{"id":6250,"date":"2016-09-04T13:21:52","date_gmt":"2016-09-04T11:21:52","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=6250"},"modified":"2020-09-08T09:57:14","modified_gmt":"2020-09-08T07:57:14","slug":"puissances-du-cinema-ecriture-et-parole-espace-et-regard-montage","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/puissances-du-cinema-ecriture-et-parole-espace-et-regard-montage\/","title":{"rendered":"Puissances du cin\u00e9ma. \u00c9criture et parole – Espace et regard – Montage"},"content":{"rendered":"
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Le cin\u00e9ma est vou\u00e9 \u00e0 se transformer sans cesse<\/strong><\/p>\n

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Au point de d\u00e9part des enqu\u00eates de ce volume o\u00f9 Hitchcock voisine avec Marey et Vertov avec Jean-Marie Straub et Dani\u00e8le Huillet, on retrouve une m\u00eame puissance, contenue dans des films. C’est \u00e0 travers ce prisme que Fran\u00e7ois Albera (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>) examine des questions fondamentales, comme celles du mouvement et de la fixit\u00e9, du montage et de la mise en sc\u00e8ne ou des intertitres et du cin\u00e9ma muet.<\/p>\n

L’impression de r\u00e9alit\u00e9 produit par le cin\u00e9ma, l’influence qu’il exerce sur les foules – \u00e0 la fois g\u00e9n\u00e9ratrice de peur et d’engouement – ont engendr\u00e9 une pens\u00e9e sur ses virtualit\u00e9s sur le plan de la communication et de la circulation des informations. Li\u00e9 \u00e0 la modernit\u00e9 technicienne et industrielle, le cin\u00e9ma doit changer de supports, de fonctions, d’utilisateurs et d’utilisatrices, se sp\u00e9cialiser comme se g\u00e9n\u00e9raliser. Ces puissances du m\u00e9dia \u00ab\u00a0cin\u00e9ma\u00a0\u00bb – aujourd’hui advenues sous les esp\u00e8ces de la vid\u00e9o, du num\u00e9rique, de l’internet – ne sont pas s\u00e9parables de celles du m\u00e9dium.<\/p>\n

Fran\u00e7ois Albera,\u00a0Puissances du cin\u00e9ma. \u00c9criture et parole – Espace et regard – Montage<\/i><\/a>, Lausanne, L’\u00c2ge d’Homme, 2016.<\/p>\n<\/div><\/div>\n

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\n<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Fran\u00e7ois Albera<\/a>
\n<\/strong><\/p>\n\n\n

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Puissances du cin\u00e9ma. \u00c9criture et parole – Espace et regard – Montage<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Cin\u00e9-dispositifs. Spectacles, cin\u00e9ma, t\u00e9l\u00e9vision, litt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Le film sur l’art : entre histoire de l’art et documentaire de cr\u00e9ation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cinema Beyond Film. Media Epistemology in the Modern Era<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Le cin\u00e9ma est vou\u00e9 \u00e0 se transformer sans cesse<\/p>\n","protected":false},"author":1002146,"featured_media":8509,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[2497,59,1741,2091,135,2498,1005,70,846,2501,2499,2504,2294,74,73,2500,1491,320,1233,2502,2503],"class_list":{"0":"post-6250","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-alfred-hitchcock","9":"tag-cinema","10":"tag-cinema-muet","11":"tag-cinema-numerique","12":"tag-communication","13":"tag-dziga-vertov","14":"tag-ecriture","15":"tag-francois-albera","16":"tag-internet","17":"tag-intertitres","18":"tag-jean-marie-straub-et-daniele-huillet","19":"tag-lage-dhomme","20":"tag-medias-de-masse","21":"tag-mise-en-scene","22":"tag-montage","23":"tag-mouvement","24":"tag-numerique","25":"tag-regards","26":"tag-section-dhistoire-et-esthetique-du-cinema","27":"tag-supports","28":"tag-video"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002146"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=6250"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6250\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/8509"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=6250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=6250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=6250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}