{"id":6156,"date":"2019-07-02T11:26:23","date_gmt":"2019-07-02T09:26:23","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=6156"},"modified":"2019-07-02T11:26:23","modified_gmt":"2019-07-02T09:26:23","slug":"tessere-per-un-nuovo-inizio-il-battistero-paleocristiano-di-napoli-e-i-suoi-mosaici","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/tessere-per-un-nuovo-inizio-il-battistero-paleocristiano-di-napoli-e-i-suoi-mosaici\/","title":{"rendered":"Tessere per un nuovo inizio. Il battistero paleocristiano di Napoli e i suoi mosaici"},"content":{"rendered":"
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Quel d\u00e9cor pour l’initiation?\u00a0Voyage dans le plus ancien baptist\u00e8re d’Occident.<\/strong><\/p>\n

<\/p>\n

Fond\u00e9 entre la fin du IVe et les premi\u00e8res ann\u00e9es du Ve si\u00e8cle, le baptist\u00e8re de Naples est un monument crucial qui marque la transition entre l’Antiquit\u00e9 tardive et le premier Moyen \u00c2ge.\u00a0En d\u00e9pit de son importance, aucune monographie moderne \u00e0 son sujet n’avait jusqu’\u00e0 ce jour \u00e9t\u00e9 publi\u00e9e.<\/p>\n

Le livre de Chiara Croci\u00a0(Section d’histoire de l’art<\/a>)\u00a0r\u00e9pond \u00e0 ce besoin en expliquant l’extraordinaire d\u00e9coration en mosa\u00efque de l’\u00e9difice. L’auteure analyse le d\u00e9cor dans son rapport au contexte architectural, au d\u00e9roulement du rituel baptismal, et donc aux conditions de visibilit\u00e9 de l’ensemble.<\/p>\n

Richement illustr\u00e9, l’ouvrage plonge le lecteur dans un monument qui permet d’illustrer les probl\u00e9matiques majeures li\u00e9es \u00e0 l’essor des images chr\u00e9tiennes dans l’espace public.<\/p>\n

Chiara Croci, Tessere per un nuovo inizio. Il battistero paleocristiano di Napoli e i suoi mosaici<\/em><\/a>, Napoli, Arte’m, 2019.<\/p>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Chiara Croci<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Una finestra su Roma altomedievale. Pitture e mosaici<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Rome on the Borders. Visual Cultures during the Carolingian Transition<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Tessere per un nuovo inizio. Il battistero paleocristiano di Napoli e i suoi mosaici<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Entre terre et ciel. Les \u00e9difices \u00e0 coupole et leur d\u00e9cor entre l’Antiquit\u00e9 tardive et le haut Moyen \u00c2ge<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Una \u201cquestione campana\u201d. La prima arte monumentale cristiana tra Napoli, Nola e Capua (secc. IV-VI)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Quel d\u00e9cor pour l’initiation?\u00a0Voyage dans le plus ancien baptist\u00e8re d’Occident.<\/p>\n","protected":false},"author":1001615,"featured_media":6158,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,4],"tags":[1828,634,638,1358,633,1829,1827,1214],"class_list":{"0":"post-6156","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-sciences-historiques","9":"tag-antiquite-tardive","10":"tag-art-paleochretien","11":"tag-baptisteres","12":"tag-centre-detudes-medievales-et-post-medievales-cemep","13":"tag-chiara-croci","14":"tag-mosaique","15":"tag-newsletter-10","16":"tag-section-dhistoire-de-lart"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=6156"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6156\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/6158"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=6156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=6156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=6156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}