{"id":8697,"date":"2020-12-01T06:40:27","date_gmt":"2020-12-01T05:40:27","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=8697"},"modified":"2024-05-24T16:28:45","modified_gmt":"2024-05-24T14:28:45","slug":"parole-et-geste-dans-la-tragedie-grecque-a-la-lumiere-des-trois-electre","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/parole-et-geste-dans-la-tragedie-grecque-a-la-lumiere-des-trois-electre\/","title":{"rendered":"Parole et geste dans la trag\u00e9die grecque. \u00c0 la lumi\u00e8re des trois \u00ab\u00a0\u00c9lectre\u00a0\u00bb"},"content":{"rendered":"
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\u00ab On ne peut pas parler sans bouger ! \u00bb (Socrate)<\/strong><\/p>\n

Ath\u00e8nes, vers 414 avant J.-C. Dans le th\u00e9\u00e2tre de Dionysos se joue \u00c9lectre<\/em> de Sophocle. Clytemnestre (la m\u00e8re de l’h\u00e9ro\u00efne), a assassin\u00e9 Agamemnon (son p\u00e8re) \u00e0 son retour de Troie, et r\u00e8gne aux c\u00f4t\u00e9s de son amant. \u00c9lectre, accabl\u00e9e par le deuil, vient hurler sa peine face aux 12 000 spectateurs ath\u00e9niens: elle rappelle le meurtre affreux de son p\u00e8re, invoque les d\u00e9esses de la vengeance.<\/p>\n

Gr\u00e2ce \u00e0 une tradition longue de 2 400 ans, nous connaissons les mots qu’\u00c9lectre prononce ce jour-l\u00e0: ceux de l\u2019h\u00e9ro\u00efne, ceux du po\u00e8te, et ceux de l\u2019acteur derri\u00e8re le masque. Mais le texte de la pi\u00e8ce nous permet aussi d\u2019imaginer les effets de sc\u00e8ne, l\u2019\u00e9motion des spectateurs, le spectacle vivant.\u00a0Car les mots rec\u00e8lent toujours des gestes: jeu et danse du com\u00e9dien; actes de parole d\u2019\u00c9lectre qui prie, se lamente, jure, maudit; figures stylistiques par lesquelles le po\u00e8te donne corps au texte\u2026<\/p>\n

Cet ouvrage de Matteo Capponi (Institut d’arch\u00e9ologie et des sciences de l’antiquit\u00e9<\/a>, Centre d’\u00e9tudes th\u00e9\u00e2trales<\/a>) d\u00e9montre que le grec, bien loin d’\u00eatre une langue morte, n’est que tout juste assoupi, ne demandant qu\u2019\u00e0 se remettre en mouvement et \u00e0 faire danser sous nos yeux ces h\u00e9ro\u00efnes et ces h\u00e9ros d\u2019un autre temps.<\/p>\n

Ce livre est disponible en libre acc\u00e8s sur le site web de l’\u00e9diteur<\/a>.<\/p>\n

Matteo Capponi,\u00a0Parole et geste dans la trag\u00e9die grecque. \u00c0 la lumi\u00e8re des trois \u00ab\u00a0\u00c9lectre\u00a0\u00bb<\/em><\/a>, Neuch\u00e2tel, Alphil 2020.<\/p>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Matteo Capponi<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2026<\/a>\n\t\t\t\t\t\t\t\t

Le corps acteur dans le th\u00e9\u00e2tre antique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Parole et geste dans la trag\u00e9die grecque. \u00c0 la lumi\u00e8re des trois \u00ab\u00a0\u00c9lectre\u00a0\u00bb<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00ab On ne peut pas parler sans bouger ! \u00bb (Socrate)<\/p>\n","protected":false},"author":1002146,"featured_media":8699,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[3058,901,850,905,1222,319,2476,1211,776,2649,2784,2347,1992,998,1159,423,151,900],"class_list":{"0":"post-8697","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-3058","10":"tag-amphitheatre","11":"tag-antiquite-grecque","12":"tag-athenes","13":"tag-centre-detudes-theatrales-cet","14":"tag-gestes","15":"tag-grece-antique","16":"tag-institut-darcheologie-et-des-sciences-de-lantiquite","17":"tag-jeu","18":"tag-matteo-capponi","19":"tag-newsletter-23","20":"tag-open-access","21":"tag-poesie-grecque","22":"tag-sophocle","23":"tag-spectacle","24":"tag-style","25":"tag-theatre","26":"tag-theatre-antique"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002146"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=8697"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8697\/revisions"}],"predecessor-version":[{"id":12994,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8697\/revisions\/12994"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/8699"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=8697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=8697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=8697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}