{"id":5923,"date":"2019-05-06T10:46:48","date_gmt":"2019-05-06T08:46:48","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=5923"},"modified":"2019-05-06T10:46:48","modified_gmt":"2019-05-06T08:46:48","slug":"la-peinture-hollandaise-et-la-foi-catholique-au-xviie-siecle","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/la-peinture-hollandaise-et-la-foi-catholique-au-xviie-siecle\/","title":{"rendered":"La peinture hollandaise et la foi catholique au XVIIe si\u00e8cle"},"content":{"rendered":"
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En terre r\u00e9form\u00e9e, existe-t-il des tableaux manifestes de la foi catholique ?<\/strong><\/p>\n

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\u00c0 l\u2019\u00e2ge de la Contre-R\u00e9forme, le catholicisme n\u00e9erlandais a su inspirer des \u0153uvres sp\u00e9cifiques et originales, dont l\u2019\u00e9tude permet de renouveler l\u2019histoire de la peinture religieuse en Hollande au XVIIe si\u00e8cle, mais aussi celle, moins attendue, du portrait, du paysage et des sc\u00e8nes de la vie quotidienne. Comment, en terre r\u00e9form\u00e9e, les convictions religieuses des Catholiques ont pu trouver une forme d\u2019expression dans la peinture ?<\/p>\n

L\u2019\u0153uvre de certains peintres, tels qu\u2019Abraham Bloemaert ou Johannes Vermeer, pr\u00e9sente des traces d\u2019engagement confessionnel, mais la question d\u2019un regard catholique port\u00e9 sur l\u2019\u0153uvre doit aussi \u00eatre soulev\u00e9e. \u00c0 travers l\u2019\u00e9tude des \u0153uvres, de leur mise en contexte et de leur r\u00e9ception, il est d\u00e8s lors possible de saisir, au moins en partie, les sentiments d\u2019appartenance \u00e0 la confession catholique d\u2019une partie de la soci\u00e9t\u00e9 hollandaise du XVIIe si\u00e8cle et d\u2019esquisser les contours d\u2019une peinture catholique en pays de mission.<\/p>\n

L\u2019ouvrage de L\u00e9onie Marquaille (Section d’histoire de l’art<\/a>) apporte une nouvelle compr\u00e9hension des rapports entre les pratiques artistiques et les sentiments religieux au Si\u00e8cle d\u2019Or hollandais.<\/p>\n

L\u00e9onie Marquaille, La peinture hollandaise et la foi catholique au XVIIe si\u00e8cle<\/em><\/a>, Rennes, Presses Universitaires de Rennes, 2019.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

L\u00e9onie Marquaille<\/strong><\/a><\/p>\n\n\n

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D\u00e9cor et architecture (XVIe-XVIIIe si\u00e8cles): entre union et s\u00e9paration des arts<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La peinture hollandaise et la foi catholique au XVIIe si\u00e8cle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

En terre r\u00e9form\u00e9e, existe-t-il des tableaux manifestes de la foi catholique ?<\/p>\n","protected":false},"author":1001615,"featured_media":5925,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[375,1766,1351,1764,1723,217,1765,1214,345],"class_list":{"0":"post-5923","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-catholicisme","9":"tag-confessions","10":"tag-contre-reforme","11":"tag-leonie-marquaille","12":"tag-newsletter-8","13":"tag-peinture","14":"tag-provinces-unies","15":"tag-section-dhistoire-de-lart","16":"tag-xviie-siecle"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=5923"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5923\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/5925"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=5923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=5923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=5923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}