/td>Thomas Schmidt, Johannes Hoffmann and Christian Wolff<\/td>Analyzing Character Networks in Crossover Fan Fictions of Archive of Our Own<\/a><\/td>\n<\/tr>\n
9 juin<\/td>14h30<\/td>Guillaume Guex<\/td>Refining Character Relationships in a Narrative using Embeddings of Interactions<\/a><\/td>\n<\/tr>\n
<\/td><\/td>Character Networks \u2013 Session 2<\/td><\/td>\n<\/tr>\n
9 juin<\/td>15h30<\/td>Itay Marienberg-Milikowsky and Dan Vilenchik<\/td>Highlighted Gaps: Toward Undogmatic Modeling of Literary Character Networks<\/a><\/td>\n<\/tr>\n
9 juin<\/td>16h<\/td>Coline M\u00e9trailler<\/td>Narrative flow: a formal approach of character network generation for non-linear narratives<\/a><\/td>\n<\/tr>\n
9 juin<\/td>16h30<\/td>Arthur Amalvy, Vincent Labatut and Richard Dufour<\/td>BERT meets d'Artagnan: Data Augmentation for Robust Character Detection in Novels<\/a><\/td>\n<\/tr>\n
<\/td><\/td>Global track \u2013 Session 1 \u2013\u00a0Techniques<\/td><\/td>\n<\/tr>\n
10 juin<\/td>8h30<\/td>Marion Riggs<\/td>Adapting FlauBERT for WSD of Eighteenth-Century Aesthetic Terms<\/a><\/td>\n<\/tr>\n
10 juin<\/td>9h<\/td>Simon Brenner, Timo Fr\u00fchwirth and Sandra Mayer<\/td>A Computer-Vision Approach to Visualizing \u2018Indented\u2019 Poetry by W. H. Auden<\/a><\/td>\n<\/tr>\n
10 juin<\/td>9h30<\/td>Phillip Benjamin Str\u00f6bel, Simon Clematide, Martin Volk and Tobias Hodel<\/td>Transformer-based HTR for Historical Documents<\/a><\/td>\n<\/tr>\n
<\/td><\/td>Global track \u2013 Session 2 \u2013\u00a0Uncertainty<\/td><\/td>\n<\/tr>\n
10 juin<\/td>10h30<\/td>Fabio Mariani<\/td>\u201cProbably Sold to Paalen, Possibly by Exchange\u201d: Vagueness, Incompleteness, Subjectivity and Uncertainty in Digital Art Provenance<\/a><\/td>\n<\/tr>\n
10 juin<\/td>11h<\/td>Marilena Daquino, Valentina Pasqual, Francesca Tomasi and Fabio Vitali<\/td>Conjectures: using RDF in critical discourse in the humanities<\/a><\/td>\n<\/tr>\n
10 juin<\/td>11h30<\/td>Christian Wachter<\/td>Displays of Conception: Representing Historiographical Models Through Multimodal Publications<\/a><\/td>\n<\/tr>\n
<\/td><\/td>Global track \u2013 Session 3 \u2013\u00a0Language<\/td><\/td>\n<\/tr>\n
10 juin<\/td>13h30<\/td>Bruno Almeida, Rute Costa, Ana Salgado, Margarida Ramos, Laurent Romary, Fahad Khan, Sara Carvalho, Mohamed Khemakhem, Raquel Silva, Toma Tasovac<\/td>Modelling usage information in a legacy dictionary: from TEI Lex-0 to Ontolex-Lemon<\/a><\/td>\n<\/tr>\n
10 juin<\/td>14h<\/td>Marco Passarotti, Francesco Mambrini, Eleonora Litta, Flavio Massimiliano Cecchini, Matteo Pellegrini, Giovanni Moretti, Paolo Ruffolo and Giulia Pedonese<\/td>The LiLa Knowledge Base of Interoperable Linguistic Resources for Latin. Architecture and Current State<\/a><\/td>\n<\/tr>\n
10 juin<\/td>14h30<\/td>Nicole Tamer, Barbara McGillivray and Elizabeth Smith<\/td>Darwin\u2019s Language Evolution: Detecting Lexical Usage in Darwin\u2019s Correspondence<\/a><\/td>\n<\/tr>\n
<\/td><\/td>Global track \u2013 Session 4 \u2013\u00a0Visual<\/td><\/td>\n<\/tr>\n
10 juin<\/td>15h30<\/td>Fanny Barnab\u00e9 and Nicolas Bourgeois<\/td>Vocabulary Circulation in French-speaking Video Game Streaming on Twitch.tv: How to Model and Make Interpretable the Intersection between Network Analysis and NLP?<\/a><\/td>\n<\/tr>\n
10 juin<\/td>16h<\/td>Igor Bajena<\/td>Knowledge representations of digital reconstruction in 3D models<\/a><\/td>\n<\/tr>\n
10 juin<\/td>16h30<\/td>Ronja Utescher, Aaron Pattee, Ferdinand Maiwald, Jonas Bruschke, Stephan Hoppe, Sander M\u00fcnster, Florian Niebling and Sina Zarrie\u00df<\/td>Exploring Naming Inventories for Architectural Elements for Use in Multi-modal Machine Learning Applications<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n
Special track: character network construction and analysis<\/h5>\n<\/div>\n
\n

At the turn of the 2020s, a defining characteristic of digital humanities remains the remarkably wide spectrum of viewpoints they encompass, ranging from a pure engineering perspective applied to humanities data to the use of well established humanities research methods to investigate born-digital artifacts. In this framework, the COMHUM workshop series positions itself as an international forum primarily devoted to the following research questions: (1) which computational methods are most appropriate for dealing with the particular challenges posed by humanities research, e.g., uncertainty, vagueness, incompleteness, but also with different positions (points of view, values, criteria, perspectives, approaches, readings, etc.)? And (2) how can such computational methods be applied to concrete research questions in the humanities?<\/p>\n<\/div>\n

\n

The second edition of the COMHUM workshop will take place on June 9 and 10, 2022 at the University of Lausanne (UNIL), unless the sanitary situation requires organizing the event online. The first day will be devoted to the specific topic of computational methods for constructing and analyzing character networks. This topic has ramifications in a variety of disciplines, including linguistics, literary analysis, digital humanities, and game studies. It is of particular interest for a number of research initiatives at UNIL and in neighboring institutions. COMHUM 2022 will thus be a perfect opportunity to bring together researchers from different communities studying character networks using computational and methodologically explicit approaches, to review the state of the art in this domain and to sketch its future developments.<\/p>\n<\/div>\n

\n

In the spirit of the first edition of the COMHUM workshop, the second day will be open to submissions on any topic pertaining to theoretical or applied research on computational methods for humanities research broadly conceived.<\/p>\n<\/div>\n

\n

The program will consist of invited and contributed talks. The official language of the workshop is English. Contributions can be submitted in English or French.<\/p>\n<\/div>\n

\n

Topics<\/h3>\n<\/div>\n
\n

The topics of the workshop are divided into two tracks. The special track focuses on formal and computational aspects related to the development and use of computational methods for character network construction and analysis in data from various media types studied in the humanities, such as literature, movies, comics, and video games for example.<\/p>\n<\/div>\n

\n

Topics in the\u00a0special track<\/em>\u00a0include, but are not limited to:<\/p>\n<\/div>\n

\n