{"id":7424,"date":"2008-02-10T10:03:03","date_gmt":"2008-02-10T09:03:03","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=7424"},"modified":"2020-10-07T11:22:29","modified_gmt":"2020-10-07T09:22:29","slug":"el-cuerpo-presente-cuerpo-y-texto-en-el-ultimo-teatro-espanol-1980-2004","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/el-cuerpo-presente-cuerpo-y-texto-en-el-ultimo-teatro-espanol-1980-2004\/","title":{"rendered":"El cuerpo presente. Cuerpo y texto en el \u00faltimo teatro espa\u00f1ol (1980-2004)"},"content":{"rendered":"
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Corps et th\u00e9\u00e2tre dans l’Espagne de la fin du XXe si\u00e8cle.<\/strong><\/p>\n

Lorsqu’on \u00e9voque aujourd’hui les termes de corps et de th\u00e9\u00e2tre, la nature textuelle du th\u00e9\u00e2tre para\u00eet s’\u00e9clipser en faveur d’une omnipr\u00e9sence de la mise en sc\u00e8ne du corps. \u00c0 contre-courant des tendances actuelles qui mettent l’accent sur l’aspect spectaculaire, cette \u00e9tude \u00e9labore un instrument d’analyse original et d\u00e9cortique les modalit\u00e9s de l’inscription du corps dans le texte, dans un temps et un contexte pr\u00e9cis \u2013 celui de l’Espagne d\u00e9mocratique de la fin du XXe si\u00e8cle.<\/p>\n

Au travers de la lecture et de l’interpr\u00e9tation des \u0153uvres phares d’auteur\u00b7e\u00b7s vari\u00e9\u00b7e\u00b7s (Jos\u00e9 Luis Alonso de Santos, Jos\u00e9 Sanchis Sinisterra, Carmen Resino, Paloma Pedrero, Juan Mayorga, Llu\u00efsa Cunill\u00e9, Itziar Pascual), Gabriela Cordone (Section d’espagnol<\/a>) montre que la composante textuelle du corps dramatique devient un axe d’interpr\u00e9tation qui, sans pr\u00e9tendre \u00e9puiser leur signification, apporte aux \u0153uvres un nouvel \u00e9clairage et \u00e9tend l’horizon de leur lecture.<\/p>\n

Gabriela Cordone, El cuerpo presente. Cuerpo y texto en el \u00faltimo teatro espa\u00f1ol (1980-2004)<\/em><\/a>, Zaragoza, P\u00f3rtico Librer\u00edas, 2008.<\/p>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Gabriela Cordone<\/strong><\/a><\/p>\n\n\n

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Hors-champ. Une anthologie de th\u00e9\u00e2tre argentin contemporain \/ Fuera de foco. Una antolog\u00eda de teatro argentino contempor\u00e1neo<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Familias profanas. Nuevas constelaciones familiares en la narrativa y la dramaturgia hisp\u00e1nicas<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Manifestaciones intermediales de la literatura hisp\u00e1nica en el siglo XXI<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Ficciones animales y animales de ficci\u00f3n en las literaturas hisp\u00e1nicas<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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El cuerpo presente. Cuerpo y texto en el \u00faltimo teatro espa\u00f1ol (1980-2004)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n

Hispanica Helvetica<\/strong><\/a><\/p>\n\n\n

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Estudios sobre el espa\u00f1ol colonial de la Audiencia de Quito<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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La geograf\u00eda en los relatos de viajes castellanos del ocaso de la Edad Media. An\u00e1lisis del discurso y l\u00e9xico<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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El cuerpo presente. Cuerpo y texto en el \u00faltimo teatro espa\u00f1ol (1980-2004)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Corps et th\u00e9\u00e2tre dans l’Espagne de la fin du XXe si\u00e8cle.<\/p>\n","protected":false},"author":1001615,"featured_media":7427,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[268,2121,2642,1381,2176,2175],"class_list":{"0":"post-7424","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-corps","9":"tag-gabriela-cordone","10":"tag-hispanica-helvetica","11":"tag-section-despagnol","12":"tag-texte-theatral","13":"tag-theatre-espagnol"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=7424"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7424\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/7427"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=7424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=7424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=7424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}