{"id":5463,"date":"2017-03-15T13:35:48","date_gmt":"2017-03-15T12:35:48","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=5463"},"modified":"2024-05-24T16:30:30","modified_gmt":"2024-05-24T14:30:30","slug":"les-conditions-du-theatre-un-etat-de-la-recherche","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/les-conditions-du-theatre-un-etat-de-la-recherche\/","title":{"rendered":"Les Conditions du th\u00e9\u00e2tre : un \u00e9tat de la recherche"},"content":{"rendered":"
\n
Comptes rendus de lectures sur les conditions du th\u00e9\u00e2tre.<\/strong><\/p>\n

<\/p>\n

Ce dossier r\u00e9unit des comptes rendus d\u2019ouvrages fort diff\u00e9rents portant sur la question des conditions du th\u00e9\u00e2tre, parmi lesquels le collectif dirig\u00e9 par Olivier Bara et Marie \u00c8ve Th\u00e9renty sur les rapports entretenus par le th\u00e9\u00e2tre et la presse au XIXe si\u00e8cle, le livre de Violaine Anger sur la conception qu\u2019Hector Berlioz a du th\u00e9\u00e2tre, l\u2019\u00e9tude d\u2019Alessandra Zanobi sur ce qu\u2019on appelle aujourd\u2019hui \u00ab\u00a0le th\u00e9\u00e2tre\u00a0\u00bb de S\u00e9n\u00e8que, l\u2019essai d\u2019Olivier Saccomano sur ce que pourrait signifier \u00ab\u00a0l\u2019id\u00e9e de th\u00e9\u00e2tre\u00a0\u00bb, celui de Ralph Willingham sur les lieux de la science-fiction au th\u00e9\u00e2tre, ou encore l\u2019ouvrage de Muriel Plana sur les modalit\u00e9s de l\u2019adaptation th\u00e9\u00e2trale.<\/p>\n

Ce num\u00e9ro d\u2019Acta fabula\u00a0<\/em>dirig\u00e9 par Romain Bionda (Section de fran\u00e7ais<\/a>) s\u2019inscrit dans le cadre des recherches men\u00e9es au Centre d’\u00e9tudes th\u00e9\u00e2trales (CET)<\/a>. Les articles sont accessibles en int\u00e9gralit\u00e9 ici<\/a>.<\/p>\n

Un colloque<\/a> sur ces questions a \u00e9t\u00e9 organis\u00e9 en avril 2017 \u00e0 l\u2019Universit\u00e9 de Lausanne. Deux publications prolongent ces r\u00e9flexions\u00a0: Les Conditions du th\u00e9\u00e2tre : le th\u00e9\u00e2tralisable et le th\u00e9\u00e2tralis\u00e9<\/em><\/a>, ainsi que Les Conditions du th\u00e9\u00e2tre : la th\u00e9\u00e2tralisation<\/em><\/a>.<\/p>\n

Romain Bionda (dir.), Les Conditions du th\u00e9\u00e2tre : un \u00e9tat de la recherche<\/em><\/a>, Acta fabula. La revue des parutions<\/em>, vol. 18, n\u00b08, dossier 47, en ligne, 2017.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Romain Bionda<\/strong><\/a><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\t\t\"2026<\/a>\n\t\t\t\t\t\t\t\t

Retour vers le vivant: valoriser les archives filmiques et sonores des arts du spectacle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Femmes de spectacle (danse, op\u00e9ra, th\u00e9\u00e2tre). Cr\u00e9ation, repr\u00e9sentation et sociabilit\u00e9 au f\u00e9minin, 1650-1914<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La V\u00e9rit\u00e9 sur le Multivers<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

THEBADWEEDS #HYPERLIENS<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Publier la litt\u00e9rature: le texte et ses m\u00e9dias (\u00e9dition, exposition, performance)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Th\u00e9\u00e2tre de science-fiction. Premiers \u00e9l\u00e9ments de cartographie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les \u00e9tudes th\u00e9\u00e2trales \u00e0 l’intersection des disciplines<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Mort de l’auteur<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Faire litt\u00e9rature. Usages et pratiques du litt\u00e9raire (XIXe-XXIe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Conditions du th\u00e9\u00e2tre : un \u00e9tat de la recherche<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Conditions du th\u00e9\u00e2tre : la th\u00e9\u00e2tralisation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Conditions du th\u00e9\u00e2tre : le th\u00e9\u00e2tralisable et le th\u00e9\u00e2tralis\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Comptes rendus de lectures sur les conditions du th\u00e9\u00e2tre.<\/p>\n","protected":false},"author":1001615,"featured_media":5636,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[3346,1222,1137,1554,1212,1561,151,1136],"class_list":{"0":"post-5463","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-3346","10":"tag-centre-detudes-theatrales-cet","11":"tag-histoire-du-theatre","12":"tag-romain-bionda","13":"tag-section-de-francais","14":"tag-theatralite","15":"tag-theatre","16":"tag-theorie-du-theatre"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=5463"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5463\/revisions"}],"predecessor-version":[{"id":12998,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5463\/revisions\/12998"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/5636"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=5463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=5463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=5463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}