{"id":5892,"date":"2019-05-02T08:23:39","date_gmt":"2019-05-02T06:23:39","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=5892"},"modified":"2019-04-30T14:09:16","modified_gmt":"2019-04-30T12:09:16","slug":"cinema-sogno-e-allucinazione-dalle-origini-agli-anni-venti","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/cinema-sogno-e-allucinazione-dalle-origini-agli-anni-venti\/","title":{"rendered":"Cinema, sogno e allucinazione dalle origini agli anni venti"},"content":{"rendered":"
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Quel r\u00f4le le r\u00eave et l\u2019hallucination ont-ils jou\u00e9 pour le cin\u00e9ma muet\u00a0?<\/strong><\/p>\n

<\/p>\n

D\u00e8s le d\u00e9but du XXe si\u00e8cle, le r\u00eave et l\u2019hallucination ont nourrit la r\u00e9flexion sur le cin\u00e9ma, \u00e0 la fois au niveau du fonctionnement du film dans une logique d\u2019encha\u00eenement d\u2019images qui d\u00e9fie les lois de la raison, et du dispositif qui place le spectateur dans une posture de r\u00eave \u00e9veill\u00e9 propice \u00e0 l\u2019illusion de r\u00e9alit\u00e9.<\/p>\n

Le film est alors per\u00e7u comme un moyen de traduire ou de r\u00e9cr\u00e9er un r\u00eave. Il est aussi susceptible de plonger le spectateur dans un \u00e9tat analogue au r\u00eave ou \u00e0 l\u2019hallucination gr\u00e2ce aux conditions sp\u00e9cifiques de la projection.<\/p>\n

D\u2019une mani\u00e8re g\u00e9n\u00e9rale, durant ses premi\u00e8res ann\u00e9es d\u2019existence, le cin\u00e9ma appara\u00eet comme un m\u00e9dium permettant d\u2019acc\u00e9der \u00e0 l\u2019invisible du monde physique et psychique, l\u2019immat\u00e9rialit\u00e9 du film projet\u00e9 rappelant le pouvoir du cin\u00e9ma \u00e0 transcender les limites de l\u2019espace et du temps.<\/p>\n

Ce dossier th\u00e9matique trilingue de la revue italienne d’histoire du cin\u00e9ma\u00a0Immagine<\/em>, codirig\u00e9 par Mireille Berton (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>), propose d’explorer le r\u00f4le jou\u00e9 par le r\u00eave et l’hallucination \u00e0 l’\u00e8re du cin\u00e9ma muet.<\/p>\n

Mireille Berton,\u00a0Silvio Alovisio\u00a0(dir.),\u00a0Cinema, sogno e allucinazione dalle origini agli anni venti<\/i><\/a>,\u00a0Immagine. Note di Storia del Cinema<\/em>, n\u00b018, s\u00e9rie IV, juillet-d\u00e9cembre 2018.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Mireille Berton<\/b><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

L’outre-humain. Automates, performances m\u00e9caniques et cultures spectaculaires<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2025<\/a>\n\t\t\t\t\t\t\t\t

Spectatrices du cin\u00e9ma. Aux origines d’un imaginaire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le m\u00e9dium (au) cin\u00e9ma. Le spiritisme \u00e0 l\u2019\u00e9cran<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cinema, sogno e allucinazione dalle origini agli anni venti<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Circulation des images : cin\u00e9ma, photographie et nouveaux m\u00e9dias \/ Die Zirkulation der Bilder : Film, Fotografie und neue Medien<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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S\u00e9ries t\u00e9l\u00e9vis\u00e9es contemporaines<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Corps nerveux des spectateurs. Cin\u00e9ma et sciences du psychisme autour de 1900<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La t\u00e9l\u00e9vision du T\u00e9l\u00e9phonoscope \u00e0 YouTube. Pour une arch\u00e9ologie de l\u2019audiovision<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Quel r\u00f4le le r\u00eave et l\u2019hallucination ont-ils jou\u00e9 pour le cin\u00e9ma muet\u00a0?<\/p>\n","protected":false},"author":1001615,"featured_media":5895,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[1749,530,1162,1754,1747,1741,1744,1742,1746,1753,1740,1755,1745,1751,1743,847,1748,1723,800,781,1587,1752,1233,1750],"class_list":{"0":"post-5892","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-antonin-artaud","9":"tag-avant-garde","10":"tag-cinema-des-premiers-temps","11":"tag-cinema-francais","12":"tag-cinema-italien","13":"tag-cinema-muet","14":"tag-emile-cohl","15":"tag-freud","16":"tag-gallone","17":"tag-germaine-dulac","18":"tag-hallucination","19":"tag-jean-epstein","20":"tag-malombra","21":"tag-man-ray","22":"tag-melies","23":"tag-mireille-berton","24":"tag-nerven","25":"tag-newsletter-8","26":"tag-psychanalyse","27":"tag-psychologie","28":"tag-reve","29":"tag-robert-desnos","30":"tag-section-dhistoire-et-esthetique-du-cinema","31":"tag-surrealisme"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=5892"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5892\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/5895"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=5892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=5892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=5892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}