{"id":5654,"date":"2017-11-01T17:44:18","date_gmt":"2017-11-01T16:44:18","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=5654"},"modified":"2019-04-01T17:44:29","modified_gmt":"2019-04-01T15:44:29","slug":"eric-rohmer-le-spectateur-seduit-de-la-representation","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/eric-rohmer-le-spectateur-seduit-de-la-representation\/","title":{"rendered":"\u00c9ric Rohmer\u00a0: Le spectateur s\u00e9duit. De la repr\u00e9sentation"},"content":{"rendered":"
\n
Qu\u2019est-ce que la s\u00e9duction selon \u00c9ric Rohmer ?<\/strong><\/p>\n

<\/p>\n

Inscrit dans ce que l\u2019on appelle \u00ab\u00a0le cin\u00e9ma moderne\u00a0\u00bb, le r\u00e9alisateur fran\u00e7ais \u00c9ric Rohmer\u00a0(1920-2010) n\u2019a cess\u00e9 de revendiquer son classicisme. Le paradoxe se comprend par la force structurante de la r\u00e9f\u00e9rence \u00e0 la litt\u00e9rature libertine, qui explique le r\u00e9cit rohm\u00e9rien comme les rapports entre les personnages.<\/p>\n

Cette r\u00e9\u00e9dition augment\u00e9e du livre de Maria Tortajada (Section d’histoire et esth\u00e9tique du cin\u00e9ma<\/a>) le confirme \u00e0 travers l\u2019analyse des films des ann\u00e9es 2000 et celle de nombreux \u00e9crits in\u00e9dits. L’enjeu est th\u00e9orique : l\u2019auteure d\u00e9finit une forme de s\u00e9duction dont le principe est l\u2019ambigu\u00eft\u00e9. S\u00e9duire, c\u2019est capter le d\u00e9sir de l\u2019autre en donnant son propre d\u00e9sir en repr\u00e9sentation.<\/p>\n

Appara\u00eet alors un nouveau Rohmer, lecteur de Sade \u2013 ce dont t\u00e9moigne le court texte publi\u00e9 ici pour la premi\u00e8re fois, \u00ab\u00a0Les infortunes de la vertu. D\u2019apr\u00e8s une \u0153uvre c\u00e9l\u00e8bre du XVIIIe si\u00e8cle fran\u00e7ais\u00a0\u00bb \u2013 et cin\u00e9aste-\u00e9crivain, dont la d\u00e9marche cr\u00e9atrice explore les limites entre litt\u00e9rature et cin\u00e9ma.<\/p>\n

Maria Tortajada, \u00c9<\/em>ric Rohmer\u00a0: Le spectateur s\u00e9duit. De la repr\u00e9sentation<\/i><\/a>,\u00a0Paris, Kim\u00e9, 2017.<\/p>\n<\/div><\/div>\n

\"\"<\/p>\n<\/div><\/div>\n<\/div>\n
<\/div>\n
\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Maria Tortajada<\/strong><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

\u00c9ric Rohmer\u00a0: Le spectateur s\u00e9duit. De la repr\u00e9sentation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cin\u00e9-dispositifs. Spectacles, cin\u00e9ma, t\u00e9l\u00e9vision, litt\u00e9rature<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Cinema Beyond Film. Media Epistemology in the Modern Era<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Qu\u2019est-ce que la s\u00e9duction selon \u00c9ric Rohmer ?<\/p>\n","protected":false},"author":1001615,"featured_media":5657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2],"tags":[1250,59,723,1435,1664,1642,1663,1233,1662,1156,1661],"class_list":{"0":"post-5654","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"tag-centre-des-sciences-historiques-de-la-culture","9":"tag-cinema","10":"tag-film","11":"tag-libertinage","12":"tag-litterature-18e-siecle","13":"tag-maria-tortajada","14":"tag-nouvelle-vague","15":"tag-section-dhistoire-et-esthetique-du-cinema","16":"tag-seduction","17":"tag-spectateur","18":"tag-theorie-de-la-representation"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=5654"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5654\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/5657"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=5654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=5654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=5654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}