{"id":5608,"date":"2019-04-08T09:24:00","date_gmt":"2019-04-08T07:24:00","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=5608"},"modified":"2020-11-30T07:33:58","modified_gmt":"2020-11-30T06:33:58","slug":"revisiting-adventure","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/revisiting-adventure\/","title":{"rendered":"Revisiting Adventure"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><strong>Persistance du genre du r\u00e9cit d\u2019aventure au XXIe si\u00e8cle.<\/strong><!--more--><\/p>\n<p>Le genre du r\u00e9cit d\u2019aventure a \u00e9t\u00e9 principalement \u00e9tudi\u00e9 dans les romans et les nouvelles. Pourtant, la culture visuelle (peinture, th\u00e9\u00e2tre, expositions itin\u00e9rantes) et le cin\u00e9ma ont aussi fait usage des caract\u00e9ristiques du r\u00e9cit d\u2019aventure en s\u2019appuyant sur la m\u00eame confrontation entre la figure imaginaire du sauvage et le h\u00e9ros masculin blanc.<\/p>\n<p>Ce num\u00e9ro sp\u00e9cial, co\u00e9dit\u00e9 par Agnieszka Soltysik Monnet\u00a0(<a href=\"https:\/\/www.unil.ch\/angl\/en\/home.html\">Section d&rsquo;anglais<\/a>), souligne la mani\u00e8re dont le r\u00e9cit d\u2019aventure est intimement li\u00e9 aux projets modernes de construction de la nation et d\u2019imp\u00e9rialisme. Il r\u00e9unit des contributions portant sur la litt\u00e9rature et le roman graphique, le cin\u00e9ma et les jeux vid\u00e9os, et d\u00e9montre que le r\u00e9cit d\u2019aventure existe toujours en tant que genre et influence de nombreuses productions culturelles du XXIe si\u00e8cle.<\/p>\n<p>L\u2019article d\u2019Agnieszka Soltysik Monnet\u00a0<a href=\"https:\/\/onlinelibrary.wiley.com\/doi\/10.1111\/jpcu.12735\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0American War Adventure and the Generic Pleasures of Military Violence : Clint Eastwood&rsquo;s <em>American Sniper\u00a0\u00bb<\/em><\/a> a re\u00e7u le prix Russel B. Nye Award du meilleur article de l\u2019ann\u00e9e publi\u00e9 dans le <em>Journal of Popular Culture<\/em>.<\/p>\n<p>Les articles sont accessibles en libre acc\u00e8s <a href=\"https:\/\/onlinelibrary.wiley.com\/toc\/15405931\/2018\/51\/6\" target=\"_blank\" rel=\"noopener noreferrer\">ici<\/a>.<\/p>\n<p>Agnieszka Soltysik Monnet, Johan Hoglund (eds),\u00a0<i><a href=\"https:\/\/onlinelibrary.wiley.com\/toc\/15405931\/2018\/51\/6\" target=\"_blank\" rel=\"noopener noreferrer\">Revisiting Adventure<\/a>,\u00a0<\/i><i>The Journal of Popular Culture<\/i>, vol. 51, n\u00b06, d\u00e9c. 2018.<\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5610\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/jpcu.12591.fp_.png\" alt=\"\" width=\"300\" height=\"454\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/jpcu.12591.fp_.png 650w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/jpcu.12591.fp_-435x659.png 435w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<div id=\"watch-headline-title\">\n<h6><strong>TOUTES LES NOTICES DE<\/strong><\/h6>\n<p><strong><a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Un\/UnPers.php?PerNum=1051531&amp;LanCode=37\">Agnieszka Soltysik Monnet<\/a><\/strong><\/p>\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-12237\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/the-ecological-future-moving-beyond-narratives-of-progress-and-apocalypse-in-the-anthropocene\/\"><img loading=\"lazy\" decoding=\"async\" width=\"840\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/06\/SOLTYSIK_2022_Ecological-Future_cover2.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2023\/06\/SOLTYSIK_2022_Ecological-Future_cover2.jpg 840w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/06\/SOLTYSIK_2022_Ecological-Future_cover2-435x621.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2023\/06\/SOLTYSIK_2022_Ecological-Future_cover2-768x1097.jpg 768w\" sizes=\"auto, (max-width: 840px) 100vw, 840px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/the-ecological-future-moving-beyond-narratives-of-progress-and-apocalypse-in-the-anthropocene\/\">The Ecological Future: Moving Beyond Narratives of Progress and Apocalypse in the Anthropocene<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-9599\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/combat-death-in-contemporary-american-culture-popular-conceptions-of-war-since-wwii\/\"><img loading=\"lazy\" decoding=\"async\" width=\"748\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Combat-Death-in-Contemporary-American-Culture_LITHO_Proof3-22.