{"id":8080,"date":"2015-06-10T10:41:35","date_gmt":"2015-06-10T08:41:35","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=8080"},"modified":"2020-06-10T11:20:36","modified_gmt":"2020-06-10T09:20:36","slug":"les-robots","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/les-robots\/","title":{"rendered":"Les Robots"},"content":{"rendered":"
\n
Trois essais sur les\u00a0robots.<\/strong><\/p>\n

<\/p>\n

Les robots font int\u00e9gralement partie de notre imaginaire: entit\u00e9s \u00e0 l’origine organique, ils ont tr\u00e8s vite \u00e9pous\u00e9 les grands paradigmes scientifiques du moment pour se muer en \u00eatres m\u00e9caniques, positroniques ou cybern\u00e9tiques.<\/p>\n

Aujourd’hui, alors qu’ils sont presque centenaires, l’interd\u00e9pendance entre les cr\u00e9ations de la science-fiction et celles des ing\u00e9nieurs est si grande qu’il est parfois difficile de savoir si nos espoirs ou nos craintes proviennent de sc\u00e9narios fictionnels ou de visions prospectives.<\/p>\n

Les trois essais qui composent ce recueil, r\u00e9dig\u00e9s par\u00a0Marc Atallah (Section de fran\u00e7ais<\/a>, directeur de la Maison d’Ailleurs),\u00a0Francis Val\u00e9ry et Fr\u00e9d\u00e9ric Jaccaud, se penchent sur les robots r\u00eav\u00e9s par les auteurs de science-fiction et ce, afin d’en \u00e9tudier la symbolique ainsi que les portraits – apolog\u00e9tiques ou angoiss\u00e9s – qu’ils n’ont eu de cesse de brosser d’une humanit\u00e9 se r\u00e9fl\u00e9chissant plus que jamais dans ses m\u00e9taphores.<\/p>\n

Sur ce sujet, voir \u00e9galement Portrait-Robot ou Les multiples visages de l\u2019humanit\u00e9<\/a>.<\/em><\/p>\n

Marc Atallah,\u00a0Francis Val\u00e9ry,\u00a0Fr\u00e9d\u00e9ric Jaccaud, Les robots<\/em><\/a>,\u00a0Chamb\u00e9ry, Les \u00c9ditions ActuSF, Yverdon-les-Bains, Maison d\u2019Ailleurs, \u00ab\u00a0Les Collections de la Maison d\u2019Ailleurs\u00a0\u00bb, 2015.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Marc Atallah<\/a><\/strong><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Parade monstrueuse. La naissance des monstres modernes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les dystopies du num\u00e9rique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Mondes (im)parfaits. Autour des \u00ab\u00a0Cit\u00e9s obscures\u00a0\u00bb de Schuiten et Peeters<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le jeu<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Je suis ton p\u00e8re. Origines\u00a0et h\u00e9ritages d\u2019une saga intergalactique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Posthumain<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

BD – US : les comics vus par l’Europe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pop Art, mon Amour. L’Art de Tadanori Yokoo et du manga<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’art de la science-fiction<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Robots<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Portrait-Robot ou Les multiples visages de l\u2019humanit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les super-h\u00e9ros<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le post-apocalyptique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Trois essais sur les\u00a0robots.<\/p>\n","protected":false},"author":1001615,"featured_media":8083,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[1373,24,2279,476,1212],"class_list":{"0":"post-8080","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-centre-des-sciences-historiques-de-la-culture-shc","10":"tag-marc-atallah","11":"tag-robot","12":"tag-science-fiction","13":"tag-section-de-francais"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=8080"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/8080\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/8083"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=8080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=8080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=8080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}