{"id":7558,"date":"2020-02-17T15:51:58","date_gmt":"2020-02-17T14:51:58","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=7558"},"modified":"2024-05-24T16:33:03","modified_gmt":"2024-05-24T14:33:03","slug":"hors-champ-une-anthologie-de-theatre-argentin-contemporain-fuera-de-foco-una-antologia-de-teatro-argentino-contemporaneo","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/hors-champ-une-anthologie-de-theatre-argentin-contemporain-fuera-de-foco-una-antologia-de-teatro-argentino-contemporaneo\/","title":{"rendered":"Hors-champ. Une anthologie de th\u00e9\u00e2tre argentin contemporain \/ Fuera de foco. Una antolog\u00eda de teatro argentino contempor\u00e1neo"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><strong>Quatre\u00a0pi\u00e8ces in\u00e9dites en version\u00a0bilingue du th\u00e9\u00e2tre argentin contemporain.<\/strong><!--more--><\/p>\n<p>Cette anthologie regroupe des auteurs et actrices (Febe Chaves, Diego Ferrando, Ramiro Larrain et Mat\u00edas Bertiche) qui n&rsquo;appartiennent pas \u00e0 un ordre dominant. Ils ne pratiquent pas non plus des formules de th\u00e9\u00e2tre \u00e0 succ\u00e8s ou consacr\u00e9es, mais plut\u00f4t une \u00e9criture d&rsquo;un grand contenu exp\u00e9rimental, parcourant des sentiers peu fr\u00e9quent\u00e9s, comme le sont les textes appel\u00e9s \u00ab\u00a0dramaturgies d&rsquo;acteurs\u00a0\u00bb et compos\u00e9s avec la complicit\u00e9 de la pratique de la sc\u00e8ne.<\/p>\n<p>Les quatre pi\u00e8ces r\u00e9unies dans cet ouvrage dirig\u00e9 par Gabriela Cordone (<a href=\"https:\/\/www.unil.ch\/esp\/fr\/home.html\">Section d&rsquo;espagnol<\/a>) n&rsquo;ob\u00e9issent donc pas au crit\u00e8re de repr\u00e9sentativit\u00e9 canonique: il s&rsquo;agit plut\u00f4t d&rsquo;actes de r\u00e9sistance contre la pr\u00e9carit\u00e9, le d\u00e9mant\u00e8lement et la fragilit\u00e9 d&rsquo;une ville, d&rsquo;un pays et de son th\u00e9\u00e2tre.<\/p>\n<p>Ce recueil de textes dramatiques argentins in\u00e9dits en \u00e9dition bilingue espagnol-fran\u00e7ais est le fruit d&rsquo;une collaboration du <a href=\"https:\/\/www.unil.ch\/ctl\/fr\/home.html\">Centre de traduction litt\u00e9raire (CTL)<\/a>\u00a0et de la <a href=\"https:\/\/www.unil.ch\/esp\/fr\/home.html\">Section d&rsquo;espagnol<\/a> de l&rsquo;Universit\u00e9 de Lausanne avec le laboratoire Culture et Histoire dans l&rsquo;Espace Roman de l&rsquo;Universit\u00e9 de Strasbourg.<\/p>\n<p>Gabriela Cordone (\u00e9d.), <a href=\"https:\/\/www.unil.ch\/ctl\/home\/menuinst\/publications\/cahiers-du-ctl.html\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Hors-champ. Une anthologie de th\u00e9\u00e2tre argentin contemporain \/ Fuera de foco. Una antolog\u00eda de teatro argentino contempor\u00e1neo<\/em><\/a>, <em>Cahiers du CTL<\/em>, n\u00b059, Lausanne, Centre de traduction litt\u00e9raire de Lausanne, 2020.<\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7562\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ctl_cover-1.jpg\" alt=\"\" width=\"300\" height=\"431\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ctl_cover-1.jpg 836w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ctl_cover-1-435x624.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ctl_cover-1-768x1102.jpg 768w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>ON EN PARLE DANS LES M\u00c9DIAS<\/strong><\/h6>\n<ul>\n<li><a href=\"https:\/\/lecourrier.ch\/2020\/04\/08\/echos-dune-autre-crise\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00c9chos d&rsquo;une autre crise<\/a>, Le Courrier, 08.04.2020.<\/li>\n<\/ul>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n<p><a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Un\/UnPers.php?PerNum=60226&amp;LanCode=37\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Gabriela Cordone<\/strong><\/a><\/p>\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7558\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/hors-champ-une-anthologie-de-theatre-argentin-contemporain-fuera-de-foco-una-antologia-de-teatro-argentino-contemporaneo\/\"><img loading=\"lazy\" decoding=\"async\" width=\"836\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ctl_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ctl_cover-1.jpg 836w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ctl_cover-1-435x624.