{"id":6697,"date":"2019-10-31T14:34:45","date_gmt":"2019-10-31T13:34:45","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=6697"},"modified":"2019-10-31T14:34:45","modified_gmt":"2019-10-31T13:34:45","slug":"andre-beucler-portraits-et-amities-litteraires","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/andre-beucler-portraits-et-amities-litteraires\/","title":{"rendered":"Andr\u00e9 Beucler: portraits et amiti\u00e9s litt\u00e9raires"},"content":{"rendered":"
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Portraits d\u2019un t\u00e9moin capital du XXe si\u00e8cle litt\u00e9raire.<\/strong><\/p>\n

Tout au long de sa vie, l’\u00e9crivain fran\u00e7ais Andr\u00e9 Beucler (1898-1985) a travers\u00e9 de nombreux r\u00e9seaux culturels, en ne cessant de portraiturer les \u00e9crivains c\u00f4toy\u00e9s. R\u00e9investissant la tradition des portraits litt\u00e9raires, ses hommages redonnent une forme de pr\u00e9sence \u00e0 des auteurs disparus, \u00e0 la faveur d\u2019une \u00e9criture volontiers narrative. Ils font revivre des figures \u00e0 la fois connues et oubli\u00e9es, issues de la Belle \u00c9poque, du modernisme ou encore de la seconde moiti\u00e9 du si\u00e8cle, de telle sorte que l\u2019on croisera dans ce num\u00e9ro tout \u00e0 la fois P. Bourget, C. Maurras, C.-L. Philippe, A. Gide, A. Monnier, P. Morand, B. Cendrars, J. Pr\u00e9vost, M. Jacob, J. Giraudoux, A. de Saint-Exup\u00e9ry, R. Laporte, M. Aym\u00e9, L. Cathlin, J. Porel, J. Fayard et P.-J. Launay.<\/p>\n

L\u2019\u00e9dition pr\u00e9fac\u00e9e et annot\u00e9e d’\u00c9milien Sermier\u00a0(Section de fran\u00e7ais<\/a>) offre un floril\u00e8ge de portraits qui s\u2019av\u00e8re pr\u00e9cieux pour \u00e9largir les histoires de la modernit\u00e9, mais aussi pour revisiter \u2013 de l\u2019int\u00e9rieur \u2013 divers modes de vies litt\u00e9raires, \u00e0 travers le regard de celui qui s’impose en d\u00e9finitive comme un \u00ab\u00a0t\u00e9moin capital\u00a0\u00bb du XXe si\u00e8cle.<\/p>\n

Andr\u00e9 Beucler: portraits et amiti\u00e9s litt\u00e9raires<\/em><\/a>, \u00e9dition pr\u00e9fac\u00e9e et annot\u00e9e par \u00c9milien Sermier, Revue Plaisirs de m\u00e9moire et d’avenir (Cahiers de l’Association Andr\u00e9 Beucler)<\/em>, n\u00b0 7, octobre 2019.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n

\u00c9milien Sermier<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Constellation Cendrars n\u00b09<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Diam\u00e9tralement modernes. Po\u00e8tes francophones d’Am\u00e9rique latine<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Vicente Huidobro, Horizon carr\u00e9 et autres po\u00e8mes fran\u00e7ais<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Alfredo Gangotena, Orog\u00e9nie et autres po\u00e8mes fran\u00e7ais<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Une Saison dans le roman. Explorations modernistes : d’Apollinaire \u00e0 Supervielle (1917-1930)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Caricatures de la vie litt\u00e9raire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Andr\u00e9 Beucler: portraits et amiti\u00e9s litt\u00e9raires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Gustave Roud \u2013 G\u00e9rard de Pal\u00e9zieux, Correspondance 1951-1976<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Faire litt\u00e9rature. Usages et pratiques du litt\u00e9raire (XIXe-XXIe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Gustave Roud: Entretiens<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Variations sur un standard. Jeux et m\u00e9tamorphoses dans les trois romans biographiques de Jean Echenoz<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
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Portraits d\u2019un t\u00e9moin capital du XXe si\u00e8cle litt\u00e9raire.<\/p>\n","protected":false},"author":1001615,"featured_media":6700,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3],"tags":[1965,561,348,8,177,1957,569,1212],"class_list":{"0":"post-6697","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"tag-andre-beucler","9":"tag-emilien-sermier","10":"tag-histoire-litteraire","11":"tag-litterature","12":"tag-modernite","13":"tag-newsletter-13","14":"tag-portrait","15":"tag-section-de-francais"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=6697"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6697\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/6700"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=6697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=6697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=6697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}