{"id":6891,"date":"2019-12-11T09:49:39","date_gmt":"2019-12-11T08:49:39","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=6891"},"modified":"2025-08-07T17:38:51","modified_gmt":"2025-08-07T15:38:51","slug":"faire-oeuvre-dune-reception-portraits-de-spectateurs-de-theatre-spectacles-textes-films-images-xvie-xxie-siecle","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/faire-oeuvre-dune-reception-portraits-de-spectateurs-de-theatre-spectacles-textes-films-images-xvie-xxie-siecle\/","title":{"rendered":"Faire \u0153uvre d&rsquo;une r\u00e9ception: portraits de spectateurs de th\u00e9\u00e2tre (spectacles, textes, films, images) XVIe-XXIe si\u00e8cle"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><strong>En quoi l&rsquo;exp\u00e9rience du spectateur constitue-t-elle un mat\u00e9riau productif?<\/strong><\/p>\n<p><!--more--><\/p>\n<p>Des \u00ab\u00a0com\u00e9dies de spectateurs\u00a0\u00bb du si\u00e8cle de Moli\u00e8re (<em>La Critique de L\u2019\u00c9cole des femmes<\/em>, 1663) aux \u00ab\u00a0spectacles sur les spectateurs\u00a0\u00bb contemporains (<em>Cour d\u2019honneur<\/em> de J\u00e9r\u00f4me Bel, 2013), en passant par les caricatures et les sc\u00e8nes de romans ou de films, l\u2019exp\u00e9rience du spectateur de th\u00e9\u00e2tre n\u2019a cess\u00e9 d\u2019informer les arts. En quoi cette exp\u00e9rience constitue-t-elle un mat\u00e9riau productif, voire une source pour la cr\u00e9ation?<\/p>\n<p>Les \u00e9tudes r\u00e9unies dans ce volume dirig\u00e9 par Lise Michel (<a href=\"https:\/\/unil.ch\/fra\">Section de fran\u00e7ais<\/a>), Delphine Abrecht, doctorante \u00e0 la Facult\u00e9 des lettres et Coline Piot, docteure de la Facult\u00e9 des lettres, s\u2019int\u00e9ressent aux \u00ab\u00a0portraits de spectateurs de th\u00e9\u00e2tre\u00a0\u00bb dont les figures diverses refl\u00e8tent, guident, questionnent ou reconfigurent selon les cas l\u2019appr\u00e9hension d\u2019une \u0153uvre th\u00e9\u00e2trale.<\/p>\n<p>Cet ouvrage s&rsquo;inscrit dans le cadre des recherches men\u00e9es au\u00a0<a href=\"https:\/\/www.unil.ch\/cet\/home.html\">Centre d&rsquo;\u00e9tudes th\u00e9\u00e2trales (CET)<\/a>\u00a0et au\u00a0<a href=\"https:\/\/www.unil.ch\/shc\/fr\/home.html\">Centre des sciences historiques de la culture (SHC)<\/a>\u00a0de la Facult\u00e9 des lettres. Il contient notamment des contributions de chercheurs de l&rsquo;UNIL: Romain Bionda, Cyril L\u00e9cosse\u00a0et Christophe Imp\u00e9riali.\u00a0On trouvera des documents sur la critique th\u00e9\u00e2trale au XVIIe si\u00e8cle dans la base de donn\u00e9es accessible\u00a0<a href=\"https:\/\/ncd17.unil.ch\/\" target=\"_blank\" rel=\"noopener\">ici<\/a>.<\/p>\n<p>Delphine Abrecht, Lise Michel et Coline Piot (dir.), <a href=\"https:\/\/entretemps.org\/products\/faire-oeuvre-de-reception?_pos=2&amp;_sid=39027f202&amp;_ss=r\" target=\"_blank\" rel=\"noopener\"><em>Faire \u0153uvre d&rsquo;une r\u00e9ception: portraits de spectateurs de th\u00e9\u00e2tre (spectacles, textes, films, images) XVIe-XXIe si\u00e8cle<\/em><\/a>, Montpellier, L&rsquo;Entretemps, 2019.<\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6898\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/11\/MICHEL_faire-oeuvre-de-reception.jpg\" alt=\"\" width=\"300\" height=\"421\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/11\/MICHEL_faire-oeuvre-de-reception.jpg 565w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/11\/MICHEL_faire-oeuvre-de-reception-435x611.jpg 435w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>PROJET DE RECHERCHE ASSOCI\u00c9<\/strong><\/h6>\n<ul>\n<li><a href=\"https:\/\/ncd17.unil.ch\/\" target=\"_blank\" rel=\"noopener\">Naissance de la critique dramatique<\/a><\/li>\n<\/ul>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<h6><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n<p><strong>Lise Michel<\/strong><\/p>\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12103\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/ecrire-pour-elles-dramaturges-et-spectatrices-en-europe\/\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/02\/MICHEL_2023_ecrire-pour-elles_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/02\/MICHEL_2023_ecrire-pour-elles_cover.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/02\/MICHEL_2023_ecrire-pour-elles_cover-435x680.jpg 435w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/ecrire-pour-elles-dramaturges-et-spectatrices-en-europe\/\">\u00c9crire pour elles. Dramaturges et spectatrices en Europe<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12032\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/retours-sur-moliere\/\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"904\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/02\/MICHEL_2022_Moliere_cover2.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/02\/MICHEL_2022_Moliere_cover2.jpeg 600w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/02\/MICHEL_2022_Moliere_cover2-435x655.jpeg 435w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/retours-sur-moliere\/\">Retours sur Moli\u00e8re<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11511\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/crime-et-chatiment-la-mort-de-don-juan-moliere-et-mozart-1965-2019\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1563\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/MICHEL_2022_crime_cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/MICHEL_2022_crime_cover.png 1000w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/MICHEL_2022_crime_cover-435x680.png 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/MICHEL_2022_crime_cover-768x1200.png 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/05\/MICHEL_2022_crime_cover-983x1536.png 983w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/crime-et-chatiment-la-mort-de-don-juan-moliere-et-mozart-1965-2019\/\">Crime et ch\u00e2timent : la mort de Don Juan (Moli\u00e8re et Mozart, 1965-2019)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-11449\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/moliere-le-medecin-malgre-lui\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1977\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/MICHEL_Moliere-Medecin_cover.