{"id":6972,"date":"2017-09-03T10:01:54","date_gmt":"2017-09-03T08:01:54","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=6972"},"modified":"2020-02-03T10:02:19","modified_gmt":"2020-02-03T09:02:19","slug":"othon-de-grandson-poesies-choisies","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/othon-de-grandson-poesies-choisies\/","title":{"rendered":"Othon de Grandson, Po\u00e9sies choisies"},"content":{"rendered":"
\n
Le premier po\u00e8te Suisse romand?<\/strong><\/p>\n

<\/p>\n

Othon de Grandson (vers 1340-1397) n\u2019est pas seulement un personnage haut en couleur, mort de mani\u00e8re violente dans l\u2019un des derniers \u00ab\u00a0jugements de Dieu\u00a0\u00bb du Moyen \u00c2ge, il est l\u2019un des po\u00e8tes les plus consid\u00e9rables de la litt\u00e9rature fran\u00e7aise du XIVe si\u00e8cle.<\/p>\n

Figure essentielle du groupe des \u00ab\u00a0chevaliers po\u00e8tes\u00a0\u00bb de l\u2019automne du Moyen \u00c2ge, il perp\u00e9tue la lyrique courtoise tout en annon\u00e7ant les mutations d\u2019une po\u00e9sie o\u00f9 la voix du je lyrique tient une place essentielle. Initiateur des po\u00e8mes de la saint Valentin (qu\u2019imitera en Angleterre son ami Geoffroi Chaucer), il est aussi l\u2019auteur d\u2019un vaste recueil, Le Livre Messire Ode<\/em>, qui, \u00e0 l\u2019instar du Voir Dit<\/em> de son ma\u00eetre Machaut, conjoint narration et po\u00e8mes ins\u00e9r\u00e9s.<\/p>\n

Plut\u00f4t que de proposer une anthologie dispers\u00e9e de ses po\u00e8mes, Alain\u00a0Corbellari (Section de fran\u00e7ais<\/a>,\u00a0Centre d’\u00e9tudes m\u00e9di\u00e9vales et post-m\u00e9di\u00e9vales<\/a>) a r\u00e9uni ici l\u2019int\u00e9gralit\u00e9 de Livre Messire Ode<\/em> et de Po\u00e8mes de la Saint Valentin<\/em>, ce qui constitue la moiti\u00e9 et sans doute le meilleur de son \u0153uvre.<\/p>\n

Othon de Grandson, Po\u00e9sies choisies<\/em>. Le Livre Messire Ode<\/em> suivi de Po\u00e8mes de la Saint-Valentin<\/em><\/a>, \u00e9dition et pr\u00e9face d\u2019Alain Corbellari, Gollion, Infolio, coll. \u00ab\u00a0Microm\u00e9ga\u00a0\u00bb, 2017.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Alain Corbellari<\/b><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Suisse romande au miroir de la litt\u00e9rature m\u00e9di\u00e9vale<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Je m’en vais… Le geste de l’adieu dans la po\u00e9sie m\u00e9di\u00e9vale<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le complot en litt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00ab Le Long Voyage de L\u00e9na \u00bb : regards crois\u00e9s sur une bande dessin\u00e9e<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Frank Martin. Un lyrisme intranquille<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Moyen \u00c2ge et critique litt\u00e9raire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Denis de Rougemont: Entre litt\u00e9rature, th\u00e9ologie et politique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cingria le vagabond des neumes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Moyen \u00c2ge \u00e0 travers les \u00e2ges<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Deux contes \u00e0 rire m\u00e9di\u00e9vaux. \u00ab\u00a0Le Boucher d\u2019Abbeville\u00a0\u00bb, suivi de \u00ab\u00a0Trubert\u00a0\u00bb<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Charles-Albert Cingria, \u0152uvres compl\u00e8tes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Prismes de l’amour courtois<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L\u2019\u00c9pop\u00e9e pour rire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Othon de Grandson, Po\u00e9sies choisies<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Du Rhin \u00e0 l’Oronte: Maurice Barr\u00e8s \u00e9crivain<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Wagner et les philosophes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’Aventure du sens. M\u00e9langes de philologie proven\u00e7ale en l’honneur de Fran\u00e7ois Zufferey<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Des fabliaux et des hommes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Moyen \u00c2ge en bulles<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le savant dans les lettres<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Philologue et son double<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Roman de Tristan et Iseut<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Romain Rolland et la Suisse<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Benz<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Guillaume d\u2019Orange ou la naissance du h\u00e9ros m\u00e9di\u00e9val<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Florides helv\u00e8tes de Charles-Albert Cingria<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Mots sous les Notes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L\u00e9opold Robert vu par les \u00e9crivains du romantisme fran\u00e7ais<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le R\u00eave m\u00e9di\u00e9val<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Voix des clercs<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Joseph B\u00e9dier, \u00e9crivain et philologue<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Le premier po\u00e8te Suisse romand?<\/p>\n","protected":false},"author":1001615,"featured_media":6974,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[28,1358,289,560,2029,2030,1212],"class_list":{"0":"post-6972","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-alain-corbellari","9":"tag-centre-detudes-medievales-et-post-medievales-cemep","10":"tag-litterature-romande","11":"tag-moyen-age","12":"tag-poesie-lyrique","13":"tag-saint-valentin","14":"tag-section-de-francais"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=6972"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6972\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/6974"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=6972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=6972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=6972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}