{"id":7797,"date":"2013-04-09T11:17:36","date_gmt":"2013-04-09T09:17:36","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=7797"},"modified":"2020-04-09T11:23:36","modified_gmt":"2020-04-09T09:23:36","slug":"le-pont-transbordeur-de-marseille-moholy-nagy","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/le-pont-transbordeur-de-marseille-moholy-nagy\/","title":{"rendered":"Le Pont transbordeur de Marseille, Moholy-Nagy"},"content":{"rendered":"
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Trois regards sur une photographie c\u00e9l\u00e8bre du pont transbordeur.<\/strong><\/p>\n

Entre 1903 et 1905, l\u2019ing\u00e9nieur et industriel Ferdinand Arnodin, contemporain de Gustave Eiffel, \u00e9difie un pont transbordeur au-dessus du Vieux-Port de Marseille, de 240 m de long et de plus de 50 m de haut, supportant une plate-forme mobile.<\/p>\n

Parmi les admirateurs de cette installation audacieuse, on compte, outre Sigfried Giedion et Walter Benjamin, le peintre, sculpteur, cin\u00e9aste et photographe hongrois L\u00e0szlo Moholy-Nagy (1895-1946) qui, en 1929, apr\u00e8s son d\u00e9part du Bauhaus, r\u00e9alisa une s\u00e9rie de photographies et de plans cin\u00e9matographiques du pont.<\/p>\n

Trois auteurs \u2013 l\u2019\u00e9crivain Fran\u00e7ois Bon, l\u2019historien de la photographie Olivier Lugon (Section d\u2019histoire et esth\u00e9tique du cin\u00e9ma<\/a>), et le philosophe de l\u2019architecture et de l\u2019urbanisme Philippe Simay \u2013 proposent ici trois approches de l\u2019une des plus c\u00e9l\u00e8bres photographies de cette s\u00e9rie.<\/p>\n

Fran\u00e7ois Bon, Olivier Lugon, Philippe Simay, Le Pont transbordeur de Marseille, Moholy-Nagy<\/em><\/a>, Paris, Institut national d’histoire de l’art, Coll\u00e8ge international de philosophie, \u00c9ditions Ophrys, 2013.<\/p>\n<\/div><\/div>\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Olivier Lugon <\/strong><\/a><\/p>\n\n\n

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Henry Brandt, cin\u00e9aste et photographe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Photographie et horlogerie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Nicolas Bouvier iconographe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Photographie et exposition<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Diapositive. Histoire de la photographie projet\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Mus\u00e9es de photographies documentaires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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La m\u00e9moire des images. Autour de la Collection iconographique vaudoise<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Revisiter l’Expo 64 : acteurs, discours, controverses<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le Pont transbordeur de Marseille, Moholy-Nagy<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Exposition et m\u00e9dias: exposition, cin\u00e9ma et t\u00e9l\u00e9vision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Fixe\/anim\u00e9. Croisements de la photographie et du cin\u00e9ma au XXe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Trois regards sur une photographie c\u00e9l\u00e8bre du pont transbordeur.<\/p>\n","protected":false},"author":1001615,"featured_media":7798,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[1373,2293,222,1214,1233],"class_list":{"0":"post-7797","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-centre-des-sciences-historiques-de-la-culture-shc","9":"tag-laszlo-moholy-nagy","10":"tag-olivier-lugon","11":"tag-section-dhistoire-de-lart","12":"tag-section-dhistoire-et-esthetique-du-cinema"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=7797"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7797\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/7798"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=7797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=7797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=7797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}