{"id":6622,"date":"2019-09-30T09:29:23","date_gmt":"2019-09-30T07:29:23","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=6622"},"modified":"2019-09-30T09:29:57","modified_gmt":"2019-09-30T07:29:57","slug":"inventing-cinema-machines-gestures-and-media-history","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/inventing-cinema-machines-gestures-and-media-history\/","title":{"rendered":"Inventing Cinema: Machines, Gestures and Media History"},"content":{"rendered":"
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Les m\u00e9dias num\u00e9riques sont-ils la (r\u00e9)invention du cin\u00e9ma?<\/strong><\/p>\n

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Cet ouvrage cherche \u00e0 analyser avec pr\u00e9cision les machines qui ont fait et font encore le cin\u00e9ma, en les repla\u00e7ant chaque fois dans leur milieu historique et culturel. Il vise \u00e0 comprendre comment aux machines viennent s\u2019agencer des pratiques qui toujours les d\u00e9passent et les reconfigurent.<\/p>\n

Utilisant la philosophie de Gilbert Simondon, les outils de la technologie culturelle et de l’\u00e9pist\u00e9mologie historique, Beno\u00eet Turquety (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>) appr\u00e9hende les machines par le double mouvement d’une arch\u00e9ologie \u2013 les machines sont des archives de gestes \u2013 et d’une \u00e9pist\u00e9mologie \u2013 on en reconstruit les structures conceptuelles implicites. La question de l’invention se trouve ainsi red\u00e9ploy\u00e9e dans toutes ses dimensions.<\/p>\n

Ce livre s’inscrit dans le cadre des recherche men\u00e9es au sein du\u00a0Groupe de recherche Dispositifs<\/a>\u00a0de la Facult\u00e9 des lettres, et en particulier du projet \u00c9pist\u00e9mologie des m\u00e9dias num\u00e9riques<\/a>. Il est li\u00e9 au r\u00e9seau de recherche international TECHN\u00c8S<\/a>.<\/p>\n

Beno\u00eet Turquety,\u00a0Inventing Cinema: Machines, Gestures and Media History<\/i><\/a>,\u00a0Amsterdam, Amsterdam University Press, 2019.<\/p>\n<\/div><\/div>\n

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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Beno\u00eet Turquety<\/a><\/strong><\/p>\n\n\n

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Politiques de la technicit\u00e9. Corps, monde et m\u00e9dias avec Gilbert Simondon<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le \u00ab Direct \u00bb et le num\u00e9rique. Techniques et politiques des m\u00e9dias d\u00e9centralis\u00e9s<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Techniques et machines de cin\u00e9ma, objets, gestes, discours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Des avant-derni\u00e8res machines. Cin\u00e9ma, techniques, histoire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Dani\u00e8le Huillet, Jean-Marie Straub: \u00ab\u00a0Objectivists\u00a0\u00bb in Cinema<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Medium, Format, Configuration: The Displacements of Film<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Inventing Cinema: Machines, Gestures and Media History<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Des je (prononc\u00e9 yeux) \/ Apr\u00e8s des je<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’amateur en cin\u00e9ma. Un autre paradigme<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
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Les m\u00e9dias num\u00e9riques sont-ils la (r\u00e9)invention du cin\u00e9ma?<\/p>\n","protected":false},"author":1001615,"featured_media":6626,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[1647,59,1953,755,11,1939,1233,549],"class_list":{"0":"post-6622","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-benoit-turquety","10":"tag-cinema","11":"tag-dispositifs","12":"tag-epistemologie","13":"tag-medias","14":"tag-newsletter-12","15":"tag-section-dhistoire-et-esthetique-du-cinema","16":"tag-technologie"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=6622"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6622\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/6626"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=6622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=6622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=6622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}