{"id":9599,"date":"2020-12-07T06:40:45","date_gmt":"2020-12-07T05:40:45","guid":{"rendered":"https:\/\/wp.unil.ch\/labelettres\/?p=9599"},"modified":"2021-10-07T15:06:57","modified_gmt":"2021-10-07T13:06:57","slug":"combat-death-in-contemporary-american-culture-popular-conceptions-of-war-since-wwii","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/combat-death-in-contemporary-american-culture-popular-conceptions-of-war-since-wwii\/","title":{"rendered":"Combat Death in Contemporary American Culture: Popular Conceptions of War since WWII"},"content":{"rendered":"\n<p><strong>Pourquoi la guerre para\u00eet-elle si s\u00e9duisante dans la culture populaire am\u00e9ricaine?<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Dans cet ouvrage, Agnieszka Soltysik Monnet (<a href=\"https:\/\/www.unil.ch\/angl\/en\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\">Section d\u2019anglais<\/a>) s\u2019int\u00e9resse \u00e0 la mani\u00e8re dont la guerre a \u00e9t\u00e9 repr\u00e9sent\u00e9e aux \u00c9tats-Unis depuis la Seconde Guerre mondiale, en mettant l\u2019accent sur un sujet charg\u00e9 d\u2019\u00e9motion mais encore peu examin\u00e9 : la mort au combat. \u00c0 travers son \u00e9tude, l\u2019autrice soutient que la plupart des r\u00e9cits de guerre utilisent trois \u00e9l\u00e9ments principaux : le m\u00e9lodrame, l\u2019aventure et l\u2019horreur.<\/p>\n\n\n\n<p>Le m\u00e9lodrame et l\u2019aventure ont contribu\u00e9 \u00e0 rendre la guerre acceptable aux yeux du public am\u00e9ricain en pr\u00e9sentant la mort au combat comme un sacrifice significatif et en donnant \u00e0 la tuerie militaire un aspect n\u00e9cessaire et souvent m\u00eame agr\u00e9able. Quant \u00e0 l\u2019horreur, elle ne sert plus son objectif traditionnel, qui est de rendre repoussantes les r\u00e9alit\u00e9s sanglantes des blessures et des morts de guerre, mais elle a \u00e9t\u00e9 r\u00e9orient\u00e9e ces derni\u00e8res ann\u00e9es pour intensifier la positivit\u00e9 du m\u00e9lodrame et de l\u2019aventure.<\/p>\n\n\n\n<p>Le pr\u00e9sent ouvrage offre un diagnostic percutant sur la fa\u00e7on dont les r\u00e9cits de guerre accomplissent un travail id\u00e9ologique et \u00e9motionnel, et comment ils parviennent \u00e0 d\u00e9velopper une si puissante emprise sur l\u2019imagination am\u00e9ricaine.<\/p>\n\n\n\n<p>Agnieszka Soltysik Monnet,&nbsp;<a href=\"https:\/\/rowman.com\/ISBN\/9781793634955\/Combat-Death-in-Contemporary-American-Culture-Popular-Cultural-Conceptions-of-War-since-World-War-II\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Combat Death in Contemporary American Culture: Popular Conceptions of War since WWII<\/em><\/a>, Lanham, Lexington Books, 2021.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img alt=\"\" decoding=\"async\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Combat-Death-in-Contemporary-American-Culture_LITHO_Proof3-22.jpg\" alt=\"\" class=\"wp-image-9600\" width=\"300\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Combat-Death-in-Contemporary-American-Culture_LITHO_Proof3-22.jpg 748w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Combat-Death-in-Contemporary-American-Culture_LITHO_Proof3-22-435x698.jpg 435w\" sizes=\"(max-width: 748px) 100vw, 748px\" \/><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>ZOOM SUR L\u2019OUVRAGE<\/strong><\/h6>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pourquoi la guerre para\u00eet-elle si s\u00e9duisante dans la culture populaire am\u00e9ricaine ?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/l-gY00R6HgI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n\n\n\n<p><strong>Agnieszka Soltysik Monnet<\/strong><\/p>\n\n\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12237\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/the-ecological-future-moving-beyond-narratives-of-progress-and-apocalypse-in-the-anthropocene\/\"><img loading=\"lazy\" decoding=\"async\" width=\"840\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/06\/SOLTYSIK_2022_Ecological-Future_cover2.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/06\/SOLTYSIK_2022_Ecological-Future_cover2.jpg 840w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/06\/SOLTYSIK_2022_Ecological-Future_cover2-435x621.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/06\/SOLTYSIK_2022_Ecological-Future_cover2-768x1097.jpg 768w\" sizes=\"auto, (max-width: 840px) 100vw, 840px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/the-ecological-future-moving-beyond-narratives-of-progress-and-apocalypse-in-the-anthropocene\/\">The Ecological Future: Moving Beyond Narratives of Progress and Apocalypse in the Anthropocene<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9599\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/combat-death-in-contemporary-american-culture-popular-conceptions-of-war-since-wwii\/\"><img loading=\"lazy\" decoding=\"async\" width=\"748\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Combat-Death-in-Contemporary-American-Culture_LITHO_Proof3-22.