{"id":7295,"date":"2020-01-27T09:32:24","date_gmt":"2020-01-27T08:32:24","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=7295"},"modified":"2024-05-24T16:47:40","modified_gmt":"2024-05-24T14:47:40","slug":"daniele-huillet-jean-marie-straub-objectivists-in-cinema","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/daniele-huillet-jean-marie-straub-objectivists-in-cinema\/","title":{"rendered":"Dani\u00e8le Huillet, Jean-Marie Straub: \u00ab\u00a0Objectivists\u00a0\u00bb in Cinema"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><strong>Le cin\u00e9ma europ\u00e9en \u00e0 la lumi\u00e8re de la po\u00e9sie am\u00e9ricaine.<\/strong><!--more--><\/p>\n<p>Cet ouvrage propose de reprendre l\u2019\u0153uvre filmique de Dani\u00e8le Huillet (1936-2006) et Jean-Marie Straub (1933-) \u00e0 la lumi\u00e8re de la po\u00e9tique objectiviste, telle qu\u2019elle s\u2019est d\u00e9ploy\u00e9e dans les po\u00e8mes et essais de Louis Zukofsky, Charles Reznikoff et George Oppen.<\/p>\n<p>Sur la base d\u2019une \u00ab\u00a0po\u00ef\u00e9tique compar\u00e9e\u00a0\u00bb, l\u2019ouvrage rep\u00e8re la r\u00e9currence du projet esth\u00e9tique d\u2019une objectivit\u00e9 radicale, dont les variations de Flaubert \u00e0 Benjamin et Adorno constituent un courant sp\u00e9cifique de la modernit\u00e9. Par-del\u00e0 la diff\u00e9rence des m\u00e9diums se d\u00e9gagent des proc\u00e9dures communes et une esth\u00e9tique singuli\u00e8re, o\u00f9 l\u2019\u0153uvre est con\u00e7ue comme un objet articulant r\u00e9f\u00e9rence et opacit\u00e9, et l\u2019artiste comme un artisan id\u00e9alement anonyme.<\/p>\n<p>Menant en parall\u00e8le des analyses approfondies des \u0153uvres filmiques et po\u00e9tiques majeures, ce livre de Beno\u00eet Turquety (<a href=\"https:\/\/www.unil.ch\/cin\/home.html\">Section d&rsquo;histoire et esth\u00e9tique du cin\u00e9ma<\/a>, <a href=\"https:\/\/www.unil.ch\/cec\/fr\/home.html\">Centre d&rsquo;\u00e9tudes cin\u00e9matographiques<\/a>)\u00a0rapproche ainsi de mani\u00e8re in\u00e9dite des courants et des moments historiques distincts, reconstruisant les conditions de surprenantes similitudes et d\u00e9ployant leurs ramifications politiques.<\/p>\n<p>Ce volume s&rsquo;inscrit dans les travaux du <a href=\"https:\/\/wp.unil.ch\/dispositifs\/dispositifs\/\" target=\"_blank\" rel=\"noopener noreferrer\">Groupe de recherches Dispositifs<\/a>\u00a0de la Facult\u00e9 des lettres.<\/p>\n<p>Beno\u00eet Turquety, <a href=\"https:\/\/www.aup.nl\/en\/book\/9789463722209\/daniele-huillet-jean-marie-straub\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Dani\u00e8le Huillet, Jean-Marie Straub: \u00ab\u00a0Objectivists\u00a0\u00bb in Cinema<\/em><\/a>, Amsterdam, Amsterdam University Press, coll. \u00ab\u00a0Film Culture in Transition\u00a0\u00bb, 2020.<\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7298\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover.jpg\" alt=\"\" width=\"300\" height=\"450\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover.jpg 800w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover-768x1152.jpg 768w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><a href=\"#\" style=\"color:#999999\">Aller en haut<\/a><\/div>\n<h6><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n<p><strong><a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Un\/UnPers.php?PerNum=1071899&amp;LanCode=37&amp;menu=coord\" target=\"_blank\" rel=\"noopener noreferrer\">Beno\u00eet Turquety<\/a><\/strong><\/p>\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11973\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/politiques-de-la-technicite-corps-monde-et-medias-avec-gilbert-simondon\/\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover.jpg 800w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/12\/TURQUETY_2022_Technicite_cover-768x1152.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/politiques-de-la-technicite-corps-monde-et-medias-avec-gilbert-simondon\/\">Politiques de la technicit\u00e9. Corps, monde et m\u00e9dias avec Gilbert Simondon<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11416\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/le-direct-et-le-numerique-techniques-et-politiques-des-medias-decentralises\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1500\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/TURQUETY_2022_direct_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/TURQUETY_2022_direct_cover.jpg 1000w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/TURQUETY_2022_direct_cover-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/TURQUETY_2022_direct_cover-768x1152.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/le-direct-et-le-numerique-techniques-et-politiques-des-medias-decentralises\/\">Le \u00ab Direct \u00bb et le num\u00e9rique. Techniques et politiques des m\u00e9dias d\u00e9centralis\u00e9s<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10731\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/techniques-et-machines-de-cinema-objets-gestes-discours\/\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/08\/TURQUETY_Techniques_cover-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/techniques-et-machines-de-cinema-objets-gestes-discours\/\">Techniques et machines de cin\u00e9ma, objets, gestes, discours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-8540\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/des-avant-dernieres-machines-cinema-techniques-histoire\/\"><img loading=\"lazy\" decoding=\"async\" width=\"815\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/CouvADM_KT0.