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/MICHEL_Moliere-Medecin_cover.png 1200w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/MICHEL_Moliere-Medecin_cover-435x717.png 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/MICHEL_Moliere-Medecin_cover-768x1265.png 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2022\/04\/MICHEL_Moliere-Medecin_cover-932x1536.png 932w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/moliere-le-medecin-malgre-lui\/\">Moli\u00e8re, Le M\u00e9decin malgr\u00e9 lui<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-7671\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/nouvelles-recherches-sur-le-theatre-classique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/04\/ESCOLA_Nouv_rech_theatre_cover.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/04\/ESCOLA_Nouv_rech_theatre_cover.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/04\/ESCOLA_Nouv_rech_theatre_cover-435x680.jpg 435w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/nouvelles-recherches-sur-le-theatre-classique\/\">Nouvelles recherches sur le th\u00e9\u00e2tre classique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-6891\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/faire-oeuvre-dune-reception-portraits-de-spectateurs-de-theatre-spectacles-textes-films-images-xvie-xxie-siecle\/\"><img loading=\"lazy\" decoding=\"async\" width=\"565\" height=\"793\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/11\/MICHEL_faire-oeuvre-de-reception.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/11\/MICHEL_faire-oeuvre-de-reception.jpg 565w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/11\/MICHEL_faire-oeuvre-de-reception-435x611.jpg 435w\" sizes=\"auto, (max-width: 565px) 100vw, 565px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/faire-oeuvre-dune-reception-portraits-de-spectateurs-de-theatre-spectacles-textes-films-images-xvie-xxie-siecle\/\">Faire \u0153uvre d&rsquo;une r\u00e9ception: portraits de spectateurs de th\u00e9\u00e2tre (spectacles, textes, films, images) XVIe-XXIe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-4235\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/moliere-les-femmes-savantes\/\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/09\/MICHEL_couv_test.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/09\/MICHEL_couv_test.jpeg 724w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/09\/MICHEL_couv_test-435x721.jpeg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/09\/MICHEL_couv_test-181x300.jpeg 181w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/09\/MICHEL_couv_test-618x1024.jpeg 618w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/moliere-les-femmes-savantes\/\">Moli\u00e8re, Les Femmes savantes<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-4039\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/naissance-de-la-critique-dramatique\/\"><img loading=\"lazy\" decoding=\"async\" width=\"797\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/07\/MICHEL_Lise_Naissance_couv_highres.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/07\/MICHEL_Lise_Naissance_couv_highres.jpg 797w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/07\/MICHEL_Lise_Naissance_couv_highres-435x655.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/07\/MICHEL_Lise_Naissance_couv_highres-199x300.jpg 199w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/07\/MICHEL_Lise_Naissance_couv_highres-768x1156.jpg 768w, https:\/\/wp.unil.ch\/labelettres\/files\/2018\/07\/MICHEL_Lise_Naissance_couv_highres-680x1024.jpg 680w\" sizes=\"auto, (max-width: 797px) 100vw, 797px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/naissance-de-la-critique-dramatique\/\">Naissance de la critique dramatique<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-3339\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/lidee-dun-theatre-originaire-dans-la-theorie-et-la-pratique-dramatiques-xvii-xxie-siecle\/\"><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"102\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2018\/03\/MICHEL_Lise_theatre_originaire_couv-e1752229246226.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/lidee-dun-theatre-originaire-dans-la-theorie-et-la-pratique-dramatiques-xvii-xxie-siecle\/\">L&rsquo;id\u00e9e d&rsquo;un th\u00e9\u00e2tre originaire dans la th\u00e9orie et la pratique dramatiques (XVII-XXIe si\u00e8cle)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>En quoi l&rsquo;exp\u00e9rience du spectateur constitue-t-elle un mat\u00e9riau productif?<\/p>\n","protected":false},"author":1001615,"featured_media":6898,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_analysis_target_kw":"","footnotes":""},"categories":[2,3],"tags":[3344,1222,1250,679,1553,892,2009,1212,1138,151],"class_list":{"0":"post-6891","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-3344","10":"tag-centre-detudes-theatrales-cet","11":"tag-centre-des-sciences-historiques-de-la-culture","12":"tag-critique","13":"tag-delphine-abrecht","14":"tag-lise-michel","15":"tag-newsletter-14","16":"tag-section-de-francais","17":"tag-spectateurs","18":"tag-theatre"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=6891"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6891\/revisions"}],"predecessor-version":[{"id":15284,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6891\/revisions\/15284"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/6898"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=6891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=6891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=6891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}