{"id":860,"date":"2017-10-09T10:47:04","date_gmt":"2017-10-09T08:47:04","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=860"},"modified":"2018-12-06T13:19:02","modified_gmt":"2018-12-06T12:19:02","slug":"grenzuberschreitungen-und-akademiefiasko-hans-jakob-oeri-und-das-schweizer-kunstschaffen-im-19-jahrhundert","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/grenzuberschreitungen-und-akademiefiasko-hans-jakob-oeri-und-das-schweizer-kunstschaffen-im-19-jahrhundert\/","title":{"rendered":"Grenz\u00fcberschreitungen und Akademiefiasko Hans Jakob Oeri und das Schweizer Kunstschaffen im 19. Jahrhundert"},"content":{"rendered":"
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Pourquoi le projet d\u2019une acad\u00e9mie suisse des beaux-arts a-t-il \u00e9chou\u00e9\u00a0? Quelles en ont \u00e9t\u00e9 les cons\u00e9quences pour les artistes suisses\u00a0?<\/strong><\/p>\n

D\u00e8s la fin du XVIIIe si\u00e8cle et jusque dans les ann\u00e9es 1940, l\u2019id\u00e9e d\u2019une acad\u00e9mie suisse des beaux-arts se d\u00e9veloppe sans que le projet n\u2019aboutisse dans son plan initial. Cette situation a favoris\u00e9 la mobilit\u00e9 des artistes helv\u00e9tiques, contraints de s\u2019exiler pour faire carri\u00e8re.<\/p>\n

En prenant pour exemple le parcours de l\u2019artiste suisse Hans Jakob Oeri (1782-1868), form\u00e9 \u00e0 Paris \u00e0 l\u2019\u00c9cole des beaux-arts et dans l\u2019atelier de Jacques-Louis David, puis peintre de cour et professeur de dessin \u00e0 Moscou et \u00e0 Kazan durant plusieurs ann\u00e9es, avant de rentrer \u00e0 Zurich pour y cr\u00e9er une petite acad\u00e9mie d\u2019art avec un cercle d\u2019artistes, l\u2019ouvrage de Valentine von Fellenberg (Section d’histoire de l’art<\/a>)\u00a0offre une nouvelle approche de l\u2019historiographie de l\u2019art suisse.<\/p>\n

L\u2019auteure montre les rapports entre art, politique, mobilit\u00e9 des artistes et r\u00e9ception des \u0153uvres et propose une conception de l\u2019art suisse qui d\u00e9passe les fronti\u00e8res g\u00e9ographiques du pays.<\/p>\n

Valentine von Fellenberg,\u00a0Grenz\u00fcberschreitungen und Akademiefiasko.\u00a0<\/i>Hans Jakob Oeri und das Schweizer Kunstschaffen im 19. Jahrhundert<\/i><\/a>, Berlin, De Gruyter, 2017.<\/p>\n<\/div><\/div>\n

\u00a0\"\"\u00a0<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Valentine von Fellenberg<\/b><\/a><\/p>\n\n\n

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Grenz\u00fcberschreitungen und Akademiefiasko Hans Jakob Oeri und das Schweizer Kunstschaffen im 19. Jahrhundert<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Hans Jakob Oeri. Ein Schweizer K\u00fcnstler in Paris, Moskau, Z\u00fcrich<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Pourquoi le projet d\u2019une acad\u00e9mie suisse des beaux-arts a-t-il \u00e9chou\u00e9\u00a0? Quelles en ont \u00e9t\u00e9 les cons\u00e9quences pour les artistes suisses\u00a0?<\/p>\n","protected":false},"author":1001615,"featured_media":863,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[281,277,275,282,283,130,172,243,1214,110,279],"class_list":{"0":"post-860","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-academie-des-beaux-arts","9":"tag-frontieres","10":"tag-hans-jakob-oeri","11":"tag-mobilite","12":"tag-paris","13":"tag-politique","14":"tag-reception","15":"tag-russie","16":"tag-section-dhistoire-de-lart","17":"tag-valentine-von-fellenberg","18":"tag-zurich"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=860"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/860\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/863"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}