{"id":7716,"date":"2016-04-08T12:25:17","date_gmt":"2016-04-08T10:25:17","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=7716"},"modified":"2020-04-08T12:28:44","modified_gmt":"2020-04-08T10:28:44","slug":"lart-de-la-science-fiction","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/lart-de-la-science-fiction\/","title":{"rendered":"L’art de la science-fiction"},"content":{"rendered":"
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La science-fiction, source d’art?<\/strong><\/p>\n

<\/p>\n

L\u2019art de la science-fiction<\/em> r\u00e9fl\u00e9chit \u00e0 l\u2019aide de nombreux exemples \u00e0 la dimension esth\u00e9tique de cette pratique narrative afin de montrer, d\u2019une part, que celle-ci est avant tout un art du langage<\/em> (textuel ou iconique) qui, d\u2019autre part, est en mesure de cr\u00e9er une langue<\/em>, c\u2019est-\u00e0-dire de proposer une alternative \u00e0 notre utilisation quotidienne du langage.<\/p>\n

La th\u00e8se sous-jacente \u00e0 ce volume de Marc Atallah (Section de fran\u00e7ais<\/a>) est de rappeler que l\u2019art a toujours \u00e9t\u00e9 une mani\u00e8re d\u2019offrir \u00e0 la condition humaine des \u00ab\u00a0images\u00a0\u00bb pour lui permettre de se penser et, par extension, de se r\u00e9inventer. La science-fiction poss\u00e8de une ambition similaire dans le sens o\u00f9 ses r\u00e9cits (litt\u00e9raires ou filmiques) sont avant tout l\u2019articulation d\u2019un \u00ab\u00a0lexique\u00a0\u00bb \u2014 cristallis\u00e9 autour de la conjecture \u2014 et d\u2019une \u00ab\u00a0grammaire\u00a0\u00bb (le sc\u00e9nario) qui, lorsque cette articulation est novatrice, nous invite \u00e0 mieux saisir l\u2019ali\u00e9nation subie par notre identit\u00e9 dans un monde industriel et technoscientifique.<\/p>\n

Marc Atallah,\u00a0L\u2019art de la science-fiction<\/a>,\u00a0<\/em>Chamb\u00e9ry, Les \u00c9ditions ActuSF, Yverdon-les-Bains, Maison d’Ailleurs, \u00ab\u00a0Les Collections de la Maison d\u2019Ailleurs\u00a0\u00bb, n\u00b06, 2016.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Marc Atallah<\/a><\/strong><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Parade monstrueuse. La naissance des monstres modernes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les dystopies du num\u00e9rique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Mondes (im)parfaits. Autour des \u00ab\u00a0Cit\u00e9s obscures\u00a0\u00bb de Schuiten et Peeters<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le jeu<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Je suis ton p\u00e8re. Origines\u00a0et h\u00e9ritages d\u2019une saga intergalactique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Posthumain<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

BD – US : les comics vus par l’Europe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Pop Art, mon Amour. L’Art de Tadanori Yokoo et du manga<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’art de la science-fiction<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Robots<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Portrait-Robot ou Les multiples visages de l\u2019humanit\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les super-h\u00e9ros<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le post-apocalyptique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

La science-fiction, source d’art?<\/p>\n","protected":false},"author":1001615,"featured_media":7718,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[46,189,97,24,476,1212],"class_list":{"0":"post-7716","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-art","10":"tag-esthetique","11":"tag-langage","12":"tag-marc-atallah","13":"tag-science-fiction","14":"tag-section-de-francais"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=7716"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7716\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/7718"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=7716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=7716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=7716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}