{"id":898,"date":"2017-10-09T16:56:23","date_gmt":"2017-10-09T14:56:23","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=898"},"modified":"2019-01-14T17:33:07","modified_gmt":"2019-01-14T16:33:07","slug":"une-science-autrichienne-de-la-forme-robert-zimmermann-1824-1898-2","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/une-science-autrichienne-de-la-forme-robert-zimmermann-1824-1898-2\/","title":{"rendered":"Une science autrichienne de la forme\u00a0: Robert Zimmermann 1824-1898"},"content":{"rendered":"
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Y a-t-il une science de l’art ?<\/strong><\/p>\n

La science de la forme de Robert Zimmermann (1824-1898) marque un jalon d\u00e9cisif dans l\u2019histoire de la philosophie, de l\u2019esth\u00e9tique et de la philosophie de l\u2019art. Son formalisme esth\u00e9tique, d\u00e9riv\u00e9 des pens\u00e9es de Johann Friedrich Herbart et de Bernard Bolzano, ouvre vers l\u2019\u00e9cole viennoise d\u2019histoire de l\u2019art, repr\u00e9sent\u00e9e notamment par Alois Riegl.<\/p>\n

Philosophe oubli\u00e9, ayant pourtant laiss\u00e9 un corpus imposant, Zimmermann a propos\u00e9 une vaste historicisation, la premi\u00e8re du genre, dans son Histoire de l\u2019esth\u00e9tique comme science philosophique<\/em> (1858), puis \u00e9labore une Esth\u00e9tique g\u00e9n\u00e9rale<\/em> (1865) qui pose la science de la forme comme science du \u00ab comment ? \u00bb et non du \u00ab pourquoi ? \u00bb de l\u2019art.<\/p>\n

L\u2019ouvrage de Carole Maign\u00e9 (Section de philosophie<\/a>), la premi\u00e8re \u00e9tude syst\u00e9matique de l\u2019esth\u00e9tique de Zimmermann, reconstruit la matrice conceptuelle du corpus de ce philosophe et analyse les controverses passionn\u00e9es qu\u2019il a suscit\u00e9es.<\/p>\n

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Carole Maign\u00e9, Une science autrichienne de la forme : Robert Zimmermann (1824-1898)<\/em><\/a>, Paris, Vrin, 2017.<\/p>\n<\/div>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Carole Maign\u00e9<\/b><\/a><\/p>\n\n\n

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The Idea and Practice of Philosophy in Gilbert Simondon<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Robert Klein, Essai sur la responsabilit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Philosophie de la photographie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Philosophie de la culture<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Herbartism in Austrian Philosophy<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Logos, Zeitschrift f\u00fcr Kulturphilosophie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Oskar Walzel. \u00c9lucidation mutuelle des arts et origines du formalisme<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Kulturwissenschaftliche Bibliothek Warburg comme laboratoire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Bernard Bolzano, \u00c9crits esth\u00e9tiques<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Une science autrichienne de la forme\u00a0: Robert Zimmermann 1824-1898<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Berlin 1913 – Paris 1937. L\u2019esth\u00e9tique et la science de l\u2019art \u00e0 l\u2019\u00e2ge des Congr\u00e8s<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Y a-t-il une science de l’art ?<\/p>\n","protected":false},"author":1001615,"featured_media":907,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[5],"tags":[46,194,196,191,115,189,197,190,192,193,17,1204,195],"class_list":{"0":"post-898","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-sciences-theoriques","8":"tag-art","9":"tag-beau","10":"tag-beaux-arts","11":"tag-bernard-bolzano","12":"tag-carole-maigne","13":"tag-esthetique","14":"tag-formalisme","15":"tag-forme","16":"tag-johann-friedrich-herbart","17":"tag-kunstwissenschaft","18":"tag-philosophie","19":"tag-section-de-philosophie","20":"tag-vienne"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=898"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/898\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/907"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}