{"id":8099,"date":"2017-06-10T11:10:22","date_gmt":"2017-06-10T09:10:22","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=8099"},"modified":"2020-06-10T11:19:36","modified_gmt":"2020-06-10T09:19:36","slug":"le-posthumain","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/le-posthumain\/","title":{"rendered":"Le Posthumain"},"content":{"rendered":"
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Deux essais sur le\u00a0posthumain.<\/strong><\/p>\n

<\/p>\n

Le posthumain<\/em> cherche \u00e0 r\u00e9fl\u00e9chir, par le biais d\u2019exemples tir\u00e9s de la litt\u00e9rature et du cin\u00e9ma de science-fiction, au transhumanisme ou, plut\u00f4t, \u00e0 la conception du corps humain qui sous-tend ce vaste mouvement id\u00e9ologique. En effet, outre sa volont\u00e9 utopique de r\u00e9volutionner la nature humaine, le transhumanisme s\u2019appuie sur un mod\u00e8le th\u00e9orique \u2014 construit \u00e0 partir de la Renaissance tardive \u2014, qui a dissoci\u00e9 l\u2019homme de son corps et qui a rel\u00e9gu\u00e9 ce dernier \u00e0 n\u2019\u00eatre plus qu\u2019un objet d\u2019exp\u00e9rimentation pour les savants et, par cons\u00e9quent, un brouillon qu\u2019il est possible d\u2019augmenter gr\u00e2ce au body engineering<\/em>.<\/p>\n

Les deux articles qui composent ce volume, \u00e9crits par Fr\u00e9d\u00e9ric Jaccaud et Marc Atallah\u00a0(Section de fran\u00e7ais<\/a>, directeur de la Maison d’Ailleurs), ne visent pas \u00e0 r\u00e9fl\u00e9chir aux d\u00e9rives d\u2019une science que certains postulent \u00eatre devenue folle, mais \u00e0 montrer comment l\u2019imaginaire science-fictionnel, en mettant en sc\u00e8ne diff\u00e9rentes conceptions du corps, invite les lecteurs et les spectateurs \u00e0 amorcer une r\u00e9flexion sur leur identit\u00e9 et leur humanit\u00e9.<\/p>\n

Marc Atallah, Fr\u00e9d\u00e9ric Jaccaud,\u00a0Le Posthumain<\/em><\/a>,\u00a0Chamb\u00e9ry, Les \u00c9ditions ActuSF, Yverdon-les-Bains, Maison d\u2019Ailleurs, \u00ab\u00a0Les Collections de la Maison d\u2019Ailleurs\u00a0\u00bb, 2017.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Marc Atallah<\/a><\/strong><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Parade monstrueuse. La naissance des monstres modernes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les dystopies du num\u00e9rique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Mondes (im)parfaits. Autour des \u00ab\u00a0Cit\u00e9s obscures\u00a0\u00bb de Schuiten et Peeters<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le jeu<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Je suis ton p\u00e8re. Origines\u00a0et h\u00e9ritages d\u2019une saga intergalactique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Posthumain<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

BD – US : les comics vus par l’Europe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pop Art, mon Amour. L’Art de Tadanori Yokoo et du manga<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’art de la science-fiction<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Robots<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Portrait-Robot ou Les multiples visages de l\u2019humanit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les super-h\u00e9ros<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le post-apocalyptique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Deux essais sur le\u00a0posthumain.<\/p>\n","protected":false},"author":1001615,"featured_media":8100,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[1373,24,2386,2384,476,1212,2385],"class_list":{"0":"post-8099","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-centre-des-sciences-historiques-de-la-culture-shc","10":"tag-marc-atallah","11":"tag-post-humain","12":"tag-posthumain","13":"tag-science-fiction","14":"tag-section-de-francais","15":"tag-transhumanisme"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=8099"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8099\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/8100"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=8099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=8099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=8099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}