{"id":7976,"date":"2020-05-21T11:17:27","date_gmt":"2020-05-21T09:17:27","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=7976"},"modified":"2020-05-20T00:17:53","modified_gmt":"2020-05-19T22:17:53","slug":"litterature-image-periodicite-xviie-xixe-siecles","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/litterature-image-periodicite-xviie-xixe-siecles\/","title":{"rendered":"Litt\u00e9rature, image, p\u00e9riodicit\u00e9 (XVIIe-XIXe si\u00e8cles)"},"content":{"rendered":"
\n
Le statut des images dans le d\u00e9veloppement de la presse p\u00e9riodique.<\/strong><\/p>\n

<\/p>\n

R\u00e9unissant des sp\u00e9cialistes des p\u00e9riodes pr\u00e9-moderne et moderne, ce sommaire invite \u00e0 repenser les rapports entre des formes litt\u00e9raires soumises \u00e0 des formes de p\u00e9riodicit\u00e9 vari\u00e9es (presse p\u00e9riodique, livraisons, recueils, etc.) et diff\u00e9rentes manifestations, figuratives et textuelles, du visuel.\u00a0Il examine la nature et les usages des mod\u00e8les litt\u00e9raires qui informent les po\u00e9tiques et les rh\u00e9toriques de la presse litt\u00e9raire illustr\u00e9e, les conditions mat\u00e9rielles qui modalisent la mise en image d\u2019un fait d\u2019actualit\u00e9, le rythme particulier induit dans la lecture du p\u00e9riodique par la pr\u00e9sence de l\u2019image, la question de l\u2019impact \u00e9motionnel des images dans leur articulation \u00e0 la diffusion et \u00e0 la conservation de l\u2019information.<\/p>\n

Ces actes du colloques, dirig\u00e9s par Marta Caraion (Section de fran\u00e7ais<\/a>) et Barbara Selmeci\u00a0(Section de fran\u00e7ais<\/a>), r\u00e9unissent les contributions du colloque<\/a> organis\u00e9\u00a0les 15-16 novembre 2018 \u00e0 l’Universit\u00e9 de Lausanne.<\/p>\n

La publication s’inscrit \u00e9galement dans le cadre des recherches men\u00e9es au Centre des sciences historiques de la culture (SHC)<\/a>. Les articles sont disponibles en int\u00e9gralit\u00e9 en Open Access ici<\/a>.<\/p>\n

Marta Caraion,\u00a0Barbara Selmeci (\u00e9ds.), Litt\u00e9rature, image, p\u00e9riodicit\u00e9 (XVIIe-XIXe si\u00e8cles)<\/em><\/a>, actes du colloque accessibles en ligne, fabula.org, mai 2020.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Marta Caraion<\/strong><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9crire les choses. Litt\u00e9rature et culture mat\u00e9rielle, 1830-2020<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

G\u00e9ographie des t\u00e9n\u00e8bres. Bucarest \u2212 Transnistrie \u2212 Odessa, 1941-1981<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Figures du travail<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Photolitt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Comment la litt\u00e9rature pense les objets. Th\u00e9orie litt\u00e9raire de la culture mat\u00e9rielle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Litt\u00e9rature, image, p\u00e9riodicit\u00e9 (XVIIe-XIXe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Penser par notions<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le rire : formes et fonctions du comique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Photolitt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Usages de l’objet. Litt\u00e9rature, histoire, arts et techniques. XIXe-XXe si\u00e8cles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le d\u00e9tail et l\u2019indice : entre litt\u00e9rature, histoire de l\u2019art et \u00e9pist\u00e9mologie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00abLes Philosophes de la vapeur et des allumettes chimiques\u00bb : litt\u00e9rature, sciences et industrie en 1855<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Objets en libert\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n

Barbara Selmeci<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Litt\u00e9rature, image, p\u00e9riodicit\u00e9 (XVIIe-XIXe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Le statut des images dans le d\u00e9veloppement de la presse p\u00e9riodique.<\/p>\n","protected":false},"author":1001615,"featured_media":7979,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3,4],"tags":[2348,1373,1372,2349,1069,8,810,2330,2347,513,1212],"class_list":{"0":"post-7976","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"category-sciences-historiques","9":"tag-barbara-selmeci","10":"tag-centre-des-sciences-historiques-de-la-culture-shc","11":"tag-centre-interdisciplinaire-detude-des-litteratures-ciel","12":"tag-early-modern-period","13":"tag-image","14":"tag-litterature","15":"tag-marta-caraion","16":"tag-newsletter-18","17":"tag-open-access","18":"tag-presse","19":"tag-section-de-francais"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=7976"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7976\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/7979"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=7976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=7976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=7976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}