{"id":6240,"date":"2017-09-08T08:21:25","date_gmt":"2017-09-08T06:21:25","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=6240"},"modified":"2020-10-01T08:17:33","modified_gmt":"2020-10-01T06:17:33","slug":"la-critica-letteraria-nellitalia-del-settecento-forme-e-problemi","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/la-critica-letteraria-nellitalia-del-settecento-forme-e-problemi\/","title":{"rendered":"La critica letteraria nell\u2019Italia del Settecento. Forme e problemi"},"content":{"rendered":"
\n
La r\u00e9invention d’une critique litt\u00e9raire<\/strong><\/p>\n

\u00c0 la fin du XVIIe si\u00e8cle, une nouvelle forme de critique litt\u00e9raire voit le jour en Italie. Tout en se r\u00e9f\u00e9rant \u00e0 des mod\u00e8les classiques (Aristote, Horace), elle a recours, en termes de forme et de contenu, \u00e0 de larges innovations. Mais c’est v\u00e9ritablement au cours du si\u00e8cle suivant que les hommes et les femmes de lettres, les savant\u00b7e\u00b7s et les critiques italien\u00b7ne\u00b7s s’engagent plus r\u00e9solument \u00e0 repenser les cat\u00e9gories et les modes de r\u00e9flexion h\u00e9rit\u00e9s de la tradition (venue surtout de France et d’Angleterre).<\/p>\n

Ce renouvellement passe par l’\u00e9largissement des genres textuels (dialogues, trait\u00e9s, articles de journaux, pamphlets, lettres satiriques, essais, parodies) et l’\u00e9mergence de nouveaux types d’intervention critique. N\u00e9s d’un souci de rupture avec le pass\u00e9 mais aussi d’humeurs et d’idiosyncrasies personnelles, l’\u00e9rudition et la philologie du XVIIIe si\u00e8cle ont ainsi permis de mener \u00e0 bien des initiatives \u00e9ditoriales qui sont encore aujourd’hui pr\u00e9cieuses et in\u00e9gal\u00e9es.<\/p>\n

Les onze essais r\u00e9unis dans ce volume par Gabriele Bucchi (Section d’italien<\/a>)\u00a0font suite \u00e0 deux journ\u00e9es d’\u00e9tude tenues \u00e0 l’Universit\u00e9 de Lausanne en octobre 2016. Ils analysent diff\u00e9rentes remises en cause de notre tradition litt\u00e9raire, et \u00e9clairent l’apparition de nouvelles questions sur le r\u00f4le de la litt\u00e9rature et de l’homme et femmes de lettres au si\u00e8cle des Lumi\u00e8res.<\/p>\n

Gabriele Bucchi,\u00a0Carlo Enrico Roggia\u00a0(a cura di),\u00a0La critica letteraria nell\u2019Italia del Settecento. Forme e problemi<\/a>,\u00a0<\/i>Ravenna, Angelo Longo, 2017.<\/p>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Gabriele Bucchi<\/b><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Il grido del pavone. Alessandro Tassoni tra fascinazione eroica e demistificazione scettica<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Crime et ch\u00e2timent : la mort de Don Juan (Moli\u00e8re et Mozart, 1965-2019)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La critica letteraria nell\u2019Italia del Settecento. Forme e problemi<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’Op\u00e9ra en toutes lettres<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’eroicomico dall’Italia all’Europa. Atti del convegno, Universit\u00e0 di Losanna, 9-10 settembre 2011<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00abMeraviglioso diletto\u00bb. La traduzione poetica del Cinquecento e le Metamorfosi d’Ovidio di Giovanni Andrea dell’Anguillara<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

La r\u00e9invention d’une critique litt\u00e9raire<\/p>\n","protected":false},"author":1002146,"featured_media":6242,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[3,4],"tags":[2513,270,8,18,416,1240,49],"class_list":{"0":"post-6240","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-langues-litteratures","8":"category-sciences-historiques","9":"tag-critique-litteraire","10":"tag-gabriele-bucchi","11":"tag-litterature","12":"tag-lumieres","13":"tag-philologie","14":"tag-section-ditalien","15":"tag-xviiie-siecle"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1002146"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=6240"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6240\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/6242"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=6240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=6240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=6240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}