{"id":6146,"date":"2019-07-02T16:18:44","date_gmt":"2019-07-02T14:18:44","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=6146"},"modified":"2024-05-24T16:33:50","modified_gmt":"2024-05-24T14:33:50","slug":"la-mort-de-lauteur","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/la-mort-de-lauteur\/","title":{"rendered":"La Mort de l’auteur"},"content":{"rendered":"
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Comment la mort d’un auteur agit-elle sur la production et la r\u00e9ception de ses \u0153uvres?<\/strong><\/p>\n

<\/p>\n

Ce num\u00e9ro r\u00e9fl\u00e9chit aux cons\u00e9quences de la mort des auteurs\u00b7rices sur la production et la r\u00e9ception de leurs \u0153uvres, ainsi que sur la constitution de l\u2019histoire artistique et\/ou litt\u00e9raire.<\/p>\n

\u00c0 travers dix \u00e9tudes de cas ayant trait aux beaux-arts (Paul Gauguin, Christian Boltanski), au cin\u00e9ma (Tamer al?Awam, Christian Poveda, etc.), \u00e0 la litt\u00e9rature (Emmanu\u00e8le Bernheim, Louis H\u00e9mon, Bernard Lamarche?Vadel, \u00c9douard Lev\u00e9, Elsa Triolet) et au th\u00e9\u00e2tre (Christophe Honor\u00e9, Christoph Schlingensief), ce dossier interroge les relations qui se nouent entre les \u0153uvres et la mort, et donc entre l\u2019art et la vie. Suivent deux entretiens, l\u2019un sur l\u2019art et le sida autour de 1990, l\u2019autre sur \u00ab\u00a0l\u2019agir de la litt\u00e9rature\u00a0\u00bb, et une traduction de l\u2019article \u00ab\u00a0Litt\u00e9rature et biographie\u00a0\u00bb (1923) de Boris Tomachevski.<\/p>\n

Les articles de ce num\u00e9ro, codirig\u00e9 par Romain Bionda (Section de fran\u00e7ais<\/a>), sont accessibles en int\u00e9gralit\u00e9\u00a0<\/span>ici<\/a>. Ce num\u00e9ro est associ\u00e9 au dossier critique n\u00b054 de la revue Acta fabula<\/em>, paru sous le m\u00eame titre, qui r\u00e9unit des comptes rendus de r\u00e9centes publications ayant trait \u00e0 la mort des auteurs\u00b7rices. \u00c0 retrouver\u00a0<\/span>ici<\/a>.<\/p>\n

L\u2019ensemble s\u2019inscrit dans le cadre des recherches men\u00e9es au\u00a0<\/span>Centre interdisciplinaire d\u2019\u00e9tude des litt\u00e9ratures (CIEL)<\/a>.<\/p>\n

Romain Bionda, Jean-Louis Jeannelle (dir.), La Mort de l’auteur<\/em><\/a>, Fabula-LhT<\/em>, n\u00b0\u00a022, en ligne, 2019.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Romain Bionda<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2026<\/a>\n\t\t\t\t\t\t\t\t

Retour vers le vivant: valoriser les archives filmiques et sonores des arts du spectacle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Femmes de spectacle (danse, op\u00e9ra, th\u00e9\u00e2tre). Cr\u00e9ation, repr\u00e9sentation et sociabilit\u00e9 au f\u00e9minin, 1650-1914<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La V\u00e9rit\u00e9 sur le Multivers<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

THEBADWEEDS #HYPERLIENS<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Publier la litt\u00e9rature: le texte et ses m\u00e9dias (\u00e9dition, exposition, performance)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Th\u00e9\u00e2tre de science-fiction. Premiers \u00e9l\u00e9ments de cartographie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les \u00e9tudes th\u00e9\u00e2trales \u00e0 l’intersection des disciplines<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Mort de l’auteur<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Faire litt\u00e9rature. Usages et pratiques du litt\u00e9raire (XIXe-XXIe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Conditions du th\u00e9\u00e2tre : un \u00e9tat de la recherche<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Conditions du th\u00e9\u00e2tre : la th\u00e9\u00e2tralisation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Conditions du th\u00e9\u00e2tre : le th\u00e9\u00e2tralisable et le th\u00e9\u00e2tralis\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Comment la mort d’un auteur agit-elle sur la production et la r\u00e9ception de ses \u0153uvres?<\/p>\n","protected":false},"author":1001615,"featured_media":6175,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[3344,1826,125,801,1222,1444,1824,1825,1823,1822,1827,535,1554,1212,447,1307],"class_list":{"0":"post-6146","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-3344","10":"tag-artiste","11":"tag-auteur","12":"tag-biographie","13":"tag-centre-detudes-theatrales-cet","14":"tag-centre-interdisciplinaire-detude-des-litteratures","15":"tag-derniere-oeuvre","16":"tag-fonction-de-lart","17":"tag-hermeneutique","18":"tag-mort-de-lauteur","19":"tag-newsletter-10","20":"tag-poetique","21":"tag-romain-bionda","22":"tag-section-de-francais","23":"tag-xxe-siecle","24":"tag-xxie-siecle"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=6146"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6146\/revisions"}],"predecessor-version":[{"id":13010,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/6146\/revisions\/13010"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/6175"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=6146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=6146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=6146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}