{"id":8540,"date":"2020-09-08T10:15:39","date_gmt":"2020-09-08T08:15:39","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=8540"},"modified":"2024-05-24T16:44:47","modified_gmt":"2024-05-24T14:44:47","slug":"des-avant-dernieres-machines-cinema-techniques-histoire","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/des-avant-dernieres-machines-cinema-techniques-histoire\/","title":{"rendered":"Des avant-derni\u00e8res machines. Cin\u00e9ma, techniques, histoire"},"content":{"rendered":"
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Histoire des techniques et techniques de l’histoire.\u00a0<\/strong><\/p>\n

L\u2019environnement num\u00e9rique dans lequel nous baignons aujourd\u2019hui nous a habitu\u00e9s \u00e0 l\u2019id\u00e9e que les appareils se succ\u00e8dent comme les g\u00e9n\u00e9rations. Or, faire l\u2019histoire des techniques cin\u00e9matographiques, c\u2019est rappeler que chacune de ces machines est historique, en ce qu\u2019elle est le r\u00e9sultat d\u2019un processus d\u2019innovation et d\u2019appropriation inscrit dans un moment singulier du m\u00e9dium, de la culture, de l\u2019\u00e9conomie et de la soci\u00e9t\u00e9.<\/p>\n

Cet ouvrage d\u00e9montre pourquoi il est n\u00e9cessaire, pour comprendre un syst\u00e8me technico-m\u00e9diatique contemporain, de se tourner non pas seulement vers les derni\u00e8res, mais aussi vers les avant-derni\u00e8res machines.\u00a0Par des analyses de cas concrets \u2013 depuis les manuels de lanterne magique jusqu’\u00e0 la standardisation de la projection num\u00e9rique \u2013 les contributions rassembl\u00e9es par Selim Krichane (Centre d’\u00e9tudes cin\u00e9matographiques)<\/a> et Beno\u00eet Turquety (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>) explorent les relations entre les m\u00e9dias, les techniques, et l’\u00e9criture de l’histoire.<\/p>\n

Ce volume collectif s’inscrit notamment dans la collaboration entre les sciences humaines et sociales et les sciences cultiv\u00e9es \u00e0 l’EPFL au travers du Coll\u00e8ge des humanit\u00e9s<\/a>.<\/p>\n

Selim Krichane et Beno\u00eet Turquety (dir.), Des avant-derni\u00e8res machines. Cin\u00e9ma, technique, histoire<\/a>, Lausanne, L’\u00c2ge d’Homme, 2020.<\/p>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Selim Krichane<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Penser (avec) la culture vid\u00e9oludique. Discours, pratiques, p\u00e9dagogie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les langages du jeu vid\u00e9o<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Des avant-derni\u00e8res machines. Cin\u00e9ma, techniques, histoire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Abdellatif Kechiche<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Cam\u00e9ra imaginaire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Jeu vid\u00e9o et cin\u00e9ma<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n

Beno\u00eet Turquety<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Politiques de la technicit\u00e9. Corps, monde et m\u00e9dias avec Gilbert Simondon<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le \u00ab Direct \u00bb et le num\u00e9rique. Techniques et politiques des m\u00e9dias d\u00e9centralis\u00e9s<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Techniques et machines de cin\u00e9ma, objets, gestes, discours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Des avant-derni\u00e8res machines. Cin\u00e9ma, techniques, histoire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Dani\u00e8le Huillet, Jean-Marie Straub: \u00ab\u00a0Objectivists\u00a0\u00bb in Cinema<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Medium, Format, Configuration: The Displacements of Film<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Inventing Cinema: Machines, Gestures and Media History<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Des je (prononc\u00e9 yeux) \/ Apr\u00e8s des je<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’amateur en cin\u00e9ma. Un autre paradigme<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Histoire des techniques et techniques de l’histoire.\u00a0<\/p>\n","protected":false},"author":1002146,"featured_media":8542,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[1647,1374,59,2511,515,643,2510,11,2472,1491,1233,1327,1393,549],"class_list":{"0":"post-8540","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-benoit-turquety","9":"tag-centre-detudes-cinematographiques-cec","10":"tag-cinema","11":"tag-college-des-humanites","12":"tag-histoire-du-cinema","13":"tag-historiographie","14":"tag-machines","15":"tag-medias","16":"tag-newsletter-20","17":"tag-numerique","18":"tag-section-dhistoire-et-esthetique-du-cinema","19":"tag-selim-krichane","20":"tag-techniques","21":"tag-technologie"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002146"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=8540"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8540\/revisions"}],"predecessor-version":[{"id":13025,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8540\/revisions\/13025"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/8542"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=8540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=8540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=8540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}