{"id":8825,"date":"2020-10-12T06:58:37","date_gmt":"2020-10-12T04:58:37","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=8825"},"modified":"2021-10-12T09:38:25","modified_gmt":"2021-10-12T07:38:25","slug":"charles-albert-cingria","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/charles-albert-cingria\/","title":{"rendered":"Charles-Albert Cingria"},"content":{"rendered":"
\n
Lire Cingria sans oeill\u00e8res.<\/strong><\/p>\n

<\/p>\n

De son vivant, Charles-Albert Cingria (1883-1954) enthousiasmait et divisait. Depuis, la nouvelle \u00e9dition de ses \u00e9crits (parue entre 2011 et 2018 sous la houlette de plusieurs professeur\u00b7e\u00b7s de la Facult\u00e9 des lettres de l’Unil) avec un appareil critique interdisciplinaire (esth\u00e9tique, musique, histoire, politique, philosophie, religion, culture, soci\u00e9t\u00e9) a mis en \u00e9vidence les lignes de force et de faille de cette \u0153uvre majeure du champ litt\u00e9raire contemporain.<\/p>\n

Les articles rassembl\u00e9s dans ce num\u00e9ro de la revue Litt\u00e9rature<\/em> livrent une s\u00e9rie de sept \u00e9tudes, servies par de fin\u00b7e\u00b7s lecteur\u00b7rice\u00b7s passionn\u00e9\u00b7e\u00b7s, qui renouvellent le discours sur Cingria. Elles invitent \u00e0 des lectures et \u00e0 des enqu\u00eates critiques plus vastes, en soulignant notamment la qualit\u00e9 po\u00e9tique des proses de l’\u00e9crivain suisse.<\/p>\n

Aux lecteurs et lectrices de d\u00e9couvrir, dans ce num\u00e9ro codirig\u00e9 par Daniel Maggetti (Section de fran\u00e7ais<\/a>) et Aline Berg\u00e9, un auteur qui, quoiqu\u2019aimant \u00e0 s\u2019immerger dans les biblioth\u00e8ques, \u00e9tait visc\u00e9ralement rebelle au confinement prolong\u00e9. Ce volume, qui s’inscrit dans le cadre des recherches men\u00e9es par le Centre des litt\u00e9ratures en Suisse romande<\/a> de la Facult\u00e9 des lettres de l’Unil, est \u00e0 d\u00e9couvrir en OpenAccess sur Cairn<\/a>.<\/p>\n

Aline Berg\u00e9 et Daniel Maggetti (\u00e9ds.), Charles-Albert Cingria<\/em><\/a>, Litt\u00e9rature<\/em>, n\u00b0199, 3\/2020.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Daniel Maggetti<\/b><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

F\u00e9lix Vallotton. Romans et Th\u00e9\u00e2tre<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Le Besoin des choses et autres chroniques<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Le Feu \u00e0 Cheyseron<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Lettres, 1904-1947<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Pr\u00e9sence de la mort<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Gustave Roud. L\u2019univers pluriel de la po\u00e9sie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Gustave Roud, \u0152uvres compl\u00e8tes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, D\u00e9couverte du monde<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Derborence<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Jean-Luc pers\u00e9cut\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Le Lac aux demoiselles et autres nouvelles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Henri Roorda<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, L’Homme perdu dans le brouillard et autres nouvelles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Les Femmes dans les vignes et autres nouvelles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Lignes de cr\u00eates. Promenades litt\u00e9raires en montagne<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Adam et \u00c8ve<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Charles-Albert Cingria<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Pos\u00e9s les uns \u00e0 c\u00f4t\u00e9 des autres<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Paris (notes d’un Vaudois)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Un homme-orchestre dissonant<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Les Signes parmi nous<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Tout Catherine Colomb<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, La Beaut\u00e9 sur la terre<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Taille de l’homme<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9terniser le songe ou la solitude. La \u00ab\u00a0voix souterraine\u00a0\u00bb de Georges Nicole<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9dith Boissonnas. L’\u00e9criture \u00e0 l’\u00e9tat brut<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, L’Amour du monde<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Une main<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Charles-Albert Cingria, \u0152uvres compl\u00e8tes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Construction de la maison<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

C. F. Ramuz, Aline<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Lausanne, promenades litt\u00e9raires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Vies de C. F. Ramuz<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Ramuz: \u0152uvres compl\u00e8tes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Gustave Roud: La plume et le regard<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9crire en francophonie : une prise de pouvoir ?<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Lire Cingria sans oeill\u00e8res.<\/p>\n","protected":false},"author":1002146,"featured_media":8834,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[2611,1413,1923,747,62,16,189,10,1183,8,956,1095,1952,1722,1469,289,685,2548,272,2675,2347,17,130,985,1212,259],"class_list":{"0":"post-8825","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-cairn","9":"tag-centre-des-litteratures-en-suisse-romande","10":"tag-centre-des-litteratures-en-suisse-romande-clsr","11":"tag-charles-albert-cingria","12":"tag-culture","13":"tag-daniel-maggetti","14":"tag-esthetique","15":"tag-histoire","16":"tag-langues-et-litteratures-slaves","17":"tag-litterature","18":"tag-litterature-contemporaine","19":"tag-litterature-de-suisse-romande","20":"tag-litterature-du-xxe-siecle","21":"tag-litterature-en-suisse-romande","22":"tag-litterature-francophone","23":"tag-litterature-romande","24":"tag-litterature-suisse","25":"tag-litterature-suisse-romande","26":"tag-musique","27":"tag-newsletter-21","28":"tag-open-access","29":"tag-philosophie","30":"tag-politique","31":"tag-religion","32":"tag-section-de-francais","33":"tag-societe"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002146"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=8825"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8825\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/8834"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=8825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=8825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=8825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}