{"id":8392,"date":"2016-04-10T17:10:29","date_gmt":"2016-04-10T15:10:29","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=8392"},"modified":"2024-05-24T16:31:42","modified_gmt":"2024-05-24T14:31:42","slug":"la-poesie-lyrique-dans-la-cite-antique-les-odes-dhorace-au-miroir-de-la-lyrique-grecque-archaique","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/la-poesie-lyrique-dans-la-cite-antique-les-odes-dhorace-au-miroir-de-la-lyrique-grecque-archaique\/","title":{"rendered":"La po\u00e9sie lyrique dans la cit\u00e9 antique. Les \u00ab\u00a0Odes\u00a0\u00bb d\u2019Horace au miroir de la lyrique grecque archa\u00efque"},"content":{"rendered":"
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Quel r\u00f4le la po\u00e9sie lyrique a-t-elle jou\u00e9 dans la cit\u00e9?<\/strong><\/p>\n

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La cit\u00e9 est le contexte premier dans lequel il convient de situer la lyrique antique. En Gr\u00e8ce archa\u00efque, les fonctions civiques des formes lyriques sont multiples. Dans la Rome august\u00e9enne, le r\u00f4le politique de la po\u00e9sie est \u00e9galement crucial et culmine lors des Jeux s\u00e9culaires de 17 avant notre \u00e8re, pour lesquels Horace obtient la charge de composer un chant choral.<\/p>\n

Attentif aux sp\u00e9cificit\u00e9s de chaque discours po\u00e9tique, ainsi qu\u2019\u00e0 la diversit\u00e9 des cultures et des cit\u00e9s qui les voient na\u00eetre, cet ouvrage co\u00e9dit\u00e9 par Olivier Th\u00e9venaz \u00a0(Institut d’arch\u00e9ologie et des sciences de l’Antiquit\u00e9<\/a>)\u00a0approfondit et affine notre perception des enjeux civiques et politiques de la lyrique. Il se focalise sur la fa\u00e7on dont Horace, dans les \u00c9podes<\/em> et les Odes<\/em>, assume et r\u00e9oriente l\u2019h\u00e9ritage archa\u00efque pour recr\u00e9er une partie de ses formes dans le contexte august\u00e9en et devenir la voix d\u2019une Rome refond\u00e9e.<\/p>\n

Ce volume est issu du colloque inaugural d\u2019un partenariat sur la lyrique antique qui associe l\u2019\u00c9cole Normale Sup\u00e9rieure de Lyon, l\u2019UMR 5189 HiSoMA et l\u2019Universit\u00e9 de Lausanne.<\/p>\n

B\u00e9n\u00e9dicte Delignon, Nadine Le Meur, Olivier Th\u00e9venaz (\u00e9d.),\u00a0La po\u00e9sie lyrique dans la cit\u00e9 antique. Les <\/i>Odes d\u2019Horace au miroir de la lyrique grecque archa\u00efque<\/i><\/a>,\u00a0Lyon, \u00c9ditions de Boccard, 2016.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Olivier Th\u00e9venaz<\/strong><\/a><\/p>\n\n\n

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CIEL ! Regards crois\u00e9s sur un espace commun entre les litt\u00e9ratures<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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La po\u00e9sie lyrique dans la cit\u00e9 antique. Les \u00ab\u00a0Odes\u00a0\u00bb d\u2019Horace au miroir de la lyrique grecque archa\u00efque<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Mirabilia – Conceptions et repr\u00e9sentations de l’extraordinaire dans le monde antique. Actes du colloque international, Lausanne, 20-22 mars 2003<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Quel r\u00f4le la po\u00e9sie lyrique a-t-elle jou\u00e9 dans la cit\u00e9?<\/p>\n","protected":false},"author":1001615,"featured_media":8394,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_analysis_target_kw":"","footnotes":""},"categories":[4],"tags":[1222,2446,2445,2444,1211,2447,2443,2029,2448],"class_list":{"0":"post-8392","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-sciences-historiques","8":"tag-centre-detudes-theatrales-cet","9":"tag-epodes","10":"tag-grece-archaique","11":"tag-horace","12":"tag-institut-darcheologie-et-des-sciences-de-lantiquite","13":"tag-odes","14":"tag-olivier-thevenaz","15":"tag-poesie-lyrique","16":"tag-rome-augusteenne"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=8392"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8392\/revisions"}],"predecessor-version":[{"id":13002,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8392\/revisions\/13002"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/8394"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=8392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=8392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=8392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}