{"id":7831,"date":"2009-05-20T15:31:58","date_gmt":"2009-05-20T13:31:58","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=7831"},"modified":"2020-05-27T10:34:04","modified_gmt":"2020-05-27T08:34:04","slug":"la-television-du-telephonoscope-a-youtube-pour-une-archeologie-de-laudiovision","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/la-television-du-telephonoscope-a-youtube-pour-une-archeologie-de-laudiovision\/","title":{"rendered":"La t\u00e9l\u00e9vision du T\u00e9l\u00e9phonoscope \u00e0 YouTube. Pour une arch\u00e9ologie de l\u2019audiovision"},"content":{"rendered":"
\n
\u00c9tudes sur les dispositifs\u00a0t\u00e9l\u00e9visuels.<\/strong><\/p>\n

<\/p>\n

Si la t\u00e9l\u00e9vision a souvent \u00e9t\u00e9 \u00e9tudi\u00e9e dans son contenu ou en tant que m\u00e9dium de masse, elle a plus rarement \u00e9t\u00e9 l’objet d\u2019une histoire de ses dispositifs compris en tant qu\u2019agencements entre une repr\u00e9sentation, un appareillage et un (t\u00e9l\u00e9)spectateur.<\/p>\n

Cet ouvrage propose de parcourir l\u2019histoire de certains dispositifs t\u00e9l\u00e9visuels fonctionnant sur le principe g\u00e9n\u00e9rique d\u2019une transmission \u00e0 distance de donn\u00e9es, d\u2019images et\/ou de sons.\u00a0Les \u00e9tudes rassembl\u00e9es dans ce volume\u00a0s\u2019int\u00e9ressent autant aux machines fictives du XIXe si\u00e8cle, qu\u2019au dispositif \u00ab\u00a0standard\u00a0\u00bb de l\u2019appareil \u00e9lectronique \u00e0 usage priv\u00e9, en passant par les nombreuses variantes utopiques et actualis\u00e9es. La t\u00e9l\u00e9vision est donc d\u00e9clin\u00e9e autant \u00e0 travers ses r\u00e9ceptions critiques et ses fantasmatiques que via les technologies qui la mettent en jeu, \u00e0 savoir du T\u00e9l\u00e9phonoscope\u00a0\u00e0 YouTube.<\/p>\n

Participant \u00e0 une arch\u00e9ologie de l\u2019audiovision, ce livre dirig\u00e9 par Mireille Berton (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>) et Anne-Katrin Weber (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>)\u00a0prend en consid\u00e9ration un ensemble aussi large que possible de dispositifs t\u00e9l\u00e9visuels dont la t\u00e9l\u00e9vision ou le cin\u00e9ma ne seraient qu\u2019une des manifestations possibles, ni plus, ni moins embl\u00e9matiques de cette audiovision.<\/p>\n

Mireille Berton, Anne-Katrin Weber (dir.),\u00a0La t\u00e9l\u00e9vision du T\u00e9l\u00e9phonoscope \u00e0 YouTube. Pour une arch\u00e9ologie de l\u2019audiovision<\/i><\/a>, Lausanne, Antipodes, 2009.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Mireille Berton<\/b><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

L’outre-humain. Automates, performances m\u00e9caniques et cultures spectaculaires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Spectatrices du cin\u00e9ma. Aux origines d’un imaginaire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le m\u00e9dium (au) cin\u00e9ma. Le spiritisme \u00e0 l\u2019\u00e9cran<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cinema, sogno e allucinazione dalle origini agli anni venti<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Circulation des images : cin\u00e9ma, photographie et nouveaux m\u00e9dias \/ Die Zirkulation der Bilder : Film, Fotografie und neue Medien<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

S\u00e9ries t\u00e9l\u00e9vis\u00e9es contemporaines<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Corps nerveux des spectateurs. Cin\u00e9ma et sciences du psychisme autour de 1900<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La t\u00e9l\u00e9vision du T\u00e9l\u00e9phonoscope \u00e0 YouTube. Pour une arch\u00e9ologie de l\u2019audiovision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n

Anne-Katrin Weber<\/b><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Images op\u00e9rationnelles: agencements utilitaires des images en mouvement<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Echoes and Frequencies: Tele-Visions and Wireless Technologies 19th-21st Centuries<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Television before TV. New Media and Exhibition Culture in Europe and the USA, 1928-1939<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pour une histoire \u00e9largie de la t\u00e9l\u00e9vision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’image verticale. Politiques de la vue a\u00e9rienne<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La guerre des drones<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La t\u00e9l\u00e9vision du T\u00e9l\u00e9phonoscope \u00e0 YouTube. Pour une arch\u00e9ologie de l\u2019audiovision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00c9tudes sur les dispositifs\u00a0t\u00e9l\u00e9visuels.<\/p>\n","protected":false},"author":1001615,"featured_media":7834,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[2299,2367,843,2366,273,847,1233],"class_list":{"0":"post-7831","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-anne-katrin-weber","9":"tag-archeologie-des-medias","10":"tag-dispositif","11":"tag-histoire-de-la-television","12":"tag-intermedialite","13":"tag-mireille-berton","14":"tag-section-dhistoire-et-esthetique-du-cinema"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7831","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=7831"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7831\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/7834"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=7831"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=7831"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=7831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}