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/CouvADM_KT0.jpg 815w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/CouvADM_KT0-435x640.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/09\/CouvADM_KT0-768x1131.jpg 768w\" sizes=\"auto, (max-width: 815px) 100vw, 815px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/des-avant-dernieres-machines-cinema-techniques-histoire\/\">Des avant-derni\u00e8res machines. Cin\u00e9ma, techniques, histoire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7295\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/daniele-huillet-jean-marie-straub-objectivists-in-cinema\/\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover.jpg 800w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover-435x653.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/01\/TURQUETY_Huillet_cover-768x1152.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/daniele-huillet-jean-marie-straub-objectivists-in-cinema\/\">Dani\u00e8le Huillet, Jean-Marie Straub: \u00ab\u00a0Objectivists\u00a0\u00bb in Cinema<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7107\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/medium-format-configuration-the-displacements-of-film\/\"><img loading=\"lazy\" decoding=\"async\" width=\"856\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/12\/Turquety_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/12\/Turquety_cover.jpg 856w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/12\/Turquety_cover-435x610.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/12\/Turquety_cover-768x1077.jpg 768w\" sizes=\"auto, (max-width: 856px) 100vw, 856px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/medium-format-configuration-the-displacements-of-film\/\">Medium, Format, Configuration: The Displacements of Film<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6622\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/inventing-cinema-machines-gestures-and-media-history\/\"><img loading=\"lazy\" decoding=\"async\" width=\"933\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/Inventing_Cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/Inventing_Cover.jpg 933w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/Inventing_Cover-435x559.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/09\/Inventing_Cover-768x988.jpg 768w\" sizes=\"auto, (max-width: 933px) 100vw, 933px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/inventing-cinema-machines-gestures-and-media-history\/\">Inventing Cinema: Machines, Gestures and Media History<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6214\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/des-je-prononce-yeux-apres-des-je\/\"><img loading=\"lazy\" decoding=\"async\" width=\"821\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/TURQUETY_Zukofsky-Couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/TURQUETY_Zukofsky-Couv.jpg 821w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/TURQUETY_Zukofsky-Couv-435x636.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/07\/TURQUETY_Zukofsky-Couv-768x1123.jpg 768w\" sizes=\"auto, (max-width: 821px) 100vw, 821px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/des-je-prononce-yeux-apres-des-je\/\">Des je (prononc\u00e9 yeux) \/ Apr\u00e8s des je<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5673\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lamateur-en-cinema-un-autre-paradigme\/\"><img loading=\"lazy\" decoding=\"async\" width=\"759\" height=\"1000\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/TURQUETY_Amateur_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/TURQUETY_Amateur_couv.jpg 759w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/TURQUETY_Amateur_couv-435x573.jpg 435w\" sizes=\"auto, (max-width: 759px) 100vw, 759px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lamateur-en-cinema-un-autre-paradigme\/\">L&rsquo;amateur en cin\u00e9ma. Un autre paradigme<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le cin\u00e9ma europ\u00e9en \u00e0 la lumi\u00e8re de la po\u00e9sie am\u00e9ricaine.<\/p>\n","protected":false},"author":1001615,"featured_media":7298,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[1647,1374,2137,59,1953,2136,2135,2133,14,1233,2134,2138,295],"class_list":{"0":"post-7295","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-benoit-turquety","9":"tag-centre-detudes-cinematographiques-cec","10":"tag-charles-reznikoff","11":"tag-cinema","12":"tag-dispositifs","13":"tag-george-oppen","14":"tag-louis-zukofsky","15":"tag-newsletter-16","16":"tag-poesie","17":"tag-section-dhistoire-et-esthetique-du-cinema","18":"tag-straub-huillet","19":"tag-theodor-adorno","20":"tag-walter-benjamin"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=7295"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7295\/revisions"}],"predecessor-version":[{"id":13030,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/7295\/revisions\/13030"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/7298"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=7295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=7295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=7295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}