{"id":8642,"date":"2020-09-10T09:47:52","date_gmt":"2020-09-10T07:47:52","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=8642"},"modified":"2021-10-12T09:40:56","modified_gmt":"2021-10-12T07:40:56","slug":"oskar-walzel-elucidation-mutuelle-des-arts-et-origines-du-formalisme","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/oskar-walzel-elucidation-mutuelle-des-arts-et-origines-du-formalisme\/","title":{"rendered":"Oskar Walzel. \u00c9lucidation mutuelle des arts et origines du formalisme"},"content":{"rendered":"
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Pourquoi relire Oskar Walzel aujourd’hui ?<\/strong><\/p>\n

Il y a aujourd’hui bien des raisons de revenir \u00e0 l’oeuvre du philologue et germaniste Oskar Walzel (1864-1944), dont l’oeuvre s’inscrit dans un effort de th\u00e9orisation des sciences humaines au cours des ann\u00e9es 1910-1920. On pense en particulier \u00e0 ses contributions \u00e0 la Kunstwissenschaft, \u00e0 la Kulturwissenschaft mais aussi et surtout ici \u00e0 la Literaturwissenschaft. Par ailleurs, Walzel est aussi un cas exemplaire du dialogue germano-russe au d\u00e9but du 20e si\u00e8cle – un dialogue fait de reprises, de d\u00e9placements, d’appropriations – comme un pont entre les formalismes allemands et russes.<\/p>\n

L’oeuvre abondante et complexe de l’homme de lettres autrichien parcourt, en usant du formalisme contre l’historicisme, les courants de la philosophie, de la th\u00e9orie esth\u00e9tique et litt\u00e9raire en d\u00e9passant les p\u00e9riodisations et les fronti\u00e8res des disciplines. Outre des contributions de sp\u00e9cialistes venu\u00b7e\u00b7s de plusieurs horizons (philosophie, litt\u00e9rature, linguistique) analysant les concepts de forme et de contenu ainsi que l’\u00e9lucidation r\u00e9ciproque des arts et de la po\u00e9sie, ce num\u00e9ro codirig\u00e9 par Carole Maign\u00e9 (Section de philosophie<\/a>) propose des traductions in\u00e9dites de Walzel et de son interlocuteur russe Viktor Jirmounsky en fran\u00e7ais.<\/p>\n

Le volume, qui s’inscrit notamment dans les recherches en philosophie syst\u00e9matique de la Facult\u00e9 des lettres de l’Universit\u00e9 de Lausanne, sera bient\u00f4t disponible en int\u00e9gralit\u00e9 sur OpenEdition Journals<\/a>.<\/p>\n

Michel Espagne, Carole Maign\u00e9, Serguei Tchougounnikov (\u00e9ds.), Oskar Walzel. Elucidation mutuelle des arts et origines du formalism<\/em>e<\/a>, Revue Germanique Internationale, n\u00b031, 2020.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Carole Maign\u00e9<\/strong><\/a><\/p>\n\n\n

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The Idea and Practice of Philosophy in Gilbert Simondon<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Robert Klein, Essai sur la responsabilit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Philosophie de la photographie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Philosophie de la culture<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Herbartism in Austrian Philosophy<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Logos, Zeitschrift f\u00fcr Kulturphilosophie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Oskar Walzel. \u00c9lucidation mutuelle des arts et origines du formalisme<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Kulturwissenschaftliche Bibliothek Warburg comme laboratoire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Bernard Bolzano, \u00c9crits esth\u00e9tiques<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Une science autrichienne de la forme\u00a0: Robert Zimmermann 1824-1898<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Berlin 1913 – Paris 1937. L\u2019esth\u00e9tique et la science de l\u2019art \u00e0 l\u2019\u00e2ge des Congr\u00e8s<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

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