{"id":8121,"date":"2014-06-11T16:06:28","date_gmt":"2014-06-11T14:06:28","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=8121"},"modified":"2020-06-11T16:11:24","modified_gmt":"2020-06-11T14:11:24","slug":"rene-berger-lart-video","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/rene-berger-lart-video\/","title":{"rendered":"Ren\u00e9 Berger: L’art vid\u00e9o"},"content":{"rendered":"
\n
Un recueil d\u2019essais de Ren\u00e9 Berger consacr\u00e9s \u00e0 l\u2019art vid\u00e9o.<\/strong><\/p>\n

<\/p>\n

\u00c9crivain, philosophe et historien de l’art suisse, Ren\u00e9 Berger (1915-2009), directeur du Mus\u00e9e cantonal des Beaux-Arts de Lausanne de 1962 \u00e0 1981, professeur honoraire de l’Universit\u00e9 de Lausanne, fait figure de pionnier dans la th\u00e9orisation de l’art vid\u00e9o.<\/p>\n

Fran\u00e7ois Bovier (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>) et Adeena Mey ont rassembl\u00e9 les textes que Ren\u00e9 Berger a consacr\u00e9s \u00e0 l’\u00e9mergence et \u00e0 la g\u00e9n\u00e9ralisation de l’art vid\u00e9o entre 1971 et 1997. Empruntant des outils d’analyse \u00e0 la cybern\u00e9tique et \u00e0 la s\u00e9miologie, Berger d\u00e9crit le \u00ab\u00a0vid\u00e9oart\u00a0\u00bb comme une pratique \u00e0 l’intersection de plusieurs m\u00e9dias qui interroge la valeur d’exposition de l’art en introduisant un facteur temporel. La vid\u00e9o participe \u00e0 un effet de \u00ab\u00a0dislocation\u00a0\u00bb et de \u00ab\u00a0relocation\u00a0\u00bb de l’\u0153uvre d’art, questionn\u00e9e ici dans la perspective des nouvelles images anim\u00e9es et de l’essor de l’informatique.<\/p>\n

Cet ouvrage r\u00e9unit pour la premi\u00e8re fois les textes les plus importants de Ren\u00e9 Berger sur le sujet, publi\u00e9s sur une p\u00e9riode d’une trentaine d’ann\u00e9es.<\/p>\n

Fran\u00e7ois Bovier, Adeena Mey (\u00e9ds.), Ren\u00e9 Berger: L’art vid\u00e9o<\/i><\/a>, Zurich\/Dijon, JRP\/Les presses du r\u00e9el, 2014.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Fran\u00e7ois Bovier<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Sonimage. Les ann\u00e9es vid\u00e9o de Jean-Luc Godard et Anne-Marie Mi\u00e9ville<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Chantal Akerman<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Alexander Kluge<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Minor Cinema. Experimental Film in Switzerland<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Cin\u00e9ma ethnographique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Early Video Art and Experimental Films Networks<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Happenings & Events. \u00ab\u00a0Tulane Drama Review\u00a0\u00bb hiver 1965<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cin\u00e9ma de re-montage<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Ren\u00e9 Vautier<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Ren\u00e9 Berger: L’art vid\u00e9o<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cin\u00e9ma \u00e9largi<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Peter Watkins<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Un recueil d\u2019essais de Ren\u00e9 Berger consacr\u00e9s \u00e0 l\u2019art vid\u00e9o.<\/p>\n","protected":false},"author":1001615,"featured_media":8125,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[720,1374,106,2394,1233],"class_list":{"0":"post-8121","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-art-video","9":"tag-centre-detudes-cinematographiques-cec","10":"tag-francois-bovier","11":"tag-rene-berger","12":"tag-section-dhistoire-et-esthetique-du-cinema"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=8121"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8121\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/8125"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=8121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=8121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=8121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}