{"id":5673,"date":"2017-09-18T13:34:38","date_gmt":"2017-09-18T11:34:38","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=5673"},"modified":"2019-09-18T13:35:26","modified_gmt":"2019-09-18T11:35:26","slug":"lamateur-en-cinema-un-autre-paradigme","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/lamateur-en-cinema-un-autre-paradigme\/","title":{"rendered":"L’amateur en cin\u00e9ma. Un autre paradigme"},"content":{"rendered":"
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Comment l\u2019amateur permet-il de repenser le cin\u00e9ma\u00a0?<\/strong><\/p>\n

<\/p>\n

Cet ouvrage pose la question de l\u2019amateurisme et du sujet de cin\u00e9ma qu\u2019il produit, en d\u00e9jouant les hi\u00e9rarchies esth\u00e9tiques et soci\u00e9tales ou les distinctions entre films de famille ou de clubs.<\/p>\n

Le r\u00e9cit de \u00ab\u00a0l\u2019amateur en cin\u00e9ma\u00a0\u00bb, comme le montrent les contributions rassembl\u00e9es dans ce volume co\u00e9dit\u00e9 par Beno\u00eet Turquety (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>), a chang\u00e9\u00a0: la pratique est \u00e0 pr\u00e9sent pleinement int\u00e9gr\u00e9e au champ des \u00e9tudes cin\u00e9matographiques tandis que les \u0153uvres film\u00e9es sont r\u00e9attribu\u00e9es \u00e0 leurs auteurs, qu\u2019ils soient fameux ou anonymes.<\/p>\n

L\u2019ouvrage propose une autre histoire du cin\u00e9ma rendant manifestes des usages ou des contextes cin\u00e9matographiques en marges.\u00a0Le livre est accompagn\u00e9 d\u2019un DVD qui t\u00e9moigne de la diversit\u00e9 des films et des probl\u00e9matiques soulev\u00e9es. Il est issu du colloque international organis\u00e9 en 2015 \u00e0 l’Universit\u00e9 Fran\u00e7ois-Rabelais \u00e0 Tours (France), en collaboration avec l’UNIL.<\/p>\n

Val\u00e9rie Vignaux, Beno\u00eet Turquety (dir.),\u00a0L’amateur en cin\u00e9ma. Un autre paradigme. Histoire, esth\u00e9tique, marges et institutions<\/i><\/a>,\u00a0Paris,\u00a0AFRHC – Association fran\u00e7aise de recherche sur l’histoire du cin\u00e9ma, 2017.<\/p>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
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TOUTES LES NOTICES DE<\/strong><\/h6>\n

Beno\u00eet Turquety<\/a><\/strong><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Politiques de la technicit\u00e9. Corps, monde et m\u00e9dias avec Gilbert Simondon<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le \u00ab Direct \u00bb et le num\u00e9rique. Techniques et politiques des m\u00e9dias d\u00e9centralis\u00e9s<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Techniques et machines de cin\u00e9ma, objets, gestes, discours<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Des avant-derni\u00e8res machines. Cin\u00e9ma, techniques, histoire<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Dani\u00e8le Huillet, Jean-Marie Straub: \u00ab\u00a0Objectivists\u00a0\u00bb in Cinema<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Medium, Format, Configuration: The Displacements of Film<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Inventing Cinema: Machines, Gestures and Media History<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
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Des je (prononc\u00e9 yeux) \/ Apr\u00e8s des je<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

L’amateur en cin\u00e9ma. Un autre paradigme<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Comment l\u2019amateur permet-il de repenser le cin\u00e9ma\u00a0?<\/p>\n","protected":false},"author":1001615,"featured_media":5676,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[1944,1942,1943,1647,1945,1233],"class_list":{"0":"post-5673","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-amateur","9":"tag-amateur-en-cinema","10":"tag-amateurisme","11":"tag-benoit-turquety","12":"tag-hierarchie","13":"tag-section-dhistoire-et-esthetique-du-cinema"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=5673"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5673\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/5676"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=5673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=5673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=5673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}