{"id":9680,"date":"2020-12-16T06:40:27","date_gmt":"2020-12-16T05:40:27","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=9680"},"modified":"2024-05-24T16:28:32","modified_gmt":"2024-05-24T14:28:32","slug":"avec-denis-guenoun-hypotheses-sur-la-politique-le-theatre-leurope-la-philosophie","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/avec-denis-guenoun-hypotheses-sur-la-politique-le-theatre-leurope-la-philosophie\/","title":{"rendered":"Avec Denis Gu\u00e9noun. Hypoth\u00e8ses sur la politique, le th\u00e9\u00e2tre, l’Europe, la philosophie"},"content":{"rendered":"
\n
Premier ouvrage consacr\u00e9 \u00e0 l’\u0153uvre dramatique et th\u00e9orique de Denis Gu\u00e9noun.<\/strong><\/p>\n

Com\u00e9dien, directeur de th\u00e9\u00e2tre, metteur en sc\u00e8ne, dramaturge, mais aussi professeur de philosophie et de litt\u00e9rature, Denis Gu\u00e9noun est l\u2019auteur d\u2019une quarantaine d\u2019ouvrages, dont Hypoth\u00e8ses sur l’Europe. Un essai de philosophie<\/em> (1994) et\u00a0Le Th\u00e9\u00e2tre est-il n\u00e9cessaire ?<\/em> (1997). Au sein de cette production dense, difficile de distinguer entre th\u00e9orie dramatique; sp\u00e9culation philosophique, politique, th\u00e9ologique; et \u00e9critures th\u00e9\u00e2trales.<\/p>\n

Si chacune de ces \u0153uvres a d\u00e9j\u00e0 rencontr\u00e9 son audience – et leurs propositions respectives un accueil grandissant – leurs diff\u00e9rents publics ne s\u2019\u00e9taient pas forc\u00e9ment encore rencontr\u00e9s. Le pr\u00e9sent volume vient donc installer lecteur\u00b7<\/span><\/span>rice\u00b7<\/span><\/span>s et spectateur\u00b7<\/span><\/span>rice\u00b7<\/span><\/span>s de Denis Gu\u00e9noun sur une m\u00eame sc\u00e8ne: celle o\u00f9 la litt\u00e9rature, la philosophie, la politique, la th\u00e9ologie et la morale\u00a0 acceptent de se soumettre \u00e0 une in\u00e9dite distribution pour mieux se donner la r\u00e9plique.<\/p>\n

Les textes r\u00e9unis dans ce volume par \u00c9ric Eigenmann, Martin Rueff et Marc Escola (Section de fran\u00e7ais<\/a>), s’inscrivent dans le cadre des recherches men\u00e9es au Centre d’\u00e9tudes th\u00e9\u00e2trales (CET)<\/a> de la Facult\u00e9 des lettres, et proviennent de plusieurs chercheuses et chercheurs de l’Unil. Ils font suite \u00e0 un colloque organis\u00e9 \u00e0 l’Universit\u00e9 de Lausanne, \u00e0 l’Universit\u00e9 de Gen\u00e8ve et \u00e0 la Com\u00e9die de Gen\u00e8ve en novembre 2017.<\/p>\n

Son introduction<\/a> et sa table des mati\u00e8res<\/a> peuvent \u00eatre consult\u00e9es via le site Fabula<\/em>.<\/p>\n

\u00c9ric Eigenmann, Marc Escola et Martin Rueff (dir.),\u00a0Avec Denis Gu\u00e9noun. Hypoth\u00e8ses sur la politique, le th\u00e9\u00e2tre, l’Europe, la philosophie<\/a>,\u00a0<\/em>Gen\u00e8ve, M\u00e9tisPresses, collection \u00ab\u00a0Voltiges\u00a0\u00bb, 2020.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Marc Escola<\/strong><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pierre Corneille, Le Menteur (1644)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Cin\u00e9ma des Lumi\u00e8res. Diderot, Deleuze, Eisenstein<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Osez (re)lire Moli\u00e8re<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Critique et cr\u00e9ation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Misanthrope corrig\u00e9. Critique et cr\u00e9ation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pierre Corneille, Trois discours sur le po\u00e8me dramatique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

D\u00e9battre d’une fiction<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Avec Denis Gu\u00e9noun. Hypoth\u00e8ses sur la politique, le th\u00e9\u00e2tre, l’Europe, la philosophie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Nouvelles recherches sur le th\u00e9\u00e2tre classique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les fins interm\u00e9diaires dans les fictions narratives des XVIIe et XVIIIe si\u00e8cles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La classe de composition. Autour de \u00ab\u00a0Composition\u00a0\u00bb de Michel Charles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Penser par notions<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pierre Corneille, Horace<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Jean Racine, Iphig\u00e9nie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pierre Corneille, La Place royale<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pascal, Pens\u00e9es<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pascal, Pens\u00e9es sur la justice; Trois Discours sur la condition des Grands<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Premier ouvrage consacr\u00e9 \u00e0 l’\u0153uvre dramatique et th\u00e9orique de Denis Gu\u00e9noun.<\/p>\n","protected":false},"author":1002146,"featured_media":9681,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[3058,1222,1250,1444,2842,727,1872,1433,2784,17,130,1212,151],"class_list":{"0":"post-9680","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-3058","9":"tag-centre-detudes-theatrales-cet","10":"tag-centre-des-sciences-historiques-de-la-culture","11":"tag-centre-interdisciplinaire-detude-des-litteratures","12":"tag-denis-guenoun","13":"tag-europe","14":"tag-formation-doctorale-interdisciplinaire","15":"tag-marc-escola","16":"tag-newsletter-23","17":"tag-philosophie","18":"tag-politique","19":"tag-section-de-francais","20":"tag-theatre"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/9680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002146"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=9680"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/9680\/revisions"}],"predecessor-version":[{"id":12993,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/9680\/revisions\/12993"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/9681"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=9680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=9680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=9680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}