{"id":7801,"date":"2012-09-07T11:54:45","date_gmt":"2012-09-07T09:54:45","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=7801"},"modified":"2020-10-08T11:50:13","modified_gmt":"2020-10-08T09:50:13","slug":"exposition-et-medias-exposition-cinema-et-television","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/exposition-et-medias-exposition-cinema-et-television\/","title":{"rendered":"Exposition et m\u00e9dias: exposition, cin\u00e9ma et t\u00e9l\u00e9vision"},"content":{"rendered":"
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Modes de monstration, d\u2019exposition et de projection des images.<\/strong><\/p>\n

D\u00e8s le XIXe si\u00e8cle, deux grands canaux de mise \u00e0 disposition visuelle des objets du monde se d\u00e9veloppent simultan\u00e9ment: l\u2019exposition d\u2019une part, les mass media<\/em> de l\u2019autre (avec l\u2019essor successif de la photographie, de la presse illustr\u00e9e, du cin\u00e9ma, puis de la t\u00e9l\u00e9vision et des supports \u00e9lectroniques). Malgr\u00e9 l’infinie disponibilit\u00e9 des images offerte par ces derniers, l’exposition n’est en pas pour autant devenue obsol\u00e8te.<\/p>\n

Cet ouvrage dirig\u00e9 par\u00a0Olivier Lugon (Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma<\/a>) revient sur la riche histoire de cette m\u00e9diatisation des m\u00e9dias. Il \u00e9tudie les \u00e9changes fructueux et les tensions qu\u2019a pu engendrer leur rencontre. Il examine la fa\u00e7on dont les m\u00e9dias de masse ont interagi avec l\u2019exposition aux XIXe et XXe si\u00e8cles. Il interroge la complexit\u00e9 de leur pr\u00e9sence dans cet espace, entre exhibition des appareils et sacralisation des seules images, attraction et mus\u00e9ification, fugacit\u00e9 et reproductibilit\u00e9, exp\u00e9rience collective et atomisation potentielle de la r\u00e9ception.<\/p>\n

Olivier Lugon (dir.), Exposition et m\u00e9dias: exposition, cin\u00e9ma et t\u00e9l\u00e9vision<\/em><\/a>, L\u2019\u00c2ge d\u2019Homme, Lausanne,\u00a02012.<\/p>\n<\/div><\/div>\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Olivier Lugon <\/strong><\/a><\/p>\n\n\n

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Henry Brandt, cin\u00e9aste et photographe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Photographie et horlogerie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Nicolas Bouvier iconographe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Photographie et exposition<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Diapositive. Histoire de la photographie projet\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Mus\u00e9es de photographies documentaires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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La m\u00e9moire des images. Autour de la Collection iconographique vaudoise<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Revisiter l’Expo 64 : acteurs, discours, controverses<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le Pont transbordeur de Marseille, Moholy-Nagy<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Exposition et m\u00e9dias: exposition, cin\u00e9ma et t\u00e9l\u00e9vision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Fixe\/anim\u00e9. Croisements de la photographie et du cin\u00e9ma au XXe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Modes de monstration, d\u2019exposition et de projection des images.<\/p>\n","protected":false},"author":1002146,"featured_media":7802,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[1374,1373,59,842,2294,222,38,494,1214,1233,141],"class_list":{"0":"post-7801","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-centre-detudes-cinematographiques-cec","9":"tag-centre-des-sciences-historiques-de-la-culture-shc","10":"tag-cinema","11":"tag-exposition","12":"tag-medias-de-masse","13":"tag-olivier-lugon","14":"tag-photographie","15":"tag-presse-illustree","16":"tag-section-dhistoire-de-lart","17":"tag-section-dhistoire-et-esthetique-du-cinema","18":"tag-television"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002146"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=7801"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7801\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/7802"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=7801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=7801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=7801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}