{"id":7436,"date":"2016-02-10T10:04:10","date_gmt":"2016-02-10T09:04:10","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=7436"},"modified":"2020-02-10T10:04:34","modified_gmt":"2020-02-10T09:04:34","slug":"manifestaciones-intermediales-de-la-literatura-hispanica-en-el-siglo-xxi","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/manifestaciones-intermediales-de-la-literatura-hispanica-en-el-siglo-xxi\/","title":{"rendered":"Manifestaciones intermediales de la literatura hisp\u00e1nica en el siglo XXI"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><strong>Interm\u00e9dialit\u00e9 dans le contexte hispanique.<\/strong><!--more--><\/p>\n<p>Dans le contexte hispanique, les expressions de l&rsquo;interm\u00e9dialit\u00e9 se r\u00e9v\u00e8lent \u00eatre d&rsquo;une richesse insoup\u00e7onn\u00e9e. Cet ouvrage interroge les dispositifs des technologies num\u00e9riques et des m\u00e9dias appliqu\u00e9s \u00e0 la cr\u00e9ation litt\u00e9raire et artistique. Il propose une r\u00e9flexion novatrice autour de la parole litt\u00e9raire \u00e0 travers trois axes: la parole qui se fait spectacle, l&rsquo;image qui se fait texte et la fable en prise avec les nouvelles technologies.<\/p>\n<p>Ce volume dirig\u00e9 par Gabriela Cordone (<a href=\"https:\/\/www.unil.ch\/esp\/fr\/home.html\">Section d&rsquo;espagnol<\/a>) et Victoria B\u00e9guelin-Argim\u00f3n (<a href=\"https:\/\/www.unil.ch\/esp\/fr\/home.html\">Section d&rsquo;espagnol<\/a>) est\u00a0le troisi\u00e8me volet d&rsquo;une recherche plus large sur le ph\u00e9nom\u00e8ne de l&rsquo;interm\u00e9dialit\u00e9, men\u00e9e en partenariat avec l&rsquo;UNIL, l&rsquo;Universit\u00e9 de Toulouse-Jean Jaur\u00e8s et l&rsquo;Universit\u00e9 de Bordeaux-Montaigne.<\/p>\n<p>Gabriela Cordone, Victoria B\u00e9guelin-Argim\u00f3n (eds.), <a href=\"https:\/\/www.visor-libros.com\/tienda\/manifestaciones-intermediales-de-la-literatura-hispanica.html\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Manifestaciones intermediales de la literatura hisp\u00e1nica en el siglo XXI<\/em><\/a>, Madrid, Visor Libros, coll. \u00ab\u00a0Biblioteca Filol\u00f3gica Hispana\u00a0\u00bb, 2016.<\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7439\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Manifestaciones_cover.jpg\" alt=\"\" width=\"300\" height=\"449\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Manifestaciones_cover.jpg 650w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Manifestaciones_cover-435x651.jpg 435w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n<p><a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Un\/UnPers.php?PerNum=60226&amp;LanCode=37\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Gabriela Cordone<\/strong><\/a><\/p>\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7558\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/hors-champ-une-anthologie-de-theatre-argentin-contemporain-fuera-de-foco-una-antologia-de-teatro-argentino-contemporaneo\/\"><img loading=\"lazy\" decoding=\"async\" width=\"836\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ctl_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ctl_cover-1.jpg 836w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ctl_cover-1-435x624.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ctl_cover-1-768x1102.jpg 768w\" sizes=\"auto, (max-width: 836px) 100vw, 836px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/hors-champ-une-anthologie-de-theatre-argentin-contemporain-fuera-de-foco-una-antologia-de-teatro-argentino-contemporaneo\/\">Hors-champ. Une anthologie de th\u00e9\u00e2tre argentin contemporain \/ Fuera de foco. Una antolog\u00eda de teatro argentino contempor\u00e1neo<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7206\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/familias-profanas-nuevas-constelaciones-familiares-en-la-narrativa-y-la-dramaturgia-hispanicas\/\"><img loading=\"lazy\" decoding=\"async\" width=\"701\" height=\"1104\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/CORDONE_FamiliasProfanas_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/CORDONE_FamiliasProfanas_cover.jpg 701w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/CORDONE_FamiliasProfanas_cover-435x685.jpg 435w\" sizes=\"auto, (max-width: 701px) 100vw, 701px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/familias-profanas-nuevas-constelaciones-familiares-en-la-narrativa-y-la-dramaturgia-hispanicas\/\">Familias profanas. Nuevas constelaciones familiares en la narrativa y la dramaturgia hisp\u00e1nicas<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7436\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/manifestaciones-intermediales-de-la-literatura-hispanica-en-el-siglo-xxi\/\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"973\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Manifestaciones_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Manifestaciones_cover.jpg 650w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Manifestaciones_cover-435x651.jpg 435w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/manifestaciones-intermediales-de-la-literatura-hispanica-en-el-siglo-xxi\/\">Manifestaciones intermediales de la literatura hisp\u00e1nica en el siglo XXI<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7429\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/ficciones-animales-y-animales-de-ficcion-en-las-literaturas-hispanicas\/\"><img