{"id":8107,"date":"2013-06-10T11:41:44","date_gmt":"2013-06-10T09:41:44","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=8107"},"modified":"2020-06-10T11:42:05","modified_gmt":"2020-06-10T09:42:05","slug":"le-post-apocalyptique","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/le-post-apocalyptique\/","title":{"rendered":"Le post-apocalyptique"},"content":{"rendered":"
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Le post-apocalyptique d\u00e9voile ses secrets.<\/strong><\/p>\n

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Le post-apocalyptique est un genre relativement connu, principalement gr\u00e2ce aux innombrables productions cin\u00e9matographiques hollywoodiennes qui sont apparues sur nos \u00e9crans cette derni\u00e8re d\u00e9cennie. Or, il serait terriblement r\u00e9ducteur d\u2019imaginer que seuls Le Jour d\u2019apr\u00e8s<\/em>, La Route<\/em>, 2012<\/em> et autre After Earth<\/em> sont repr\u00e9sentatifs d\u2019une tradition aussi ancienne que diversifi\u00e9e.<\/p>\n

Afin de mieux saisir la sp\u00e9cificit\u00e9 et la richesse de cette esth\u00e9tique, cet ouvrage dirig\u00e9 par Marc Atallah (Section de fran\u00e7ais<\/a>, directeur de la Maison d’Ailleurs) r\u00e9unit les textes de quatre sp\u00e9cialistes qui proposent des points de vue in\u00e9dits sur ces r\u00e9cits faisant la part belle aux zones et, surtout, \u00e0 la mani\u00e8re dont les humains tentent de reconstruire une soci\u00e9t\u00e9 digne de ce nom apr\u00e8s la catastrophe. L’ouvrage inclut \u00e9galement une riche iconographie.<\/p>\n

Marc Atallah (dir.), Le post-apocalyptique<\/em><\/a>, Chamb\u00e9ry, Les \u00c9ditions ActuSF, Yverdon-les-Bains, Maison d\u2019Ailleurs, \u00ab\u00a0Les Collections de la Maison d\u2019Ailleurs\u00a0\u00bb, 2013.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Marc Atallah<\/a><\/strong><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Parade monstrueuse. La naissance des monstres modernes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les dystopies du num\u00e9rique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Mondes (im)parfaits. Autour des \u00ab\u00a0Cit\u00e9s obscures\u00a0\u00bb de Schuiten et Peeters<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le jeu<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Je suis ton p\u00e8re. Origines\u00a0et h\u00e9ritages d\u2019une saga intergalactique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Posthumain<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

BD – US : les comics vus par l’Europe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pop Art, mon Amour. L’Art de Tadanori Yokoo et du manga<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’art de la science-fiction<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Robots<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Portrait-Robot ou Les multiples visages de l\u2019humanit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les super-h\u00e9ros<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le post-apocalyptique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Le post-apocalyptique d\u00e9voile ses secrets.<\/p>\n","protected":false},"author":1001615,"featured_media":8109,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[1373,24,2389,1212],"class_list":{"0":"post-8107","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-centre-des-sciences-historiques-de-la-culture-shc","10":"tag-marc-atallah","11":"tag-post-apocalyptique","12":"tag-section-de-francais"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=8107"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8107\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/8109"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=8107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=8107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=8107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}