{"id":915,"date":"2017-10-11T11:57:58","date_gmt":"2017-10-11T09:57:58","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=915"},"modified":"2018-10-16T17:46:12","modified_gmt":"2018-10-16T15:46:12","slug":"les-voix-de-michel-houellebecq","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/les-voix-de-michel-houellebecq\/","title":{"rendered":"Les \u00ab\u00a0voix \u00bb de Michel Houellebecq"},"content":{"rendered":"
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Qui parle dans les romans de Michel Houellebecq ?<\/strong><\/p>\n

<\/p>\n

Le ton des romans de l\u2019\u00e9crivain fran\u00e7ais, qui oscille entre l\u2019ironie, la provocation, la sinc\u00e9rit\u00e9 et le registre de l\u2019essai, et que l\u2019auteur invite d\u2019ailleurs parfois \u00e0 lire \u00ab au premier degr\u00e9 \u00bb, entra\u00eene des lectures divergentes, qui clivent le public. En outre, la posture de Houellebecq \u2013 qui reprend parfois \u00e0 son compte certains propos tenus par ses personnages \u2013 contribue \u00e0 brouiller les pistes, rendant poreuses les fronti\u00e8res qui s\u00e9parent le texte des opinions de l\u2019auteur.\u00a0Comment donc d\u00e9finir la pr\u00e9sence de l\u2019\u00e9crivain dans son \u0153uvre ?<\/p>\n

Les contributions rassembl\u00e9es par Rapha\u00ebl Baroni (\u00c9cole de fran\u00e7ais langue \u00e9trang\u00e8re<\/a>) et Samuel Estier (Section de fran\u00e7ais<\/a>), explorent les diff\u00e9rentes \u00ab voix \u00bb de Houellebecq, si difficiles \u00e0 cerner. Ce recueil d\u2019articles apporte un \u00e9clairage nouveau sur l\u2019\u0153uvre de Michel\u00a0Houellebecq et sur la mani\u00e8re dont nous la lisons. Issues du colloque international organis\u00e9 en 2016 \u00e0 l\u2019Universit\u00e9 de Lausanne, les contributions sont en libre acc\u00e8s.<\/p>\n

Rapha\u00ebl Baroni, Samuel Estier (\u00e9ds.), Les \u00ab voix \u00bb de Michel Houellebecq<\/em><\/a>, actes du colloque de l’Universit\u00e9 de Lausanne (3-4 mars 2016), mis en ligne sur Fabula<\/em>, 2017.<\/p>\n<\/div><\/div>\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Rapha\u00ebl Baroni<\/b><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Narratologie et enseignement du fran\u00e7ais<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les outils narratologiques pour l\u2019enseignement du fran\u00e7ais: bilan et perspectives<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Lire Houellebecq. Essais de critique polyphonique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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\u00ab Le Long Voyage de L\u00e9na \u00bb : regards crois\u00e9s sur une bande dessin\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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L’h\u00e9ritage de Ric\u0153ur : du r\u00e9cit \u00e0 l’exp\u00e9rience<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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The Legacy of Ric\u0153ur’s Time and Narrative (1983-85) : From Plot to Experientiality<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Enseigner la bande dessin\u00e9e comme (de la) litt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

I meccanismi dell\u2019intreccio<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Introduction \u00e0 l’\u00e9tude des cultures num\u00e9riques. La transition num\u00e9rique des m\u00e9dias<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Les avatars du chapitre en bande dessin\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Rouages de l’intrigue. Les outils de la narratologie postclassique pour l’analyse des textes litt\u00e9raires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Les \u00ab\u00a0voix \u00bb de Michel Houellebecq<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Narrative Sequence in Contemporary Narratology<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Repenser le r\u00e9cit avec les s\u00e9ries t\u00e9l\u00e9vis\u00e9es<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les passions en litt\u00e9rature. De la th\u00e9orie \u00e0 l’enseignement<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L\u2019\u0152uvre du temps. Po\u00e9tique de la discordance narrative<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Historiographie, litt\u00e9rature et philosophie : une longue et difficile conversation triangulaire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Tension narrative. Suspense, curiosit\u00e9 et surprise<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le savoir des genres<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n

Samuel Estier<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Faire litt\u00e9rature. Usages et pratiques du litt\u00e9raire (XIXe-XXIe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les \u00ab\u00a0voix \u00bb de Michel Houellebecq<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Qui parle dans les romans de Michel Houellebecq ?<\/p>\n","protected":false},"author":1001615,"featured_media":1312,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[125,1213,123,1205,8,122,107,121,1212,124],"class_list":{"0":"post-915","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-auteur","9":"tag-ecole-de-francais-langue-etrangere","10":"tag-ethique","11":"tag-labelettres","12":"tag-litterature","13":"tag-polyphonie","14":"tag-raphael-baroni","15":"tag-samuel-estier","16":"tag-section-de-francais","17":"tag-valeur"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=915"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/915\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/1312"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}