loading=\"lazy\" decoding=\"async\" width=\"453\" height=\"651\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ficciones-Animales_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ficciones-Animales_cover.jpg 453w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Ficciones-Animales_cover-435x625.jpg 435w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/ficciones-animales-y-animales-de-ficcion-en-las-literaturas-hispanicas\/\">Ficciones animales y animales de ficci\u00f3n en las literaturas hisp\u00e1nicas<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7424\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/el-cuerpo-presente-cuerpo-y-texto-en-el-ultimo-teatro-espanol-1980-2004\/\"><img loading=\"lazy\" decoding=\"async\" width=\"760\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_El-cuerpo-presente_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_El-cuerpo-presente_cover.jpg 760w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_El-cuerpo-presente_cover-435x687.jpg 435w\" sizes=\"auto, (max-width: 760px) 100vw, 760px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/el-cuerpo-presente-cuerpo-y-texto-en-el-ultimo-teatro-espanol-1980-2004\/\">El cuerpo presente. Cuerpo y texto en el \u00faltimo teatro espa\u00f1ol (1980-2004)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n<p><strong><a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Un\/UnPers.php?PerNum=920449&amp;LanCode=37&amp;menu=coord\" target=\"_blank\" rel=\"noopener noreferrer\">Victoria B\u00e9guelin-Argim\u00f3n<\/a><\/strong><\/p>\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7436\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/manifestaciones-intermediales-de-la-literatura-hispanica-en-el-siglo-xxi\/\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"973\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Manifestaciones_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Manifestaciones_cover.jpg 650w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/02\/CORDONE_Manifestaciones_cover-435x651.jpg 435w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/manifestaciones-intermediales-de-la-literatura-hispanica-en-el-siglo-xxi\/\">Manifestaciones intermediales de la literatura hisp\u00e1nica en el siglo XXI<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8708\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/en-pos-de-la-palabra-viva-huellas-de-la-oralidad-en-textos-antiguos\/\"><img loading=\"lazy\" decoding=\"async\" width=\"344\" height=\"499\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/41tMFx8NKcL._SX342_BO1204203200_.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/en-pos-de-la-palabra-viva-huellas-de-la-oralidad-en-textos-antiguos\/\">En pos de la palabra viva: huellas de la oralidad en textos antiguos<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8935\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/la-geografia-en-los-relatos-de-viajes-castellanos-del-ocaso-de-la-edad-media-analisis-del-discurso-y-lexico\/\"><img loading=\"lazy\" decoding=\"async\" width=\"838\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/his-001_2011_022_0001.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/his-001_2011_022_0001.jpg 838w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/his-001_2011_022_0001-435x623.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/10\/his-001_2011_022_0001-768x1100.jpg 768w\" sizes=\"auto, (max-width: 838px) 100vw, 838px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/la-geografia-en-los-relatos-de-viajes-castellanos-del-ocaso-de-la-edad-media-analisis-del-discurso-y-lexico\/\">La geograf\u00eda en los relatos de viajes castellanos del ocaso de la Edad Media. An\u00e1lisis del discurso y l\u00e9xico<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10117\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/sobre-tablas-y-entre-bastidores-acercamientos-al-teatro-espanol\/\"><img loading=\"lazy\" decoding=\"async\" width=\"782\" height=\"1252\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/q.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/q.jpg 782w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/q-435x696.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/q-768x1230.jpg 768w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/sobre-tablas-y-entre-bastidores-acercamientos-al-teatro-espanol\/\">Sobre tablas y entre bastidores: Acercamientos al teatro espa\u00f1ol<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Interm\u00e9dialit\u00e9 dans le contexte hispanique.<\/p>\n","protected":false},"author":1001615,"featured_media":7439,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[2121,273,2119,2120,1381,2178],"class_list":{"0":"post-7436","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-gabriela-cordone","9":"tag-intermedialite","10":"tag-litterature-espagnole","11":"tag-litterature-hispano-americaine","12":"tag-section-despagnol","13":"tag-victoria-beguelin-argimon"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=7436"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7436\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/7439"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=7436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=7436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=7436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}