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Combat-Death-in-Contemporary-American-Culture_LITHO_Proof3-22.jpg 748w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Combat-Death-in-Contemporary-American-Culture_LITHO_Proof3-22-435x698.jpg 435w\" sizes=\"auto, (max-width: 748px) 100vw, 748px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/combat-death-in-contemporary-american-culture-popular-conceptions-of-war-since-wwii\/\">Combat Death in Contemporary American Culture: Popular Conceptions of War since WWII<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5608\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/revisiting-adventure\/\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"984\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/jpcu.12591.fp_.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/jpcu.12591.fp_.png 650w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/jpcu.12591.fp_-435x659.png 435w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/revisiting-adventure\/\">Revisiting Adventure<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1089\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/neoliberal-gothic-international-gothic-in-the-neoliberal-age\/\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"623\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2017\/10\/Nelobieral_gothic_v3.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2017\/10\/Nelobieral_gothic_v3.jpg 400w, https:\/\/wp.unil.ch\/labelettres\/files\/2017\/10\/Nelobieral_gothic_v3-193x300.jpg 193w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/neoliberal-gothic-international-gothic-in-the-neoliberal-age\/\">Neoliberal Gothic. International Gothic in the neoliberal age<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1184\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/war-gothic-in-literature-and-culture\/\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"614\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2016\/10\/WAR_GOTHIC_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2016\/10\/WAR_GOTHIC_couv.jpg 400w, https:\/\/wp.unil.ch\/labelettres\/files\/2016\/10\/WAR_GOTHIC_couv-195x300.jpg 195w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/war-gothic-in-literature-and-culture\/\">War Gothic in Literature and Culture<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10012\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/gothic-matters\/\"><img loading=\"lazy\" decoding=\"async\" width=\"546\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/TM6_covera.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/TM6_covera.jpg 546w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/TM6_covera-435x637.jpg 435w\" sizes=\"auto, (max-width: 546px) 100vw, 546px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/gothic-matters\/\">Gothic Matters<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10108\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/emotion-affect-sentiment-the-language-and-aesthetics-of-feelings\/\"><img loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/SPELL-Cover-30FINAL-page-001-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/SPELL-Cover-30FINAL-page-001-1.jpg 790w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/SPELL-Cover-30FINAL-page-001-1-435x661.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/SPELL-Cover-30FINAL-page-001-1-768x1167.jpg 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/emotion-affect-sentiment-the-language-and-aesthetics-of-feelings\/\">Emotion, Affect, Sentiment: The Language and Aesthetics of Feelings<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Pourquoi la guerre para\u00eet-elle si s\u00e9duisante dans la culture populaire am\u00e9ricaine?<\/p>\n","protected":false},"author":1002146,"featured_media":9600,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[188,1682,59,2807,210,736,2806,760,213,2808,2812,2297,2809,408,2811,2810,2784,2805,2813,1399],"class_list":{"0":"post-9599","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-agnieszka-soltysik-monnet","10":"tag-aventure","11":"tag-cinema","12":"tag-cinema-americain","13":"tag-culture-populaire","14":"tag-etats-unis","15":"tag-films-de-guerre","16":"tag-genre-litteraire","17":"tag-guerre","18":"tag-guerre-du-vietnam","19":"tag-horreur","20":"tag-images-de-guerre","21":"tag-iwo-jima","22":"tag-masculinite","23":"tag-melodrame","24":"tag-militaire","25":"tag-newsletter-23","26":"tag-recits-de-guerre","27":"tag-sacrifice","28":"tag-section-danglais"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/9599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002146"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=9599"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/9599\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/9600"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=9599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=9599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=9599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}