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ctl_cover-1-768x1102.jpg 768w\" sizes=\"auto, (max-width: 836px) 100vw, 836px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/hors-champ-une-anthologie-de-theatre-argentin-contemporain-fuera-de-foco-una-antologia-de-teatro-argentino-contemporaneo\/\">Hors-champ. Une anthologie de th\u00e9\u00e2tre argentin contemporain \/ Fuera de foco. Una antolog\u00eda de teatro argentino contempor\u00e1neo<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7206\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/familias-profanas-nuevas-constelaciones-familiares-en-la-narrativa-y-la-dramaturgia-hispanicas\/\"><img loading=\"lazy\" decoding=\"async\" width=\"701\" height=\"1104\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/CORDONE_FamiliasProfanas_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/CORDONE_FamiliasProfanas_cover.jpg 701w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/CORDONE_FamiliasProfanas_cover-435x685.jpg 435w\" sizes=\"auto, (max-width: 701px) 100vw, 701px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/familias-profanas-nuevas-constelaciones-familiares-en-la-narrativa-y-la-dramaturgia-hispanicas\/\">Familias profanas. Nuevas constelaciones familiares en la narrativa y la dramaturgia hisp\u00e1nicas<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7436\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/manifestaciones-intermediales-de-la-literatura-hispanica-en-el-siglo-xxi\/\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"973\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Manifestaciones_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Manifestaciones_cover.jpg 650w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Manifestaciones_cover-435x651.jpg 435w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/manifestaciones-intermediales-de-la-literatura-hispanica-en-el-siglo-xxi\/\">Manifestaciones intermediales de la literatura hisp\u00e1nica en el siglo XXI<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7429\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/ficciones-animales-y-animales-de-ficcion-en-las-literaturas-hispanicas\/\"><img loading=\"lazy\" decoding=\"async\" width=\"453\" height=\"651\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ficciones-Animales_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ficciones-Animales_cover.jpg 453w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ficciones-Animales_cover-435x625.jpg 435w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/ficciones-animales-y-animales-de-ficcion-en-las-literaturas-hispanicas\/\">Ficciones animales y animales de ficci\u00f3n en las literaturas hisp\u00e1nicas<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7424\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/el-cuerpo-presente-cuerpo-y-texto-en-el-ultimo-teatro-espanol-1980-2004\/\"><img loading=\"lazy\" decoding=\"async\" width=\"760\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_El-cuerpo-presente_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_El-cuerpo-presente_cover.jpg 760w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_El-cuerpo-presente_cover-435x687.jpg 435w\" sizes=\"auto, (max-width: 760px) 100vw, 760px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/el-cuerpo-presente-cuerpo-y-texto-en-el-ultimo-teatro-espanol-1980-2004\/\">El cuerpo presente. Cuerpo y texto en el \u00faltimo teatro espa\u00f1ol (1980-2004)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Quatre\u00a0pi\u00e8ces in\u00e9dites en version\u00a0bilingue du th\u00e9\u00e2tre argentin contemporain.<\/p>\n","protected":false},"author":1001615,"featured_media":7562,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[3058,2219,338,1222,951,2220,2121,2133,1381,2221,151],"class_list":{"0":"post-7558","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-3058","9":"tag-argentine","10":"tag-bilingue","11":"tag-centre-detudes-theatrales-cet","12":"tag-centre-de-traduction-litteraire","13":"tag-crise","14":"tag-gabriela-cordone","15":"tag-newsletter-16","16":"tag-section-despagnol","17":"tag-textes-dramatiques-argentins","18":"tag-theatre"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=7558"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7558\/revisions"}],"predecessor-version":[{"id":13006,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7558\/revisions\/13006"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/7562"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=7558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=7558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=7558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}