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Combat-Death-in-Contemporary-American-Culture_LITHO_Proof3-22.jpg 748w, https:\/\/wp.unil.ch\/labelettres\/files\/2020\/11\/Combat-Death-in-Contemporary-American-Culture_LITHO_Proof3-22-435x698.jpg 435w\" sizes=\"auto, (max-width: 748px) 100vw, 748px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/combat-death-in-contemporary-american-culture-popular-conceptions-of-war-since-wwii\/\">Combat Death in Contemporary American Culture: Popular Conceptions of War since WWII<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5608\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/revisiting-adventure\/\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"984\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/jpcu.12591.fp_.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/jpcu.12591.fp_.png 650w, https:\/\/wp.unil.ch\/labelettres\/files\/2019\/03\/jpcu.12591.fp_-435x659.png 435w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/revisiting-adventure\/\">Revisiting Adventure<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1089\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/neoliberal-gothic-international-gothic-in-the-neoliberal-age\/\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"623\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2017\/10\/Nelobieral_gothic_v3.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2017\/10\/Nelobieral_gothic_v3.jpg 400w, https:\/\/wp.unil.ch\/labelettres\/files\/2017\/10\/Nelobieral_gothic_v3-193x300.jpg 193w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/neoliberal-gothic-international-gothic-in-the-neoliberal-age\/\">Neoliberal Gothic. International Gothic in the neoliberal age<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1184\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/war-gothic-in-literature-and-culture\/\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"614\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2016\/10\/WAR_GOTHIC_couv.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2016\/10\/WAR_GOTHIC_couv.jpg 400w, https:\/\/wp.unil.ch\/labelettres\/files\/2016\/10\/WAR_GOTHIC_couv-195x300.jpg 195w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/war-gothic-in-literature-and-culture\/\">War Gothic in Literature and Culture<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10012\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/gothic-matters\/\"><img loading=\"lazy\" decoding=\"async\" width=\"546\" height=\"800\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/TM6_covera.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/TM6_covera.jpg 546w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/01\/TM6_covera-435x637.jpg 435w\" sizes=\"auto, (max-width: 546px) 100vw, 546px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/gothic-matters\/\">Gothic Matters<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-10108\" class=\"su-post \">\n\t\t\t\t\t\t\t\t\t<a class=\"su-post-thumbnail\" href=\"https:\/\/wp.unil.ch\/labelettres\/emotion-affect-sentiment-the-language-and-aesthetics-of-feelings\/\"><img loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/SPELL-Cover-30FINAL-page-001-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/SPELL-Cover-30FINAL-page-001-1.jpg 790w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/SPELL-Cover-30FINAL-page-001-1-435x661.jpg 435w, https:\/\/wp.unil.ch\/labelettres\/files\/2021\/02\/SPELL-Cover-30FINAL-page-001-1-768x1167.jpg 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a>\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/wp.unil.ch\/labelettres\/emotion-affect-sentiment-the-language-and-aesthetics-of-feelings\/\">Emotion, Affect, Sentiment: The Language and Aesthetics of Feelings<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n<div class=\"su-divider su-divider-style-default\" style=\"margin:15px 0;border-width:1px;border-color:#999999\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Persistance du genre du r\u00e9cit d\u2019aventure au XXIe si\u00e8cle.<\/p>\n","protected":false},"author":1001615,"featured_media":5610,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[1673,188,1679,1682,1680,1678,231,1674,1683,408,1675,1681,1659,11,556,1677,1630,1684,1399,1676],"class_list":{"0":"post-5608","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-adventure","10":"tag-agnieszka-soltysik-monnet","11":"tag-american-sniper","12":"tag-aventure","13":"tag-call-of-duty","14":"tag-clint-eastwood","15":"tag-genre","16":"tag-imperialism","17":"tag-imperialisme","18":"tag-masculinite","19":"tag-masculinity","20":"tag-mash-up","21":"tag-media","22":"tag-medias","23":"tag-narration","24":"tag-narrative","25":"tag-newsletter-7","26":"tag-recit-daventure","27":"tag-section-danglais","28":"tag-violence"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=5608"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5608\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/5610"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=5608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=5608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=5608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}