{"id":5461,"date":"2017-02-15T13:36:59","date_gmt":"2017-02-15T12:36:59","guid":{"rendered":"http:\/\/wp.unil.ch\/labelettres\/?p=5461"},"modified":"2024-05-24T16:30:38","modified_gmt":"2024-05-24T14:30:38","slug":"les-conditions-du-theatre-la-theatralisation","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/labelettres\/les-conditions-du-theatre-la-theatralisation\/","title":{"rendered":"Les Conditions du th\u00e9\u00e2tre : la th\u00e9\u00e2tralisation"},"content":{"rendered":"
\n
Quels sont les enjeux de la th\u00e9\u00e2tralisation\u00a0?<\/strong><\/p>\n

<\/p>\n

Le th\u00e9\u00e2tre n’existe pas… sinon \u00e0 travers ses conditions, telles que pens\u00e9es et d\u00e9sir\u00e9es par les artistes (mais aussi les spectateurs,\u00a0les critiques, les historiens…) et telles qu’actualis\u00e9es par les spectacles.<\/p>\n

Ce dossier r\u00e9unit des contributions portant sur les enjeux de la th\u00e9\u00e2tralisation. Il retient trois axes de r\u00e9flexion. Le premier consiste en l\u2019exploration des enjeux politiques et sociaux de la th\u00e9\u00e2tralisation, tandis que le second cible plut\u00f4t ses enjeux artistiques et esth\u00e9tiques. Le troisi\u00e8me concerne plus sp\u00e9cifiquement la notion de th\u00e9\u00e2tralit\u00e9.<\/p>\n

Ce num\u00e9ro de la revue Acta Litt&Arts\u00a0<\/em>coordonn\u00e9 par Romain Bionda (Section de fran\u00e7ais<\/a>) s\u2019inscrit dans le cadre des recherches men\u00e9es au Centre d’\u00e9tudes th\u00e9\u00e2trales (CET)<\/a>\u00a0de la Facult\u00e9 des lettres. Les articles sont accessibles en int\u00e9gralit\u00e9 ici<\/a>.<\/p>\n

Un colloque<\/a> sur ces questions a \u00e9t\u00e9 organis\u00e9 en avril 2017 \u00e0 l\u2019Universit\u00e9 de Lausanne. Deux publications prolongent ces r\u00e9flexions\u00a0: Les Conditions du th\u00e9\u00e2tre : le th\u00e9\u00e2tralisable et le th\u00e9\u00e2tralis\u00e9<\/em><\/a>, ainsi que Les Conditions du th\u00e9\u00e2tre : un \u00e9tat de la recherche<\/em><\/a>.<\/p>\n

Romain Bionda (coord.), Les Conditions du th\u00e9\u00e2tre : la th\u00e9\u00e2tralisation<\/a><\/em>, Acta Litt&Arts<\/em>, n\u00b04, en ligne, 2017.<\/p>\n<\/div><\/div>\n

\"\"<\/div><\/div>\n<\/div>\n
<\/div>\n
TOUTES LES NOTICES DE<\/strong><\/h6>\n

Romain Bionda<\/strong><\/a><\/p>\n\n\n

\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"2026<\/a>\n\t\t\t\t\t\t\t\t

Retour vers le vivant: valoriser les archives filmiques et sonores des arts du spectacle<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Femmes de spectacle (danse, op\u00e9ra, th\u00e9\u00e2tre). Cr\u00e9ation, repr\u00e9sentation et sociabilit\u00e9 au f\u00e9minin, 1650-1914<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La V\u00e9rit\u00e9 sur le Multivers<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

THEBADWEEDS #HYPERLIENS<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Publier la litt\u00e9rature: le texte et ses m\u00e9dias (\u00e9dition, exposition, performance)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Le Th\u00e9\u00e2tre de science-fiction. Premiers \u00e9l\u00e9ments de cartographie<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les \u00e9tudes th\u00e9\u00e2trales \u00e0 l’intersection des disciplines<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

La Mort de l’auteur<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Faire litt\u00e9rature. Usages et pratiques du litt\u00e9raire (XIXe-XXIe si\u00e8cles)<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Conditions du th\u00e9\u00e2tre : un \u00e9tat de la recherche<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Conditions du th\u00e9\u00e2tre : la th\u00e9\u00e2tralisation<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\"\"<\/a>\n\t\t\t\t\t\t\t\t

Les Conditions du th\u00e9\u00e2tre : le th\u00e9\u00e2tralisable et le th\u00e9\u00e2tralis\u00e9<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n
<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Quels sont les enjeux de la th\u00e9\u00e2tralisation\u00a0?<\/p>\n","protected":false},"author":1001615,"featured_media":5639,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,3],"tags":[3346,1222,1137,1554,1212,1563,1561,151,1136],"class_list":{"0":"post-5461","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-medias","8":"category-langues-litteratures","9":"tag-3346","10":"tag-centre-detudes-theatrales-cet","11":"tag-histoire-du-theatre","12":"tag-romain-bionda","13":"tag-section-de-francais","14":"tag-theatralisation","15":"tag-theatralite","16":"tag-theatre","17":"tag-theorie-du-theatre"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/users\/1001615"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/comments?post=5461"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5461\/revisions"}],"predecessor-version":[{"id":12999,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/posts\/5461\/revisions\/12999"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media\/5639"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/media?parent=5461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/categories?post=5461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/labelettres\/wp-json\/wp\/v2\/tags?post=5461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}